Gung Haggis Fat Choy, a scholarly take as alternative to the “Scottish Discursive Unconsious”

Gung Haggis Fat Choy making it's way into the lexicon of journals about Scottish culture:
Dr. Leith Davis writes about Toddish McWong for Scottish on-line journal – The Bottle Imp

Leith Davis of SFU Centre of Scottish Studies, writes that “Gung
Haggis Fat Choy” bucks the trend of “Scottish Discursive Unconscious.” 

She writes: “In his contribution to the recent volume on
Transatlantic Scots
, Colin McArthur comments on what he calls
the “Scottish Discursive Unconscious,” a restricted range of “images, tones, rhetorical tropes, and ideological
tendencies, often within utterances promulgated decades (sometimes even a century or more) apart”…

“Vancouver, British Columbia, serves as a good test case for McArthur's comments. Like so many Canadian cities,
it has been home over the years to a large population of Scottish immigrants….
“There are indeed traces of the Scottish Discursive Unconscious at work in Vancouver….

“Gung Haggis Fat Choy takes many of the features of traditional Burns nights and gives them a non-traditional twist…The “Address to the Haggis” morphs into the “Rap to the Haggis,” featuring Joe MacDonald and Todd Wong with a
synthesized beat maker in the background. The “Toast to the Lassies” in 2009 was a rap-poem delivered by a
lassie with an all-male chorus. In addition, Asian elements are added, such as a “bamboo clappertale” about Robert
Burns and his teacher by Jan Walls and music by the Silk Road Music Ensemble. Haggis wontons and other delicacies
suggest a culinary as well as cultural fusion. Gung Haggis Fat Choy does not stop at mixing together those of Chinese
and Scottish heritage. Rather, its aim is to provide a celebratory venue in which those from all cultures can be
comfortable. The 2009 dinner opened, for example, with a blessing from Musqueam elder Larry Grant, a reminder,
perhaps, that we are all immigrants here at some time in the past.

Where traditional Burns suppers of today include very little poetry, apart from snippets of the bard's most
famous works, Gung Haggis Fat Choy keeps the spirit of Burns's creativity alive by featuring readings from
Asian-Canadian poets and donating money to the Asian Canadian Writers' Workshop, Ricepaper magazine and the
Joy Kogawa House. Kogawa was one of the first Asian-Canadian writers to reach a national popular audience
with her 1981 novel Obasan.

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