Category Archives: Canadian Identity

Canada’s First Asian Canadian Writers Festival, September 21 to 25

LiterAsian poster5.6 print-page-001 copy

Our Theme – History and Memory
As Canada nears its 150 celebration of Confederation, it is timely for the Asian Canadian community to gather to reflect on its history.
Festival Pass
This year we are launching a festival pass. This $20 festival pass will allow the purchaser unlimited access to all five of our workshops and three panels as well as an annual membership to ACWW which includes subscription to the online version of Ricepaper magazine and discounts to some community partnership events. A good deal plus a great way to show your support to the Asian Canadian writing community.
Opening Event

Panel Discussion: Searching the Past – Locating History and Memory 
Vancouver Public Library, 350 W Georgia Street
Wednesday, September 21, 6.00pm

Our opening event will be hosted jointly by the Vancouver Public Library on Wednesday, Sept 21, 6pm at the Central Branch lower level, Alice MacKay Room. The panel will explore the different ways we chose to gather and record the past and illuminate the deeds of earlier generations. The panel will include Award-winning authors and editors, Paul Yee, Denise Chong, SKY Lee, JJ Lee, Simon Choa Johnston, Jean Barman and Judy Hanazawa.

Additional Panels

Crossing Boundaries: Writing the Diaspora
Chinese Cultural Centre Museum 555 Columbia Street
Friday, September 23, 6.00pm

Aside from the opening event panel at VPL, we have a Friday evening 6pm panel “Crossing Boundaries: Writing the Diaspora” at the Chinese Cultural Centre Museum (555 Columbia Street). The panel will look at History and Memory from the perspective of diasporic writing when our writers situate their stories beyond Canadian shores. Panelists, Simon Choa Johnston’s new publication, The House of Two Wives begin his story in Calcutta by way of Bagdad and eventually end up in Hong Kong. C. Fong Hsiung traces the plight of the Hakka community following the India-China war of 1962, the Chinese Indians (the Hakka), fearing suspicion and hostility, begin to emigrate. Fong Hsiung’s main character, Jillian Wu was sent to Canada as a picture bride to marry a man she had never met. Filmmaker and director, Cheuk Kwan and cinematographer, Kwoi Jin are partners in a 15 part documentary series “Chinese Restaurants” that tells the stories of the diasporic Chinese from such places such as Argentina, Brazil, Cuba, India, Israel, Madagascar, Mauritius , Norway, Peru, South Africa, Trinidad, Turkey and Canada. They will discuss their new book project to further elaborate on what didn’t ‘make it” into the film. Anna Wang Yuan is a Canadian novelist currently living in California. She edited an anthology “The Strangers” a short story collection by nine new generation ethnic Chinese writers, mostly immigrants who reflect the alienation of being a stranger in a strange land.

The Medium as the Message: Telling Stories Beyond the Written Word

Chinese Cultural Centre Museum 555 Columbia Street, Vancouver, BC
Saturday, September 24, 3.00pm

The written word is not the only way we can communicate our idea. This panel brings together storytellers, filmmakers and those who use other creative means to create effective content. Sarah Ling is a part of a team of producers, writers and filmmakers that are based in U.B.C. and together with elder Larry grant has chronicled Larry dual native aboriginal/Chinese heritage on film. Dan Seto uses youtube as a vehicle for his “Chinese Canadian Roots TV” to explore and chronicling his roots through cooking, culture, travel, history and events. 1985 to 1987, Paul Yee served as Chairman of the Saltwater City Exhibition Committee of the Chinese Cultural Centre and along with David Wong, help put together this seminal Exhibition about the Chinese in Vancouver. David Wong also published an acclaimed graphic novel,”Escape from Gold Mountain”. Filmmaker and director, Cheuk Kwan and cinematographer, Kwoi Jin are partners in a 15 part documentary series “Chinese Restaurants” that tells the stories of the diasporic Chinese from such places such as Argentina, Brazil, Cuba, India, Israel, Madagascar, Mauritius , Norway, Peru, South Africa, Trinidad, Turkey and Canada.  This is a multi-media panel where each panelist will showcase some of their activities and discuss the creative process behind work.

Workshops
Location for all workshops – UBC Learning Centre (612 Main Street)

1. The Self-Publishing Process (September 24, 11.00AM-12.30PM) – Workshop leader – Edwin Lee

2. Writing A Reflective Memoir: Telling a Great Story from Beginning to End (September 24, 1.00PM-2.30PM) Workshop leader – J.J. Lee

3. Literature and Rendering Memory (September 25, 11.00AM-12.30PM)Workshop leader – Denise Chong

4. Food and Inspiration of Storytelling from Memory (September 25, 1.00PM-2.30PM) Workshop leader – Larry Wong

5. Writing Effectively Using a ‘Trace’ and a ‘Hook’ (September 25, 3.00PM-4.30PM) – Workshop leader – Jean Barman

Book Launches

Book Launch: “Gently to Nagasaki” by Joy Kogawa 

Vancouver Public library, Central Branch, Lower floor, Alice MacKay Room
September 22, 6:30pmJoy Kogawa’s new memoir, “Gently to Nagasaki” is presented in partnership with the Historic Joy Kogawa House, the Vancouver Public Library, and Caitlin Press. This intimate exploration, both communal and intensely personal, invites you on a spiritual pilgrimage of forgiveness and resilience. Set in Vancouver and Toronto, the outposts of Slocan and Coaldale, the streets of Nagasaki and the high mountains of Shikoku, Japan, it is also an account of a remarkable life.
Book Launch: Picture Bride by C. Fong Hsiung Chinese Cultural Centre Museum, 555 Columbia Street, Vancouver,
Saturday, September 24, 2.00pm
Following the India-China war of 1962, the Chinese Indians (the Hakka), fearing suspicion and hostility, begin to emigrate. In Picture Bride, set during a period of changing times and changing values, twenty-year-old Jillian Wu leaves Calcutta to marry a man she has never met—Peter Chou, also a Hakka—with much anticipation, only to discover that he is gay. Forced by her husband to keep up the charade of a “normal” marriage, and pressured by her in-laws to have a child, she flees back to Calcutta, only to be disowned by her conservative family. A moving story with political overtones, Picture Bride confronts the politics of family, culture, and women’s rights.
Book Launch: The Strangers edited by Anna Wang Yuan

Chinese Cultural Centre Museum, 555 Columbia Street, Vancouver, BC., Saturday,

September 24, 4.00pm

What kind of images does “Chinese” stir up in your mind? Do you think of strange-looking workers who built the railroads before 1900? Or the quiet math genius from your high school whose strange-sounding name you’ve long forgotten? Perhaps you recall the mysterious man who brought bags of cash to pay for a car or even a house. In a time of globalization, you’ve learned to work with strangers and live amongst strangers, yet you’ve probably only read books written by familiar names. Anna Wang Yuan compiled the nine stories and written the foreword.
LiterASIAN at WORD Vancouver (11.00am to 5.00pm Library Square)

Come join us at the annual Word Vancouver, down at Library Square and meet our featured writers, Paul Yee, Simon Choa Johnston, JJ Lee and Joy Kogawa.  Come and say Hello at the Ricepaper Magazine/literasian table  Word Vancouver is Western Canada’s largest celebration of literacy and reading event. Book and magazine fair celebrating literacy and the printed word. (http://wordvancouver.ca/2016-festival/)

Closing Event

Gala Dinner $50 per person 

Sunday September 25, 6pm

Golden Phoenix Restaurant 2425 Nanaimo StreetCome join in to share a meal that includes a 10-course Peking Duck dinner and have a chance to meet and talk to and get your books signed by the featured writers, in our 2016 program. Our Gala dinner is a fun-filled event which includes celebrity MCs and music from our literASIAN house band with lots of prizes and of course, a ten course Chinese meal.

The $50 ticket also offers a one-year membership to the ACWW as well as a one-year subscription to Ricepaper Magazine (online version) and discounts and special opportunities to community partner events. So come and support the creation of new writers and readers in our community and celebrate the end of another successful festival.

Italian for a day… in Vancouver

Italian Day, Commercial Drive, June 9

Italian for a day… Italian is actually the third language I learned, while I learned to play accordion. It is the language of music.. Rossini, Puccini… and O Solo Mio. I grew up near Commercial Drive and had lots of Italian-Canadian friends, and later I even had Italian girlfriends. I played accordion for their families. I cook fettucini and linguine noodles with beef stir-fry and Chinese oyster or soy sauce. And maybe… I will organize a dragon boat team for the Italian Cultural Centre.
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These two ladies were dancers in the flash mob that took place in front of the main stage, after the speeches finished.  About 20 dancers with carnivale masks did a synchronized routine – spectacular!  One of their mothers took this picture for me.

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My friend Giulio Recchioni is the Cultural director for Il Centro: Italian Cultural Centre. OMG… I am still wearing my kilt. I had just come from the Dragon Zone Regatta, racing with the Gung Haggis Fat Choy dragon boat team. I think Giuilo would be a good paddler. Maybe we can create a dragon boat team for Il Centro: Italian Cultural Centre.

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Vancouver Mayor Gregor Robertson reads from the city proclamation to announce “Italian Day in Vancouver”

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After the speeches I chatted with Vancouver councilor Tony Tang (who wants to wear a kilt), Burnaby MLA Richard Lee, and Michael Cuccione – president of the ICC.
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Sardines on the big grill, at the PCOV – Portuguese Club of Vancouver – always a big line up here.

The Gung HAGGIS Fat Choy parade dragon has been very active in 2013 – will we be at the Dragon Boat Festival?

Gung HAGGIS Fat Choy dragon boat team is very multicultural, and very community-minded.  The team began in 1997 under the name Celebration Team, and was renamed Gung HAGGIS Fat Choy in 2002, named after the Gung Haggis Fat Choy Robbie Burns Chinese New Year Dinner event, that had its first public dinner in 1998.

This year’s team has members with origins from around the world, as well as multiple generations in Canada.  But our parade dragon has been especially busy in 2013.  In June, we might make an appearance at the Rio Tinto Alcan Dragon Boat Festival, as well as the On the Edge International Conference for Scottish and Irish Studies.

Here is a recap of our dragon parade activities so far….
In MAY Asian Heritage Month, we were commissioned to do our dragon walk at the Vancouver Opera pre-show lobby, during their May 4-11, production of Tea: Mirror of Soul.2013_May_Opera 014at Vancouver Opera pre-show with Alma Lee (founder of Vancouver International Writers Festival)

 

MARCH 17, for the past 8 years we have been in the Celtic Fest St. Patrick’s Day Parade
with either a dragon boat float, or our parade dragon.  This year, we ended up on the cover of 24 Hours Newspaper.

556952_10151400971289302_2138235483_nOur picture

February 17
The Chinatown Lunar New Year Parade

January 27th
and our world famous Gung Haggis Fat Choy Robbie Burns Chinese New Year Dinner – as interviewed on BBC Radio Scotland, and filmed for local newscasts, and US Public Radio + many other media over the years.
DSC_0044_857158 - Piping in the VIPs

KCTS

Tips on How to Choose A Luxury Watch

5 Tips on How to Choose A Luxury Watch

A luxury timepiece can represent the significant investment of time and also the value for its design, function and quality. The purchase of a luxury timepiece can be aroused from different intentions, as a personal milestone in a certain stage of life, as a token to be passed down to your next generation, to fulfill your enthusiasm for luxury watches or also as an investment. Whatever intention of yours is, it is sure a major life’s decision in choosing the right luxury watch to own or to invest in. Therefore, here are the five tips which lead you in your journey of purchasing luxury watches that suit you the most. This is the most popular replica rolex.

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Know Your Intention and Preferences

No matter for men or for women, always be clear of your intention in owning a luxury watch. The luxury watch can be an accessory for social occasions, it can be an expression of an individual’s persona, it can be an impressive art piece or even an appreciation of the complex inner mechanics engineering. By confirming your intention in owning a luxury watch, you can get to know your preferences on the looks, the functions and the practicality of the luxury watch which you will be opted for. For example, if you are looking for something sporty with modern design and some sparks of colours, the Zenith Chronomaster Sport with tachymeter which contrasts beautifully with the colours of rose gold, navy and white accents on the latest and most technical evolution of revered automatic chronograph.

source: https://horologisto.com/review-of-the-zenith-chronomaster-sport/

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Get Clear on Your Budget

After getting your intention and preferences right on track, it is time to note down your budget for your shopping. There are different valuable timepieces out there for every budget. If you have a lower budget around RM2,000, the Seiko Prospex would be a nice one to opt for.

source: https://www.seikowatches.com/us-en/products/prospex

Higher budget around RM4,000 to RM12,000, Omega Speedmaster can be one of your choices. Available in CYT.

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source: https://cytwatch.my/product/706-speedmaster-professional-moonwatch

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Study on Watch Movements and Materials

Another thing which you should do is your research on the movements and materials of the luxury watches as it influences the prices as well as the styles. What is meant by the watch movements? Watch movement is the mechanism that makes a watch to keep ticking and telling the time accurately. There are a few movement types which you can go through to check out which type you will be preferring more. The movement types are manual movement, automatic movement and quartz movement.

Manual movement is also called as the mechanical movement. A mechanical watch with mechanical movement needs to be wound manually before wearing it to make sure that you will be seeing the correct timing. This movement is the most traditional movements which can be found in conservative, expensive and collectable watches. Example of manual movement luxury watch, the Piaget. Available in CYT.

source: https://cytwatch.my/product/562-limelight-paris-new-york

Automatic movement type of watch will be winding by itself while it is being worn on the wrist. However, if it is not worn for some time, the watch will stop working and it will be needing a manual winding to restart it. One of the examples for automatic movement luxury watch will be the Cartier. Now available in CYT.

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source: https://cytwatch.my/product/356-cartier-rotonde-de-cartier

Quartz movement watches work on the uses of battery as its power source. Therefore, it does not need a manual winding to make it works. This type of watch movement is currently the most accurate type of movement being produced and normally these quartz movement watches will be less expensive compared to the mechanical ones due to the craftsmanship of the production. Check out the automatic movement luxury watches, the Tag Heuer in CYT.

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source: https://cytwatch.my/products/48-tag-heuer

As for watch materials, stainless steel watches are more affordable, Titanium ones are light-weighted, carbon fiber material watches are less expensive than noble metals ones. Therefore, try to make sure of all these details when choosing for your ideal luxury watches.

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Naomi’s Road at West Vancouver Library is great… looking forward to April 23 at Italian Cultural Centre

Erica Iris and Hiather Darnela-Kadanoga play Obasan and Naomi, in a scene when the family leaves Vancouver on a train.

I saw the production at West Vancouver Library on Friday April 19th, and we both really enjoyed it.  Sam Chung returns as Stephen. The new singers are all good. Hiather Darnel-Kadonaga plays Naomi, Erica Iris plays the 3 roles Mother, Obasan and Mitzie. Henry Chen plays Daddy, Bully, Rough Lock Bill, Trainmaster.

I saw the original production in 2005/06 five times and enjoyed it immensely.  West Vancouver Library isn’t the best place to the performance because lighting was not the best, and the performer’s faces were often in shadows.  Close to 50 people came to the library for the free performance.

The performances by all singers are strong, and the storyline is strong.  Watching the perfomers, we were amazed at both the choreography of the movement on stage, as well as how the small versatile set is used and moved to simulate so many scenes: Powell Street, Living Room, Train, Internment Camp.   There were tears in my eyes as I watched the pinnacle scene of the opera.  It makes a powerful statement against racism and bullying.

Tickets are still on sale for Tuesday’s April 23 performance.

buy tickets on-line here:

http://italianculturalcentre.ca/highlights/naomis-road/

There will be a limited number of tickets available at the door.

Hiather Darnel-Kadonaga (soprano) plays Naomi


Erica Iris (mezzo-soprano) performs as Mother, Mitzi, Obasan

Sam Chung (tenor) plays Stephen
Photographs courtesy of Vancouver Opera, and available from the Naomi’s Road press kit http://www.vancouveropera.ca/2012-13-naomisroad-presskit.html

Ricepaper Magazine launches

Come and celebrate our new Ricepaper Magazine issue at the launch party at Historic Joy Kogawa House on April 6th… featuring Aboriginal and Asian Canadian writers….

On April 6, 2013 from 2:00 pm – 6:00 pm, the Historic Joy Kogawa House is hosting our Special Double Issue Launch Party. The event will coincide with the opening reception for the Text/Textiles exhibit, featuring collections from international textile artists. The opening reception will begin at 12:00 pm and Cherry Blossom: A Textile Translation Retrospective exhibit will be available for viewing until Sunday, April 21.

It is one of the best Ricepaper issues I have seen, as a member of the ACWW board… and so pleased to host at Historic Joy Kogawa House, where I am chair of the board. My cousin Sharel Wright is one of the authors in the magazine and will be in attendance with her mother Rhonda Larrabee, Chief of Qayqayt First Nations…

http://ricepapermagazine.ca/2013/03/ricepapers-double-issue-launch-party-and-the-texttextiles-exhibit/

The launch party will also include the first of a three part public reading series:

Saturday, April 6 will introduce featured writers published in the new issue of Ricepaper magazine: Carrie Calvo, Michelle Sylliboy, Russell Wallace, Wanda John Kehewin, Elaine Woo and Jonina Kirton. The reading will be from 2:00 pm – 4:00 pm.

Saturday, April 13 from 2:00 pm – 4:00 pm, Joy Kogawa House will host a family reading with Jacqueline Pearce. The author of The Reunion will enthrall the audience with her story of a friendship between a Sikh girl and a Japanese Canadian during World War II.

Saturday, April 20 will showcase a group of poets from The Planet Earth Anthology, published by Leaf Press. The reading will be from 2:00 pm – 4:00 pm.

The Silk Purse Gallery in West Vancouver is also exhibiting new artwork in Cherry Blossom: A Textile Translation. As an expression of the changing season from winter to spring, artists from Canada, USA and Japan come together to display the range of inspiring art on silks, sculptures, books and clothing. Opening reception is on Tuesday, April 2 from 6:00 pm – 8:00 pm, and the exhibit is open until April 21.

 

125 Places That Matter in Vancouver, includes Hastings Park Livestock building that housed detained Japanese-Canadians during WW2

Vancouver Heritage Foundation had a ceremony on Dec 1 to recognize the Livestock Building at Hastings Park, an important part of Japanese Canadian Internment History, as one of Vancouver’s Places that Matter.
At 1pm, everybody met in the Hastings Room, and MC Lorene Oikawa, told people the order of events.  We would do a walk to the Livestock Building for an unveiling, followed by a walk to Momoji Gardens for a Parks Canada unveiling.  Finally we would return to the Hastings Room for formal speeches, personal stories, and presentations in appreciation.
Marta Farevaag, Chair of the Vancouver Heritage Foundation, watches as Mary Kitagawa steps back from unveiling the plaque for the Livestock Building at Hastings Park.
Mary had recently pushed for the University of British Columbia to recognize the Japanese Canadian students that were not allowed to finish their degrees at UBC because they were interned during WW2.  It was an emotional ceremony when 76 students were honoured with degrees at a special tribute 70 years later.  http://japanese-canadian-student-tribute.ubc.ca/
Watch this video of Mary Kitagawa speaking about the detainment and internment of Japanese Canadians during WW2.  Roy Miki, Japanese-Canadian Redress co-leader and author stands at the top of the stairs in long dark coat and white hair.  Chinese-Canadian historian/author Larry Wong stands on the stairs in rust coloured jacket.  Lorene Oikawa, union leader and human rights activist stands on the right in red coat.
The Parks Canada plaque at Momoji Gardens was re-located for better public viewing, and unveiled.

One of the event attendees shares a personal moment, as she stands beside the plaque with photos of family members.

Naomi Yamamoto MLA, is the first Japanese-Canadian to be elected to the BC Legislature.  She shared a story how her father had spent 5 months living as a detainee at the Livestock Building.  Naomi explained that because her father was an older teen-aged boy, he was separated from his mother.  His father had already been separated from their family and sent to a labour work camp.  Unfortunately, her father could not attend the ceremonies on Saturday, due to not feeling up to it.
My friend Ann-Marie Metten was deeply touched by some of the personal stories.  She wrote:
“Mary Ohara’s story resounded. She told of her incarceration in March 1942 in the livestock barns at Hastings Park, still reeking with manure and infested with bugs. Birds flew overhead and fouled their blankets. Bedbugs bit at night, and the administrators brought in DDT and sprayed the bedding, including the blankets under which the children would sleep at night.

“At age twelve, Mary developed mumps and had to be isolated from others so as not to sprea the highly communicable disease. She and other children were moved to the coal-storage area under the livestock barns, where only a small hole high in one of the walls let in daylight. In the darkness, other young children cried for their families. She was held there for ten days.”
My friends: Ellen Crowe-Swords, Ann-Marie Metten (executive director of Historic Joy Kogawa House), and Joy Kogawa – author of Obasan, the first novel to address the issues of the internment of Japanese Canadians.  Roy Miki, Simon Fraser University Professor Emeritus and 2003 Governor General’s Award Winner for Poetry, had called Obasan, “A novel that I believe is the most important literary work of the past 30 years for understanding Canadian history.”
My friend Inger Iwaasa and my accordion.  Inger married a Japanese Canadian, and her daughter is pianist Rachel Iwaasa, who performed at Kogawa House for the presentation when Joy Kogawa was named recipient of the George Woodcock Lifetime Achievement Award.  Inger said she recognized each of the songs that I performed: Sakura, Mo Li Hua (Jasmine Flower), O Solo Mio, Neil Gow’s Lament, Hungarian Dance No.5, Dark Eyes.  I wanted to perform a mixed repertoire that would represent many of the ethnic groups that had come to settle in Vancouver: Japanese, Chinese, Italian, Irish, Hungarian and Russian.
Todd Wong, Judy Hanazawa, Jessica Quan – special projects coordinator VHF, Mary Kitagawa, Lorene Oikawa, Tosh Kitagawa.

Dinner with Arlene Chan

Jim Wong-Chu, Arlene Chan, Todd Wong.  Jim is holding “Swallowing Clouds” which he co-edited and contributed poems to.  Arlene is holding up her newest book “The Chinese in Toronto from 1878: From Outside to Inside the Circle.  I am holding “Paddles Up!” co-edited by Arlene and she also wrote chapter 1: The Beginnings, to which I contributed a quote, and a picture of the Gung Haggis Fat Choy dragon boat team in the Vancouver Taiwanese dragon boat race.

www.arlenechan.ca

My writing career was launched in 1997 with The Spirit of the Dragon: the Story of Jean Lumb, a Proud Chinese Canadian. This children’s book tells the amazing story of my mother who was the first Chinese Canadian to receive the Order of Canada, the highest civilian honour, for her community activism. The Spirit of the Dragon was selected as a Choice Book by the Canadian Children’s Book Centre. My second book, The Moon Festival: a Chinese Mid-Autumn Festival, was shortlisted for the Silver Birch Award. Awakening the Dragon: the Dragon Boat Festival was published in 2004 and as a paperback in 2007. My fourth publication was released in 2009 as the first book on Canadian dragon boating, entitled Paddles Up! Dragon Boat Racing in Canada. I am currently working on a second book for an adult audience. It is entitled The Chinese in Toronto from 1878: From Outside to Inside the Circle, to be launched in October 2011.
Back Row: Allan Cho, Sid Tan, Adrian Lee, Todd Wong, Sean Gunn, Bruce MacBay, Deb Martin
Front: Albert Lee, Beverly Nann, Arlene Chan, Mary Wong, Jim Wong-Chu
 Here is a youtube video of Arlene Chan talking about Toronto’s Chinese Canadian community, and it’s relationship with McGregor’s Socks, and how the clothing manufacturing industry brought the Chinese and the Scots Canadians together.

McGregor Socks: Arlene Chan

401 Wellington Street West At the former home of McGregor Socks, Arlene Chan tells the story of the Chinese community’s connection with Toronto’s

“Storyweaving” brings First Nations’ stories to life

(l-r) Marge C. White, Muriel Williams, Priscillia Tait, Kat Norris Photo: David Cooper

May 11-13 & 18-20, 2012
Fridays and Saturdays at 7:30 pm (Doors open 7pm)
Sunday Matinees at 2 pm (Doors open  1:30pm)
By donation $0-$20. Limited seating.

Vancouver Aboriginal Friendship Centre
Chief Simon Baker Room, 1607 East Hastings Street

special contribution by X MacDonald
Vancouver Moving Theatre’s Storyweaving is like an open concept loft with plenty of space to create, sing, dance and relate through the past, along the present and into the future. VMT produces relevant theatre by, about and for the downtown east side community and they know their source, environment and audience well. Directed by Renae Morriseau, the show’s aim is to exorcise demons and embrace healing all in the same breath and odd as it may sound, quite naturally they achieve that.
The evening began with a blessing given by Musqueam Chief Victor Guerin followed by a welcome and dance by Spakwus Slulum (Eagle Dancers). At no time is the audience ignored throughout this. Instead we are accepted as an integral part of the story for the evening. The intimacy of the Chief Simon Baker Room of the Vancouver Aboriginal Friendship Centre helps us feel included. The space is technically limited, but this is actually to its credit as it functions like a swift moving canoe, agile and responsive to the needs of the moment. This is well too because the play moves through time rapidly as each scene requires sometimes existing in two or three periods at once. We work our way through many issues in a short time, but dwell too long on none. Nicole, played by Priscilla Mays Tait, is searching for her mother missing from the downtown east side and Marge C White as the voice of the North leads the exposure of life in the residential schools. Rather than bludgeon us with the horrors of these events and circumstances the storytellers open their hearts and reveal their experiences and feelings and move on allowing the audience the opportunity to attach our own emotional response to the moments. Our feelings are evoked, respected and included.
The acting ranges from somewhat clumsy to bold, but this is the nature of community based work and it’s easy to forgive the shortcomings because the honesty in presentation is so pure. You wouldn’t condemn your grandmother for having a shaky voice when she tells you a story of when she was a girl and so you shouldn’t be too critical of these people for their quavers. Of special note is Sam Bob’s portrayal of Old One. He is our reference through the shifting landscape more than anyone else and he’s imminently likeable. At one point Old One tells his sister that his Indian name is Gentle Mountain Lion and it’s not far off the mark, but I found him to be more of a giant cheerful chipmunk, whimsical and adorable, but a mighty too.
By the time Spakwus Slulum returns for a final song and dance there is power and yes even defiance in the air. Always there is the undercurrent of hope. Two centuries of misunderstanding, misfortune and mistreatment could not destroy the spirit of the Coast Salish peoples who remain strong, compassionate and honourable. It has been their legacy for over ten thousand years after all. They do us a great service to show us their hospitality and we would all be wise to learn from their wisdom and grace. Storyweaving runs May 11-13 & 18-20 in the Chief Simon Baker Room of the Vancouver Aboriginal Friendship Centre 1607 East Hastings at Commercial Drive at 7:30pm.

Gung Haggis Fat Choy CBC tv special was created in 2004

Gung Haggis Fat Choy – the TV special!!

Will it ever be shown again?

In 2004 CBC Vancouver created the Gung Haggis Fat Choy television performance special – it ran again in 2005.  Producer was Moyra Roger who was nominated for 2 Leo Awards for her wonderful work.


View Clip
Gung Haggis Fat Choy
Chinese New Year.
Robbie Burns Supper. Gung Haggis Fat Choy fuses the two unique cultural
events in a celebration of music, dance and tradition. Featuring
performances by The Paperboys, Silk Road Music, George Sapounidis, Joe McDonald & Bravewaves

A CBC Television production.

It was a lot of fun consulting for this project.  Moyra was great to work with, as was executive producer Rae Hull.  And I also became friends with Qiu Xia He and Andre Thibuault of Silk Road Music, George Sapounidis of Ottawa, and also got to know The Paperboys.  Neil Gray gave the Address to the Haggis.  And my longtime bagpiper friend Joe McDonald and his band Brave Waves was featured performing Auld Lang Syne with singer La La – who was also featured later at Gung Haggis Fat Choy dinner events.

In 2007 CBC created a documentary series about long time multi-generational families across Canada.  The Rev. Chan Yu Tan family and descendants were selected to be the family from BC.   This was also due to the work I had done in organizing Rev. Chan family reunions, blogging about the family, and helping create a photo exhibition at the Chinese Cultural Centre titled Three Pioneer Canadian Chinese Families in 2002.

Some of the footage from the 2004 Gung Haggis Fat Choy tv performance special were included in the Generations: The Chan Legacy documentary, as well as footage from a 2004 interview I did with Peter Mansbridge for CBC's The National news show.

Here is the picture of me and write up about the Generations: The Chan Legacy documentary

Chan Legacy

The documentary begins with Todd Wong playing the accordion, wearing a
kilt. He promotes cultural fusion, and in doing so, he honours the
legacy of his great, great, grandfather Reverend Chan Yu Tan. The Chans
go back seven generations in Canada and are one of the oldest families
on the West Coast. Reverend Chan's granddaughter Helen Lee, grandson
Victor Wong, and great grandson Gary Lee recall being barred from
theaters, swimming pools and restaurants. The Chinese were not allowed
to become doctors or lawyers, pharmacists or teachers. Still, several
members of the Chan family served in World War II, because they felt
they were Canadian and wanted to contribute. Finally, in 1947, Chinese
born in Canada were granted citizenship and the right to vote.

Today, Todd Wong, represents a younger generation of successful
professionals and entrepreneurs scattered across North America. He
promotes his own brand of cultural integration through an annual event
in Vancouver called Gung Haggis Fat Choy. It's a celebration that joins
Chinese New Year with Robbie Burns Day, and brings together the two
cultures that once lived completely separately in the early days of
British Columbia.