Italian Day, Commercial Drive, June 9
Vancouver Mayor Gregor Robertson reads from the city proclamation to announce “Italian Day in Vancouver”
Vancouver Mayor Gregor Robertson reads from the city proclamation to announce “Italian Day in Vancouver”
Gung HAGGIS Fat Choy dragon boat team is very multicultural, and very community-minded. The team began in 1997 under the name Celebration Team, and was renamed Gung HAGGIS Fat Choy in 2002, named after the Gung Haggis Fat Choy Robbie Burns Chinese New Year Dinner event, that had its first public dinner in 1998.
This year’s team has members with origins from around the world, as well as multiple generations in Canada. But our parade dragon has been especially busy in 2013. In June, we might make an appearance at the Rio Tinto Alcan Dragon Boat Festival, as well as the On the Edge International Conference for Scottish and Irish Studies.
January 27th
and our world famous Gung Haggis Fat Choy Robbie Burns Chinese New Year Dinner – as interviewed on BBC Radio Scotland, and filmed for local newscasts, and US Public Radio + many other media over the years.
A luxury timepiece can represent the significant investment of time and also the value for its design, function and quality. The purchase of a luxury timepiece can be aroused from different intentions, as a personal milestone in a certain stage of life, as a token to be passed down to your next generation, to fulfill your enthusiasm for luxury watches or also as an investment. Whatever intention of yours is, it is sure a major life’s decision in choosing the right luxury watch to own or to invest in. Therefore, here are the five tips which lead you in your journey of purchasing luxury watches that suit you the most. This is the most popular replica rolex.
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Know Your Intention and Preferences
No matter for men or for women, always be clear of your intention in owning a luxury watch. The luxury watch can be an accessory for social occasions, it can be an expression of an individual’s persona, it can be an impressive art piece or even an appreciation of the complex inner mechanics engineering. By confirming your intention in owning a luxury watch, you can get to know your preferences on the looks, the functions and the practicality of the luxury watch which you will be opted for. For example, if you are looking for something sporty with modern design and some sparks of colours, the Zenith Chronomaster Sport with tachymeter which contrasts beautifully with the colours of rose gold, navy and white accents on the latest and most technical evolution of revered automatic chronograph.
source: https://horologisto.com/review-of-the-zenith-chronomaster-sport/
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Get Clear on Your Budget
After getting your intention and preferences right on track, it is time to note down your budget for your shopping. There are different valuable timepieces out there for every budget. If you have a lower budget around RM2,000, the Seiko Prospex would be a nice one to opt for.
source: https://www.seikowatches.com/us-en/products/prospex
Higher budget around RM4,000 to RM12,000, Omega Speedmaster can be one of your choices. Available in CYT.
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source: https://cytwatch.my/product/706-speedmaster-professional-moonwatch
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Study on Watch Movements and Materials
Another thing which you should do is your research on the movements and materials of the luxury watches as it influences the prices as well as the styles. What is meant by the watch movements? Watch movement is the mechanism that makes a watch to keep ticking and telling the time accurately. There are a few movement types which you can go through to check out which type you will be preferring more. The movement types are manual movement, automatic movement and quartz movement.
Manual movement is also called as the mechanical movement. A mechanical watch with mechanical movement needs to be wound manually before wearing it to make sure that you will be seeing the correct timing. This movement is the most traditional movements which can be found in conservative, expensive and collectable watches. Example of manual movement luxury watch, the Piaget. Available in CYT.
source: https://cytwatch.my/product/562-limelight-paris-new-york
Automatic movement type of watch will be winding by itself while it is being worn on the wrist. However, if it is not worn for some time, the watch will stop working and it will be needing a manual winding to restart it. One of the examples for automatic movement luxury watch will be the Cartier. Now available in CYT.
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source: https://cytwatch.my/product/356-cartier-rotonde-de-cartier
Quartz movement watches work on the uses of battery as its power source. Therefore, it does not need a manual winding to make it works. This type of watch movement is currently the most accurate type of movement being produced and normally these quartz movement watches will be less expensive compared to the mechanical ones due to the craftsmanship of the production. Check out the automatic movement luxury watches, the Tag Heuer in CYT.
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source: https://cytwatch.my/products/48-tag-heuer
As for watch materials, stainless steel watches are more affordable, Titanium ones are light-weighted, carbon fiber material watches are less expensive than noble metals ones. Therefore, try to make sure of all these details when choosing for your ideal luxury watches.
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Wow… so many people have been saying that Vancouver Opera’s current production of Tea: Mirror of Soul, composed by Tan Dun, is a must see.
The visuals are stunning. The music is compelling. The topics of love, family, guilt, loss, death are standard in many operas. But combined with a unique blend of Chinese music and story that includes references to the Monkey King, and the art of tea ceremony, this opera pushes and challenges boundaries on many levels. The most striking is its use of water, paper and rock as musical and visual themes. There are large water bowls on each side of the stage, and musicians hit, slap or drip the water to create a fascinating aural soundscape. Paper is used as visual forest for scenery, or it is hit with drum sticks to create thunder, or rolled to create thunder. As well the opera chorus holds sheets of paper and uses it like percussion, complimenting the orchestra.
Nancy Allen Lundy has played the character of Lan in every production of Tea: a Mirror of Soul.
This is the setting for the exquisite singing, that is a blend of traditional classical opera and Chinese opera. American soprano Nancy Allen Lundy, performs Lan. She is the only artist to have ever played this role in productions around the world. She sings like a bel canto bird on some songs, while on others she bends her notes like in Chinese opera style. It is different for ears accustomed to Western opera – but it is exciting that Vancouver Opera would mount this production. Find out more about Nancy Allen Lundy from the Opera Blog
It’s also a perfect blend for the cultural diversity of Vancouver. Much is made of Vancouver’s large Chinese population, as well as the local music scene which features lots of cultural fusion artists such as Silk Road Music, Orchid Ensemble, and even Mozaico Flamenco – which performed a full scale of Cafe de Chinitas this past weekend.
Tan Dun is more well known in North America as the composer of the soundtrack for the movie Crouching Tiger Hidden Dragon. I loved both the movie and the music which featured cello superstar Yo Yo Ma. Ten years ago, I witnessed Vancouver Opera concertmaster Mark Ferris perform Tan Dun’s “Crouching Tiger Concerto for Cello and Chamber Orchestra” with the CBC Radio Orchestra- with featured Chinese erhu virtuoso George Gao http://www.tandunonline.com/compositions/Crouching-Tiger-Concerto. It was amazing.
The opera opens with the main character Seikyu, a former prince now a monk in Kyoto Japan, performing a ritualistic tea ceremony. He sings of bitterness, and the monks ask him why. Then then begins to tell a story of ten years past when he was in China, and in love in the Princess Lan. The action then shifts to China, as the sets seem to magically transform.
But this opera is more than just the music. There are so many levels of story,
The opera runs again on Thursday May 9th and Saturday May 11th, start time is 7:30pm. Don’t be late or you will miss opening preamble and musicians walking up the aisles.
This review – is still in process – check back for more!
Watch these videos about Tea: A Mirror of Soul – posted by Vancouver Opera on youtube.
I saw the production at West Vancouver Library on Friday April 19th, and we both really enjoyed it. Sam Chung returns as Stephen. The new singers are all good. Hiather Darnel-Kadonaga plays Naomi, Erica Iris plays the 3 roles Mother, Obasan and Mitzie. Henry Chen plays Daddy, Bully, Rough Lock Bill, Trainmaster.
I saw the original production in 2005/06 five times and enjoyed it immensely. West Vancouver Library isn’t the best place to the performance because lighting was not the best, and the performer’s faces were often in shadows. Close to 50 people came to the library for the free performance.
The performances by all singers are strong, and the storyline is strong. Watching the perfomers, we were amazed at both the choreography of the movement on stage, as well as how the small versatile set is used and moved to simulate so many scenes: Powell Street, Living Room, Train, Internment Camp. There were tears in my eyes as I watched the pinnacle scene of the opera. It makes a powerful statement against racism and bullying.
Tickets are still on sale for Tuesday’s April 23 performance.
http://italianculturalcentre.ca/highlights/naomis-road/
There will be a limited number of tickets available at the door.
Erica Iris (mezzo-soprano) performs as Mother, Mitzi, Obasan
On April 6, 2013 from 2:00 pm – 6:00 pm, the Historic Joy Kogawa House is hosting our Special Double Issue Launch Party. The event will coincide with the opening reception for the Text/Textiles exhibit, featuring collections from international textile artists. The opening reception will begin at 12:00 pm and Cherry Blossom: A Textile Translation Retrospective exhibit will be available for viewing until Sunday, April 21.
It is one of the best Ricepaper issues I have seen, as a member of the ACWW board… and so pleased to host at Historic Joy Kogawa House, where I am chair of the board. My cousin Sharel Wright is one of the authors in the magazine and will be in attendance with her mother Rhonda Larrabee, Chief of Qayqayt First Nations…
The launch party will also include the first of a three part public reading series:
Saturday, April 6 will introduce featured writers published in the new issue of Ricepaper magazine: Carrie Calvo, Michelle Sylliboy, Russell Wallace, Wanda John Kehewin, Elaine Woo and Jonina Kirton. The reading will be from 2:00 pm – 4:00 pm.
Saturday, April 13 from 2:00 pm – 4:00 pm, Joy Kogawa House will host a family reading with Jacqueline Pearce. The author of The Reunion will enthrall the audience with her story of a friendship between a Sikh girl and a Japanese Canadian during World War II.
Saturday, April 20 will showcase a group of poets from The Planet Earth Anthology, published by Leaf Press. The reading will be from 2:00 pm – 4:00 pm.
The Silk Purse Gallery in West Vancouver is also exhibiting new artwork in Cherry Blossom: A Textile Translation. As an expression of the changing season from winter to spring, artists from Canada, USA and Japan come together to display the range of inspiring art on silks, sculptures, books and clothing. Opening reception is on Tuesday, April 2 from 6:00 pm – 8:00 pm, and the exhibit is open until April 21.
June 21st, it’s National Aboriginal Day, so I wore my Robert Davidson t-shirt, with my Yellow Macleod kilt for Kilts Night @ Doolin’s Irish Pub. And I met Jaime Sanchez, who introduced himself to me, identifying our mutual friend David Wong. I think Jaime looked at me, and said “You must know David Wong… who else would know a Chinese guy wearing a Aboriginal design t-shirt with a Scottish kilt.”
Here is a blog story I wrote 5 years ago on the 17th anniversary anniversary of my cancer diagnosis:
Summer Solstice: My longest day 17 years ago « Gung HAGGIS Fat Choy
Good practice today! We focused on race tactics as well as race day procedures. Some of our paddlers only practice on Sundays or Wednesdays, so we will do the same thing on Wednesday.
After a warm-up, we explained where the team tents will be set up, and where the marshalling area will be. At last weekend’s regatta, races were 15 minutes apart. We then went through loading the boat, and how busy it will be on the dock, and leaving the docks to the race staging area on the water.
We did some paddling warm-ups for rotation, hips, reach and rate, then practiced some starts, then paddled to the race staging area in East Bay. We quickly found the Hydro Dragons coached by Dan Hebert, whom I have known for about 10 years. Dan called a race start between our two boats. The start was close – both teams pulling hard with each stroke. As I drummed for Gung Haggis, I stole glances at the Hydro team, watching the boat beside us. I called a Power Series, and the team responded, digging deep for 20 strokes.
At the half way mark, the Hydro team pulled forward, and had to move to the left, as there was a boat anchored in the East Bay, in the middle of what will be the race course next weekend. Our boat took in some water as Dan’s coach boat cast a wake in our path. Some of our paddlers were distracted by the unexpected surprises of course change and boat wake. This is a good exercise in dealing with unexpected surprises. The Hydro Dragons proved to have a strong finish, and crossed the finish line before us. We congratulated them, then did our own race debrief.
We then headed for the Center Bay of False Creek and did some exercises to help improve our race starts: front half and back half race starts. This served to show the newer paddlers how well the veteran paddlers perform, and to inspire them. The back half proved to be powerful, but with some timing issues and room for improvement. We do believe in our new padders, and want to encourage them – there is great potential here that will be realized not in the next weekend, but later this summer.
We had our paddlers switch sides to work out on both sides of the body. This is something we regularly do to encourage body symmetry and help develop paddling technique for both sides of the body. We next worked on power series drills for front, middle and back thirds, while the rest of the team paddled 60% effort. Next we turned the team over to veteran paddler Keng Graal who is also one of the team’s drummers. Keng explained how she calls for the team, and what she expects. She called a short race piece, to allow the paddlers to get used to her voice.
As we approached the startline in the East Bay, beside the island, we gave the paddlers a rest, and practiced some commands for positioning the boat. We asked the paddlers to back paddle, and left front draw, right side draw – all to get the paddlers used to what may happen on Race Day.
We did one final race piece of 500m, with Keng as drummer. This was good. Keng is a demanding drummer that commands attention. She first came to the team about 7 years ago in 2007. She had been a drummer for the CC Riders dragon boat team for Columbia College. We trained her to be a paddler. The first race she did with us was 1000m. She survived… She stayed with the team… and has paddled with us in many races and has really grown into a team leader. She is small, but really pulls a lot of water for her size.
We look forward to a great weekend for June 16/17. We have great leaders on this team with Keng, Steven and Debbie as assistant coaches, Deb as steersperson, Karl and Gio as lead strokes, Xavier as “master of the kilt!”
Everybody on this team brings something. It might be strength, experience, or a great sense of humour. We encourage and acknowledge every person’s personality, and especially the cultural diversity that each paddler brings. We have fun and we both encourage and tease each other, as well as respect each other, and what each person brings to the team. This is good team building. This is a good team. I am having fun, and especially getting to know our new paddlers.
We only had 16 paddlers out on the water this Sunday – but we had fun…. and that is what is important.
Paddlers out on Sunday were:
Karl & Gio
Keng & Amelia
Caroline & Xavier
Steven & Walter
Florian & Gerard
Pedro & Todd
Justin & John
Pierce & Sabina
+ Deb Martin as steersperson.
“I think it’s an interesting idea — we have these Chinese unions combined with St. Patrick’s Day,” said Nick Hsu.
The 43-year-old was part of a group of family and friends who travelled up from Seattle to parade.
Vancouver St. Patrick’s Day parade takes over streets of downtown
For 2012, I brought some of my dragon boat hand puppets from home, as I did for the Chinatown Lunar New Year Parade, when I had walked with the Dr. Sun Yat Sen Classical Chinese Gardens. We interacted with many of the children watching the parade, who were delighted to see the plushy dragon toys! We encouraged them to “pet the dragon’s head for good luck”, which many children including adults such as CelticFest chair Joanna Hickey did.
Gung Haggis paddler Xavier MacDonald strutted the streets in his kilt with a Chinese lion head costume – photo Todd Wong
Decorating the car, and everybody wears a necklace with green hats optional! What a great group of people! We were entry #73, and we decorated the car from the middle of Granville St. Bridge – then moved onto the Howe St. onramp, as the parade filed into order starting at Drake. St.