Monthly Archives: December 2005

Compensate Chinese immigrants fairly: Vancouver Sun's Daphne Bramham

Compensate Chinese immigrants fairly: Vancouver Sun's Daphne Bramham

Friday » December 2 » 2005

 

Compensate Chinese immigrants fairly


Botched attempt at redress has exposed a misunderstanding about the Chinese-Canadian community

 
Daphne Bramham
Vancouver Sun

Friday, December 02, 2005

There is no other group that Canada tried as hard to keep out as the Chinese.

For 62 years, a parade of governments formulated and enforced laws to
make it difficult and then virtually impossible for Chinese people to
immigrate.

And for more than 20 years, Chinese-Canadians have actively sought
redress for the policies that date back to 1885, when Canada imposed a
head tax on Chinese immigrants.

That was enforced until July 1, 1923 — Dominion Day — when it was
replaced by the Chinese Immigration Act, which should more properly
have been called the exclusion act.

The exclusion of Chinese was only repealed in 1947 under pressure from
Britain, which needed ethnic Chinese soldiers for the war in Asia.
Between 1923 and 1947, only 50 people were allowed to immigrate from
China.

The policies were also cruel. Families ended up being torn apart, in
many cases irrevocably. Not all of the men whose families had sent them
ahead to what was called Golden Mountain could ever earn enough to pay
the head tax required to bring their wives and families.

The tax started at $50, was increased in 1900 to $100 and then to $500 in 1903.

The legacy has been documented by writer Denise Chong in The
Concubine's Children: Portrait of a Family Divided and in a documentary
by Vancouver filmmaker Colleen Leung.

Over the years, while the Canadian government was actively recruiting
Europeans, including my ancestors, with the promise of free Prairie
land, it collected $23 million from 82,000 Chinese. Unlike my
ancestors, the Chinese immigrants were denied the full rights of
citizenship until 1947.

Earlier this year, Paul Martin's Liberal government set aside $25
million to redress not only the wrongs done to ethnic Chinese, but for
Italians, Ukrainians and Germans interned during the Second World War.
Of that, $12.5 million was earmarked for Chinese-Canadians.

That's a tiny fraction of what the government collected in head taxes.
Using the Bank of Canada's inflation adjuster, that $23 million
collected in 1923 is equal to $2.7 billion in current dollars.

But no one was asking for anywhere near that amount.

Since 1984, the Chinese Canadian National Council has lobbied for
redress. It has registered 4,000 head-tax payers and their families and
has consistently asked for two things — an apology and individual
compensation.

It based its request on a similar agreement reached in 1988 between
Canada and Japanese-Canadians to redress their internment during the
Second World War.

The two things the council wanted were the two things the Liberals said they would not negotiate.

So, Multiculturalism Minister Raymond Chan bypassed the council and
began negotiating with the National Congress of Chinese Canadians. The
congress was founded in 1991 by Chan, recently elected Vancouver school
trustee Don Lee and others, to play down Chinese human rights' abuses
including the Tiananmen Square student massacre in 1989 and improve
business relations.

Since then, the congress has provided political support to Liberal candidates, including Chan at his recent nomination meeting.

Congress president Ping Tan — a Malaysian-born Chinese who came to
Canada as a student in 1968 — quickly agreed to a $12.5-million
settlement, even though some of the congress board members criticized
the deal because it contains no apology and no individual compensation.

Last weekend — just days before the Liberal government was forced to
call an election — Prime Minister Paul Martin had planned to to sign
the deal at a Vancouver conference the congress was holding to talk
about what it would do with the money. The conference was paid for with
a $100,000 grant from Chan's department.

Martin didn't sign the deal because of growing pressure from groups
like the CCNC, the National Association of Japanese-Canadians, the
National Anti-Racism Council, the Urban Alliance on Race Issues and
prominent Canadians including Margaret Atwood, June Callwood, Shirley
Douglas, Stephen Lewis, Joy Kogawa, Naomi Klein and Toronto Mayor David
Miller.

Instead, after brushing past protesters, including a few people in
their 90s who had paid the head tax, Martin signed a $2.5-million
agreement with the congress.

“There is much anger and frustration at the federal government,” says
Sid Tan, the grandson of a head-tax payer, a director of the Chinese
Canadian National Council and head of the B.C. Coalition of Head Tax
Payers, Spouses and Descendants.

“His [Chan's] proposed agreement with the NCCC is unethical and
humiliates the very people who overcame the racist legislation to allow
him to serve in public office.”

The tragedy in this botched attempt at reconciliation is that Canada
has had more than the lifetime of most people to apologize and give
back the money to those to paid the tax.

Vancouver resident Charlie Quon is one of them. He's 98. Another
Vancouverite, Chung Shee Quon, is 100 and still waiting to get a refund
of the money her husband was forced to pay.

They deserve the money. They and their families deserve an apology.

For now, the January election has put on hold the deal that would have
handed millions to a group that has no connection to the head-tax
payers and their families.

The Liberals' botched attempt at reconciliation has exposed a deep
misunderstanding about the Chinese-Canadian community and about how to
redress human rights' abuses. It could cost them votes, and it should.

But after the election, the government must finally right the terrible wrong done to Chinese immigrants and their families.

It must negotiate with the people directly affected. And it must be willing to apologize and compensate them fairly.

To do anything else only adds further shame to a shameful history.

dbramham@png.canwest.com

© The Vancouver Sun 2005

CHINESE CANADIAN GROUPS REJECT LIBERAL'S STANCE ON HEAD TAX REDRESS

image

CHINESE
CANADIAN GROUPS REJECT LIBERAL'S STANCE ON HEAD TAX REDRESS
 

TORONTO/VANCOUVER,   Dec. 2, 2005:
Chinese
Canadian groups are forcing Minister of State for Multiculturalism Raymond Chan
to explain his decision to award $2.5 million to one group that has divided the
community.

 “He knows that he
made the wrong decision. He knows that he has alienated half of his
constituency and now he’s trying to win them over with more
speeches,” says Susan Eng, co-chair of the Ontario Coalition of Chinese
Head Tax Payers and Families.

It
was the same thing when he kept saying to us that he wouldn't talk to
us if we refused to accept his conditions,” Eng said from
Toronto.  “Saying the same over and over again does not change the
reality of the situation,” Eng said.  “Justice has not been served
and Minister Chan cut out everyone else to favour his political
friends.”

Opposition
has been growing to the Liberals secretly negotiating the $2.5 million
deal with political cronies in the National Congress of Chinese
Canadians – to the exclusion of legitimate representatives of head tax
payers.  The deal was announced within hours of last Thursday's
no-confidence motion in Parliament.

This
is the most important election issue for Chinese Canadians across the
country,” says Todd Wong, spokesperson for the B.C. Coalition of Head
Tax Payers and Descendants, in Vancouver.  “It is galvanizing the
Chinese Canadian vote, particularly young voters, ahead of the
election.”

 “It is shameful that the Liberals
are trying to relegate this important issue concerning social and civil justice
for Chinese Canadians to the level of political payouts to their
friends,” he added.

The
B.C. and Ontario coalitions, with support from the Chinese Canadian
National Council, have been working together for the rights and redress
of the Chinese Canadian community over 62 years of legislated
racism.  A head tax was put on Chinese immigrants, from 1885 to
1923, during the building of our country, and then was followed by the
federal government imposing the Chinese Exclusion Act, which lasted for
24 years, separating families and loved ones, and setting the basis for
further racial discrimination.


30 –

MEDIA CONTACTS:

Susan Eng, co-chair, Ontario Coalition of Chinese Head Tax Payers and Families

416-960-0312

Todd Wong, spokesperson, B.C. Coalition of Head Tax Payers and Descendants,

604-240-7090

CCNC: Chinese Canadians Press Head Tax Redress Issue

image
Chinese
Canadian National Council

For
Immediate Release: December 2, 2005

 
Chinese
Canadians Press Head Tax Redress Issue

TORONTO. The Chinese
Canadian National Council (CCNC) today called on all Party leaders to make
known their position regarding Head Tax redress during the election campaign.
CCNC and groups including the BC Coalition of Head Tax Payers, Spouses and
Descendants and the Ontario Coalition of Chinese Head Tax payers and Families
have organized a number of public events to protest the Government’s
failure to resolve this issue. Instead, Multiculturalism Minister Raymond Chan
chose to sign the Head Tax agreement (Chinese Canadians' Contribution to
Building Canada) on November 24, 2005. “We oppose this deal because it
offers no justice to the people who actually paid the Head Tax and suffered
under the Chinese Exclusion Act,” Colleen Hua, CCNC National President said
today. “The Liberal Government chose to ignore the 4000 redress claimants
who have registered with CCNC over the past 20 years. The 1 million strong
Chinese Canadian community, our allies and supporters will take note of the
various Party positions when voting on January 23rd.”

“I’m
amazed that Minister Chan would bungle this file so badly,” Sid Tan,
Co-ordinator of BC Coalition of Head Tax Payers, Spouses and Descendants.
“Some of the groups listed in the Government’s November 24th
news release are unaware that they are even on the list. Can the Prime Minister
please inform us how many groups have actually sent in a letter of support to
the Government?”

“The
Government has failed in its due diligence and this is how we end up with
Adscam,” Victor Wong, CCNC Executive Director said today.
“Canadians know better: we should never be seen to be profiting from
racism. The new Government should enter into a genuine process of
reconciliation to redress the Head Tax and Exclusion Act, especially now that
so few Head Tax payers and surviving spouses are alive.”

CCNC is a national
organization with 27 chapters across Canada. CCNC is joined in the
campaign for redress of the Head Tax and Chinese Exclusion Act by the Ontario
Coalition of Chinese Head Tax Payers and Families, BC Coalition of Head Tax
Payers Spouses and Descendants, Chinese Canadian Redress Alliance, the
Association of Chinese Canadians for Equality and Solidarity Society, and Metro
Toronto Chinese and South East Asian Legal Clinic.

-30-

For more information, please contact:

Victor Wong, CCNC Executive Director at
(416) 977-9871

Sid Tan, (604) 433-6169; (604) 783-1853

The Land Cconservancy joins community efforts to save Joy Kogawa's childhood home


TLC Joins Community Efforts to Save Joy Kogawa's Childhood Home

THE CAMPAIGN IS UNDERWAY: “118 DAYS, AND COUNTING”

December 2, 2005

VANCOUVER, BC – Community efforts to save Joy Kogawa’s
childhood home from the wrecking ball moved into a new phase today as
The Land Conservancy of British Columbia (TLC) has agreed to lead the
campaign to acquire the house and secure its protection.

“The Kogawa house is a very important part of British
Columbia’s heritage,” said TLC’s Executive Director Bill Turner, “and
we are determined to see it protected.  As of today, we have only 118
days to raise the funds needed to achieve this.  We will need to raise
$1.25 million to ensure the future of this site, and we’ll be getting
to work immediately.”

The Kogawa house is located in the Marpole neighbourhood of
Vancouver, and was the childhood home of noted Canadian author Joy
Kogawa.  She and her family were removed from the home in 1942 as part
of the Government’s policy of internment of Canadians of Japanese
ancestry during World War II.” Kogawa’s celebrated novel Obasan
is a powerful and heart-rending story of that internment and features
the house prominently as part of her childhood recollections.  It has
been listed by the Literary Review of Canada as one of the 100 most important Canadian books ever written.

Inspired by the Save Kogawa House Committee, many community
groups such as the Vancouver Heritage Foundation, Heritage Vancouver
and the Vancouver Alliance for Arts and Culture and other cultural
organizations like the Writers’ Union of Canada and the Federation of
BC Writers have come together to support the protection of Kogawa
House.  On November 3 they were able to convince the City of Vancouver
to delay a demolition permit on the house for 120 days (effective
November 30) to give the community time to raise the funds to buy it. 
This followed the symbolic planting at City Hall of a graft from the
cherry tree at Kogawa House, as Mayor Larry Campbell proclaimed Obasan Cherry Tree Day on November 1.

“I am so touched by the way the community has rallied to protect
this house that holds such symbolic importance for me – and for so many
others,” said Joy Kogawa.  “I just wonder when I'm going to wake up
from this dream of miracles.”

Committee spokesperson Ann-Marie Metten said “We are delighted
that The Land Conservancy is taking on this project.  As British
Columbia’s National Trust they have the expertise to know what needs to
be done and the ability to do it.  They have a great record of success
in similar projects around the Province and we all believe that by
working together we will be successful here too.”

TLC’s Turner said that the fundraising campaign is underway. 
“We are calling on everyone who has been moved by Joy Kogawa’s writing
to contribute to saving the house.  Your contribution will not only
recognize and honour Joy’s accomplishments but will also provide the
opportunity for a writers-in-residence program that will enable a new
generation of writers to be inspired by her work.  We are also calling
on everyone who has been touched by Canada’s past treatment of
communities such as the Japanese-Canadian community.  This house will
stand as a symbol of the wrongs that were committed in the past, but
also as a symbol of what a community can achieve when it pulls
together.”

Donations can be made to The Land Conservancy through our website at

www.conservancy.bc.ca, or by calling our Lower Mainland Office at (604) 733-2312 or our Head Office in Victoria at (250) 479-8053.

 

Contacts:   For TLC   Bill Turner   (250) 213-1090
  Tamsin Baker   (604) 722-2313
 
  For the Save Kogawa House Committee
  Anne-Marie Metten   (604) 263-6586
  Todd Wong   (604) 240-7090
  Anton Wagner   (416) 863-1209

Dialogues of the Carmelites: Not your ordinary opera – but extraordinary

Dialogues of the Carmelites: Not your ordinary opera – but extraordinary


By Francis Poulenc


Vancouver Opera


November 26, 29, December 1 & 3, 2005


All performances 7:30 pm  Queen Elizabeth Theatre




Conductor
                Jonathan Darlington


Director   
                Tazewell Thompson   



Blanche de la Force    Kathleen Brett



Prioress   
                Judith Forst



Madame Lidoine        Measha Brueggergosman


Marie
Mere                Claire
Primrose          



Constance                 Nathalie Paulin




I walked out of Vancouver Opera’s 2005 serving of Dialogues of the
Carmelites
simply amazed.  It was a production you either loved or
hated. It pushed buttons. It wasn’t traditional. It was inspiring. It
was beautiful. It made you think. There was no love story between a man
and a woman.




There were no familiar songs that would ever appear on Opera’s greatest
hits.  But it provided extraordinary showcase performances for
Judith Forst, Kathleen Brett, Measha Bruggergosman and Claire
Primrose.  How strange it is to see an opera where all the main
characters are women, and where men play only secondary and supporting
roles. But while there are no sexy tunes between men and women, there
are many arias that deal with the relationship of spirit and to
God. 


It is 1789, the dawn of the French Revolution.  After an incident
in which her carriage is surrounded by The by mobs fin the street, a
young agitated aristocratic woman named Blanch de la Force decides to
join the Carmelite Order seeking refuge from both her family and the
social turmoil happening in France. 

Blanche discovers an inner
journey that is challenged once again by inside forces when she
befriends a fellow initiate named Constance who shares with Blanche
that they will die together.  Blanche is again challenged
when  she is
present at the death of the Pioress, who wails that Death is ugly,
unforgiving and unspiritual. Soon after, outside forces come to play
when the
New French Republic orders that all Religious Orders become outlawed,
and the nuns are forced to leave their home. It is at this point that
Blanche flees the convent to find refuge as a servant in an
aristocratic house.


Judith Forst sings a knock-out performance as the Prioress,
while sitting in her death bed. 
Kathleen Brett readily
captured
the agitated psychological state of Blanche de la Force, although her
voice was weak at points – perhaps due to playing Blanche's weak state
of mind, because in Act 2 & 3, as Blanche matures psychologically
in her convictions, her voice becomes stronger.  Nathalie Paulin
provided a clear and calm
foil as Constance, to Brett’s Blanche.  And when finally
Measha
Bruggergosman
came on stage in the 2nd Act, her voice and movement had
so much presence it was hard not to be enthralled.



This is
not a “pretty opera” despite its beatific moments where the nuns pledge
themselves to martyrdom.  It is indeed a psychological drama that
questions our own relationship to spirit, heroism, totalitarianism,
religious order and self-sacrifice.  While watching I could not
help but compare the exiling of the nuns from their convent to the
internment of the Japanese-Canadians in 1942, which was nicely explored
in Vancouver Opera's production of
Naomi's Road
Nor could I not draw comparison to the Vancouver Opera's past
production of Beethoven's only opera Fidelio, also set during the
French Revolution.

The final climatic scene is difficult to tear one's eyes away
from.  Here is a spoiler – but good to know as the real story was
first published by Marie Mere as a memoir.  Despite first
suggesting martyrdom to her fellow nuns, it is she alone who somehow
survives the imprisionment of the nuns, and their final walk to the
guillotine.  Musically it is very powerful, as the cast sings
Salve Regina, each one walks up, across and finally off-stage,
one  by one, until you hear the metalic sound of a
guilotine.  The choir of voices becomes smaller one by one until
only Constance remains.  It is then that Blanche appears to hold
hands with her friend Constance and to fulfil Constance's vision that
they would die together.



Here was a modern opera written by Francis Poulenc, sung in French, set
during the French revolution, about Carmelite nuns – and directed by
African-American theatre and opera director
Tazewell Thompson.  As
a 9-year old boy, Thompson was sent by his grandparents to live in the
convent of the Sisters of St. Dominic, in Blauvelt, N.Y. where he spent
six years.  He says he learned Gregorian chants before he ever
knew pop, jazz, folk or opera music.  What an extraordinary
experience to learn and develop a relationship with a spiritual diety,
as well as evolving one’s own spiritual development!  It makes
sense that Thompson was asked to help create this particular production
first with Glimmerglass Opera and New York City Opera.

Poulenc's music is indeed both beautiful and spiritual. I was moved by
its thoughtful passages, and found myself humming Stravinsky's Infernal Dance of King Katschei
from the Firebird Suite.  As well, I found myself thinking of
Gershwin's American in Paris, and Porgy and Bess.  It was not a
surprise then to read in the progam notes that Poulenc named Stravinsky
as one of his greatest influences, as well as Gershwin.


Donald Eastman’s set design is beautiful in its simplicity.  A
simple wall, stands halfway back on the stage, creating the interior of
the Church.  Muted light enters through a high window.  At
scence changes the pillars come forward to become walls, and to create
individual rooms.  Later they recede, and the lighting changes to
create
and exterior scene.  The lighting changes again, and it is another
scene in the Church, this time the harsh early light of morning. 
The walls move again, and the nuns are in a prison cell.




Classical music has always been kind to colour-blind casting, as
opposed to theatre or film. Casting New Brunswick born Afro-Canadian
Measha Bruggergosman has absolutely no negative impact.  In fact,
I think it speaks loudly about the multicultural ease that opera moves
with.  The opera audience listens to French, German, Italian
easily, and there has even been an opera now in Cree.  The
settings are from around the world such as China in Vancouver Opera’s
production of
Turandot.  I look forward to the January 2007 production
of Mozart’s Magic Flute
reconstructed with a First Nations theme blending
western and First Nations traditions together and designed with a team of First Nations artists.


In the end, it is the inspiration of the performances that moves us.






check out these reviews and links


Dialogues of the Carmelites

Georgia Straight review by Jessica Werb

Divine inspiration behind Vancouver Opera's latest

Vancouver Courier Review by Louise Phillips


All Praise to the singing nuns

Globe & Mail review by Elissa Poole


Religious Reflections

Georgia Straight interview with director Tazewell Thompson by Colin Thomas




Vancouver Opera Insight Articles

Facing the World Inside the Walls

Notes on the production of Dialogues of the Carmelites
by Stage Director
Tazewell Thompson
Measha!
by Doug Tuck
Francis Poulenc, Graceful Composer

by Doug Tuck

Hearing the voice of Grace, Poulenc's Musical Style

by David Shefsiak

St. Andrew's Day – Gung Haggis Fat Choy style


St. Andrew's Day – Gung Haggis Fat Choy style

St. Andrew is the patron saint of Scotland.  St Andrew was one of Jesus' twelve disciples and
he lived and worked as a fisherman in Galilee. He was the brother of Peter,
another of Christ's disciples.

A few days ago… Maggie Shiels of the BBC Radio Scotland program “Scotland Licked”
asked me if I had any plans for St. Andrew's Day.  I had to
confess that I hadn't thought about it.  But I promised I would
celebrate now that she had brought it up.

So… how did Toddish McWong celebrated St. Andrew's Day?  By
forgetting to wear my kilt – but with the freezing temperatures and
yesterday's snowfall still hanging around the upper elevations, I
didn't dare. 

St. Andrew was a fisherman, so for dinner I ate fish.  Well actually it was sushi, and it was during a meeting for the Save Kogawa House committee.  Next I went to see the musical show celebrating the music and dance of South Africa, called Umoja,
“the spirit of togetherness.”  Amazing! Filled with incredible
songs, drums, music and dance… I will write my review later.

The most important thing I did on St. Andrew's Day was go to my favorite drinking establishment in Vancouver – Doolin's Irish Pub,
where we celebrate “Kilts Night” on the first Saturday of each month.
My buddy Rod and his brother Rick were my drinking partners as we
celebrated with Guinness.  We had the Irish Nachos made with
potato chips… covered with cheese, sour cream, onions, diced
tomatoes…


Doolin's is fun – the waitresses all wear short plaid skirts, and I
recieved greetings from Evan the manager, Christine Van, the promotions
manager, and Jenny our waitress.

Bear,Me, Dallas and Raphael at Kilts Night

Vancouver really doesn't celebrate St. Andrew's Day.  There's a mention in the Georgia Straight
by Jurgen Goethe about a limited release Scottish Ale by Granville
Island Breweries.  A few of the local Scottish societies are
having St. Andrew's Day dinners.  But nobody's invited me
yet.  Maybe they're afraid I might bring my accordion.

It was way back in 1955
on St. Andrew's Day in 1955,
21 Scottish Canadians groups finally opened the United Scottish
Cultural Centre

at Fir and 12th Avenue in Vancouver. (In July, 1986, the centre would
move into a new home at 8886 Hudson in Marpole.)  Apparently there
was a party there on Nov 26th, Saturday Night – but nobody told
me. 
– Joe McDonald on flute
Mad Celts was providing the entertainment – and Joe McDonald band leader is my regular piper for Gung Haggis Fat Choy…. and he didn't tell me!