Mexican Hat Cake from Notte's Bon Ton French Pastry – my favorite birthday cake of choice – photo Todd Wong
Yearly Archives: 2006
Recounting Todd's birthday memories for 2006
Recounting Todd's birthday memories for 2006
Celebrating
Todd's Birthday at Doolin's with Gung Haggis paddlers: Jonas, Rita,
Deb, Todd, Christine and Jim – photo Rebecca with Todd's new camera!
Yesterday, a song popped into my head. I sang along with
it. “Yesterday, it was my birthday. I hung one more year on
the line…” goes the Paul Simon song “Have a Good Time.”
I spent the morning and afternoon playing with my “almost 3” year old
nephew. We pretended we were dinosaurs. We built houses for
the toy animals to live in. We bounced balloons up in the
air. We played hide and seek. We blew out the candle for my
cake together. We went for a walk to play in the school playground.
Usually I always like to go away out of town for my birthday. I
have woken up at Long Beach, Whistler, travelled to the tulip fields in
the Skagit Valley. It's good to have time for yourself. But
now it was time to revel in the joy of life, as seen through the eyes
of a almost-three year old. Life is wonderous and
beautiful. Cake is great. So is singing… life should be
like this everyday.
My Birthday cake of
choice is the “Mexican Hat Cake” from Notte's Bon Ton French Pastry and
Confectionary – photo Todd Wong. I have always loved the
chocolate rolls and shavings on top. My mother trained me well
from a young age.
I went to work for my regular shift at the Vancouver Public Library on
the information desk. My writer friend Kuldip Gill dropped by and
said hello. During my break I went down to the Alice Mackay Room
where the Literature Department had put together a panel discussion of
Asian-Canadian writers, including Kuldip, Kevin Chong (Baroque-a-Nova,
and Neil Young Nation), Lydia Kwa (A Place Called Absence, and The
Walking Boy), and Terrie Hamazaki. I was also surprised to see
friend Kathy Leung, ex Gung Haggis dragon boater, and co-moderator for
Scripting Out Loud. It was nice to see them all and say hi, even
though I only had 15 minutes during my break.
At nine o'clock, my shift finished, and I dropped back down to say hi
to the writers downstairs. I bought Lydia's book “The Walking
Boy,” which had been nominated for best fiction for the BC Book
Prizes. Lydia signed it.
Now wearing my kilt… I joined my friend Christine, my girlfriend Deb,
and new paddler Rita. We walked over to the Doolin's Irish Pub to
celebrate my birthday. Paddlers Jonas and Jim were there
too. I was surprised to see my Kilts night friends, kiltmaker
Terry “Bear” Varga, and Raphael Fang sitting at the bar.
“It's like a mini-kilt night,” exclaimed Bear. The operative word
is mini kilt. We cornered him to make up some mini-kilts for the
Gung Haggis Fat Choy dragon boat team. He talked to Deb and
Christine about lengths.
“I want a yellow mini-kilt,” exclaimed my long time buddy Christine.
“It would have to be the MacLeod tartan,” I told her. “Or we
could rename it the McWong – since “Wong” actually means “yellow” in
Cantonese. “It would be perfect for a nice Chinese girl like you!”
“Todd wants me to be wearing a mini-kilt if I'm drumming or steering
the boat,” said Deb, who will be wearing the Fraser Hunting Tartan… I
mean what we are calling the Fraser “Sport” tartan. black with
Blue and red… dragon boat racing is a sport… hunting is kind of a
sport. Let's call it the “Sport Tartan.”
We had a great time at Doolin's. I know a few of the waitresses
and managers there. I was offered a Birthday Shooter. I
chose a B-52. It was quickly followed by a pint of Guinness.

Live music was provided by the Halifax Wharf Rats. Michelle is
their leader, who also plays in the celtic band Black Thorne. In
addition to all the Maritime songs, that our paddler Jim seemed to know
by heart, they played my special request… “I Was Made For
Loving You Baby” – originally a disco song by the heavy rock band
KISS. Michelle wished me Happy Birthday, and Halifax Wharf Rats
started a nice slow traditional version of “Happy Birthday To You,”
which became a rave-up. (Halifax Wharf Rats in picture at right – Michelle in purple, guys in black- from the Celtic Fest website).
http://www.celticfestvancouver.com/performers.html#wharfrats
A good birthday. I even met some new potential dragon boat
recruits. A fellow who plays bagpipes and is new to Vancouver
came up to me, asking why I was wearing a kilt. His name was
Jason. He introduced me to his friends, Paddy, Cameron and
Megan. All perfect names for a Gung Haggis Fat Choy dragon boat
team. Hope we see them on the boat on Sundays at 1pm, or Tuesdays
at 6pm.
We also met a Rebecca with friend Andrea from Nanaimo.
“Paddling sounds like too much work!” she answered my recruiting
overtures. “The truth is… we really just want to have fun,” I
confided to her. “My drinking team actually has a paddling
problem.” She laughed. But sadly, it really is the truth.
I meet Bertha Bay-Sa Pan, director of Face – review to come
I meet Bertha Bay-Sa Pan, director of Face – review to come
I saw the movie Face last night at Pacific Cinematheque as part of
explorASIAN's film component celebrating Asian Heritage Month.
Pan is in town for a few days as the Western Canadian Premiere of Face,
and to give a short film making workshop on Sunday afternoon at
Vancouver Museum, plus Q&A sessions following each screening of her
movie.
It's a nicely crafted movie about 3 generations of Asian women in New
York City. The characters are each nicely developed and influence
each other directly and indirectly, even though Central character Kim,
left her mother and infant daughter behind to start a new life.
The story is told in flashbacks and begins as she is returning to
New York to visit them.
Bertha Bay-Sa Pan answered lots of questions from the audience, and
explained that while the film is “Asian” in characters and story, it is
universal enough that many Jewish people as well as gays, told her that
“It's my story!” The characters deal with not being able to
communicated and say what they feel to each other, and how they must
deal with the consequences of the actions and their inactions.
My question to Pan, dealt with the Asian-African inter-racial
relationship. I said that most films dealing with inter-racial
relationships have usually had white-Asian relationships such as Joy
Luck Club and Mina Shum's Double Happiness.
“It's not the first one on screen,” Pan answered. There was
also the movie “One Night Stand,” as well as the television show ER –
both with actress Ming Na Wen. Also Sandra Oh on Gray's Anatomy,
has become involved with a Black American.”
Pan has seen many of the Asian-Canadian and Asian-American films, and
counts Ang Lee's earlier films such as Eat Drink Man Woman as her
influences. She made her cinematographer watch In the Mood for
Love, to help demonstrate the lighting that she wanted to
capture. Asian movies do capture different colours as symbolic
metaphors that are important to telling the story she wanted, she
explained to the audience.
see below from the explorASIAN website
BERTHA BAY-SA PAN
Writer/Director/Producer

Face
is the feature film debut for writer-director Bertha Bay-Sa Pan. Born
in New Jersey and raised in Taiwan, Ms. Pan received her MFA in Film
from Columbia University, where her short film “Face” [from which the
feature is adapted] won numerous honors including the Polo Ralph Lauren
Award for “Best Screenplay”, the Director’s Guild Award for “Best Asian
American Student Filmmaker.” The feature film “Face” brought her
various awards including The Best Director Award at Urbanworld Film
Festival, The Critics Award for Best Director at CineVegas, an Open
Palm nomination from the Gotham Awards in 2002, as well as the Premio
Speciale Prize at Torino International Women’s Film Festival 2003.
a Bertha Bay-Sa Pan film starring Bai Ling – Treach – Kristy Wu
“Face”
– Winner of the Best Director Award at Urbanworld Film Festival, The
Critics Award for Best Director at CineVegas, an Open Palm nomination
from the Gotham Awards and the Premio Speciale Prize at Torino
International Women’s Film Festival.
Western Canada Premiere at explorASIAN 2006
Director in Attendance
May 13 – 7:30pm & 9:30pm
May 14 – 7:30pm (followed by explorFILM: Asian Canadian Short Films at 9:30pm)
May 15 – 9:30pm (after explorFILM: Asian Canadian Short Films at 7:30pm)
Special members ticket prices in effect for this event!
Single Bill: $9.00 (students/seniors $7)
Double Bill: $12 (students/seniors $9)
Membership
in Pacific Cinémathèque or the Vancouver Asian Heritage Month Society
required for this event. VAHMS memberships available at the door.
Location: Pacific Cinematheque, 1131 Howe Street, Vancouver
http://www.cinematheque.bc.ca/
Language: English
Some coarse language and brief nudity
Runtime: 89 min
All That Matter: a Tribute dinner for Wayson Choy – in Toronto May 26
Here's something from my friends in Toronto.
“Gracious”
is the word that comes to mind, whenever I describe Wayson Choy.
I got to know Wayson during the summer of 2002 when I was on the
inaugural One Book One Vancouver committee for the Vancouver Public
Library. It was an exciting time, helping to create the first
library “One Book” program in Canada.
Highlights
of the program included organizing a “Dim Sum with Wayson Choy and
Friends” at the Floata Restaurant where Larry Wong had secretly invited
some of Wayson's friends who had provided some of the character
inspirations for “Jade Peony” as well as a videotaped greeting from
Carol Shields, who was ill with cancer at the time.
On
the 4th Sunday of September, Asian Canadian Writers' Workshop created
the first ACWW Community Builder's Dinner, recognizing Wayson, Paul Yee
and Roy Mah – founder of Chinatown News.
FOR IMMEDIATE RELEASE
All That Matter: a Tribute dinner for
Wayson Choy
Toronto (May 12th, 2006) – Asian Community AIDS Services (ACAS), in
partnership with CelebrAsian (formerly Gay Asians Toronto), is hosting a
fundraising dinner on Friday May 26th to pay tribute to Wayson Choy, renowned
award winning writer and an Order of Canada recipient. Featuring readings,
charity auctions and live entertainment, the 10-course Chinese banquet will be
at Bright Pearl Restaurant in Chinatown with
reception starting at 6:00 P.M. and dinner served at 7 P.M.
The proceeds from the fundraising dinner will benefit the participation
of ACAS in the upcoming XVI International AIDS Conference in Toronto and the set up of Wayson Choy
CelebrAsian Writer’s Scholarship to support the development of queer Asian
Canadian writers.
Preparing for the International AIDS Conference (IAC) this August, ACAS
is planning a series of workshops, presentations and special international
forums for PHA (People live with HIV/AIDS) leadership to showcase our
innovative and important work and to share best practices with more than 20,000
delegates from all over the world.
An acclaimed Vancouver raised writer,
Wayson Choy is a Professor Emeritus at Humber
College in Toronto. His first novel, The Jade Peony,
spent six months on The Globe and Mail's national bestseller list, shared the
Trillium Book Award in 1995, and won the 1996 City of Vancouver Book Award. All That Matters, a
companion novel to The Jade Peony, was shortlisted for the 2005 Giller Prize and
won the Trillium Book Award in 2005.
Tickets for this event are $50 regular, $100 for patrons and $1,000 for
a sponsor table of 10, and must be purchased in advance. Partial tax receipts
are available for patron tickets and sponsor tables. To purchase tickets,
please call 416-963-4300 x 22 or email support@acas.org
. For further information and updates on the event, please visit www.acas.org/TributeDinner
– 30-
About ACAS:
Asian Community AIDS Services (ACAS) is a charitable, non-profit,
community-based organization in Toronto,
we provide HIV/AIDS education, prevention, and support services to the East and
South East Asian communities.
For more information on ACAS, please contact Duncan Lau, media
coordinator. Call 416-963-4300, email publicity@acas.org or visit www.acas.org
Rice Rockets and Yacht People: Bet you haven't seen Chinese-Canadians like this before!
theatre review
Rice Rockets and Yacht People:
Bet you haven't seen Chinese-Canadians like this before!
By Simon Johnston. Directed by Barbara Tomasic.
Gateway Theatre until Saturday, May 13
Emily Piggford and Nick Ko play teen siblings Winnifred and Leonard Lee – photo courtesy of Gateway Theatre
Winnifred Lee is a pre-teen sharing her journal writing with the
audience. Her older brother Leonard has just is yet to learn to
drive and his hobbies are smoking marijuana, but soon they will include
souping up Honda Civics, and racing them. Typical teens.
Their parents Barb and Ken have to go to Shanghai on business, because
the New China is the place to make money. They leave the kids
alone.
Astronaut wives, street racers and rich Chinese immigrants who don't
care about potential Canadian heritage sites are the new stereotypes in
Vancouver. But they are based on some truths. Welcome to
the new contemporary Asian-Canadian issues in Simon Johnston's new play
“Rice Rockets and Yacht People.”
“Another boring story about building the railway,” whines Ken Lee,
after attending the latest Chinese Canadian Arts fundraising
gala. “Why are they always concerned about the past? Chinese
people look to the future!” he declares. His wife is 5th
generation Canadian, but she goes along with her immigrant husband, as
they are both concerned more with making money, wearing the right
clothes, rather than reading books about child raising by Barbara
Coloroso.
Bob (Dawn Petten) comforts a distraught Leonard (Nick Ko), while his parents Barb and Ken Lee (Lara Ong and Raugi Yi) look on.
Lara Ong and Raugi Yi do good turns playing Barb and Ken Lee, the
wealthy Asian couple, who spend months at a time in Shanghai, while
leaving the kids on their own. Nick Ko plays Leonard, the sullen
teen who can only express himself while rapping to the audience.
An Asian rapper? Not black? Young Asians are fast expanding
on the rap and hip hop scene or didn't you notice? Honda Civics
are accompanied by Honda Preludes and Accura Integras and RSX's on the
street racing circuit now dominated by young Asian dudes, long since
replacing the Camaros and Firebirds that were synominous with young
asian males when I was growing up.
Rice Rockets is the first half of the presentation, that really deals
with the issues that Winnifred and Leonard face. Yacht People
deals almost exclusively with Barb, Ken and Bob (not Roberta), a white
female employee that works in the factory that the Lee's have just
sold. Bob (Dawn Petten) shows up one evening and challenges the
values and judgements of the Lee's. She offers to buy the old
farmhouse that the Lee's have bought, declaring that she is entitled to
it because it used to belong to her grandfather before he lost it
during the depression. Bob offers the Lee's $100,000 because
that's what she figures it would be worth if the Asian immigrant
invasion hadn't driven up all the local real estate prices.
Who is entitled to their rightful place in Canada? New immigrants
who invest money, create jobs and help expand the economy? Or is
it the “lazy whining Canadians” who were here first, but don't work
hard, spend their time on recreation when they can, but feel a sense to
entitlement?
Rice Rockets and Yacht People pushes the buttons. It doesn't
point fingers at only one ethnic group, but it balances the issues and
presents different views, leaving the audience to judge.
The afternoon I attended there were some high school students and
seniors, who all seemed to really enjoy the play. The audience
was
reactive to the stage actions and the dialogue, and the actors
responded positively. They all shared that they really liked
being able to explore new characters who haven't been expressed like
the characters in Rice Rockets and Yacht People, playing against the
usual stereotypes and traditional roles.
Definitely… go see this play!
Hip, Hapa and Interculturally Happening – May 11 to May 18
Hip, Hapa and Interculturally Happening – May 11 to May 18
May 11, Thursday
Alice Mackay Room
Vancouver Public Library, Central Branch
350 West Georgia Street.
Celebrate Asian Heritage Month in a literary
way! Join us for a panel of local Asian authors as they read and
discuss their work, and share their experiences and perspectives on
writing and culture.
Featuring:
- Lydia Kwa: author of The Walking Boy and This Place Called Absence.
- Kuldip Gill: Winner of a BC Book Award (2000), she is the author of Dharma Rasa and Kildeer's Dance.
- Terrie Hamazaki:
her plays have been produced at the Fringe and Women in View Performing
Arts Festivals; her fiction and poetry have appeared in several
anthologies.
- Kevin Chong: popular columnist and author of Baroque-a-Nova and Neil Young Nation.
For more information please contact
Vancouver Public Library
at 604-331-3603 or
via email: info@vpl.ca
Sponsored by
explorASIAN
DAVID SUZUKI
May 13, 7 pm,
St. Andrew’s Wesley Church.
Tix $10 at www.ticketweb.ca or at People’s Co-op
Bookstore,
info 1-888-222-6608.
Scientist, environmentalist, and broadcaster launches his
new book, David Suzuki: The Autobiography, with a talk, multimedia
presentation, and book signing; proceeds to the David Suzuki Foundation. May
13, 7 pm, St. Andrew’s Wesley Church. Tix $10 at www.ticketweb.ca or
at People’s Co-op Bookstore, info 1-888-222-6608.
RICE ROCKETS & YACHT PEOPLE
To May 14, Wed.-Sat. at 8 pm (mats. Sat.-Sun. at 2 pm),
Gateway Theatre (6500 Gilbert Rd.,
Richmond)
Tix $24/22, info www.gatewaytheatre.com/
I
just saw this Simon Johnston’s
new drama about the clash of values between new Canadians and longtime
Caucasian
residents. It's great! It turns stereotypes on its head, as well
as presenting contemporary issues facing Vancouver area residents
today. Asian Canadians are no longer low income earners at the
bottom of the immigrant ladder, and sometimes they aren't even
immigrants = hence the term “yacht people.” “Rice rockets” is the term
used for souped up Honda Civics used for street racing in Richmond.
THE GULL: THE STEVESTON NOH PROJECT
To May 14, Wed.-Sat. at 8 pm (mats. Sat.-Sun. at 2 pm),
Plaza at Richmond City Hall (6911 No. 3 Rd.).
Tix $25 at Gateway Theatre box office, 604-270-1812,
info www.pangaea-arts.com/.
Daphne Marlatt is hot! and she's cool!
Earlier in February she was made a member of the Order of Canada.
She read in support of Joy Kogawa at Chapters, and she is recently a
contributor of a anthology of Lesbian writing.
Pangaea Arts presents Daphne Marlatt’s new play about
Japanese-Canadian fishermen returning to the coast after the internment.
Featuring Japanese Noh performers and Canadian theatre artists.
What Are You Anyways? Jeff Chiba Stearns - film maker
May 14th, 10:15am to 12:30 pm
Vancouver Museum
Workshop on Hapa Issues and animation
May 15th and 16th Sunday and Monday night 7:30, 9:30pm
at the Pacific Cinematheque with the movie FACE.
Jeff is the award winning animator and film maker of "What Are you Anyways?"
a short film about growing up Hapa or "Half Japanese/Half Caucasian" in Kelowna BC
Filmmakers Workshop
with award winning Director/Producer Bertha Bay-Sa Pan (NY, USA)
12:30pm to 2:30pm
Scriptwriting Workshop with Grace Chin & Kathy Leung (BC)
2:45pm to 4:45pm
Bertha Bay-Sa Pan's FACE - Western Canada Premiere
May 12-15

F A C E
Losing face. Finding soul.
a Bertha Bay-Sa Pan film starring Bai Ling – Treach – Kristy Wu
“Face”
– Winner of the Best Director Award at Urbanworld Film Festival, The
Critics Award for Best Director at CineVegas, an Open Palm nomination
from the Gotham Awards and the Premio Speciale Prize at Torino
International Women’s Film Festival.
Western Canada Premiere at explorASIAN 2006
Director in Attendance
May 12 – 7:30pm & 9:30pm
May 13 – 7:30pm & 9:30pm
May 14 – 7:30pm (followed by explorFILM: Asian Canadian Short Films at 9:30pm)
May 15 – 9:30pm (after explorFILM: Asian Canadian Short Films at 7:30pm)
Special members ticket prices in effect for this event!
Single Bill: $9.00 (students/seniors $7)
Double Bill: $12 (students/seniors $9)
Membership
in Pacific Cinémathèque or the Vancouver Asian Heritage Month Society
required for this event. VAHMS memberships available at the door.
THE MIKADO (OR THE TOWN OF TITIPU)
May 21, 27-28 at 3:30 pm),
Surrey Arts Centre (13750 88th Ave.).
Tix $23.50/19.50 (preview $16.50),
info 604-501-5566.
The Fraser Valley Gilbert & Sullivan Society presents a
traditional version of one of the pair’s best-loved romantic-comedy operettas.
May 18-20 & 24-27 at 8 pm (preview May 17 at 8 pm; mats.
EVENING OF ROSES
May 12, 8 pm,
St. Mark’s-Trinity Church (W. 2nd & Larch).
Tix $15/10, info 604-873-1372.
Okay…. I am including this event because Karen-Lee-Morlang
is a friend of mine. She accompanies
the the Vancouver City Singers conducted by Tom McPherson for a concert
celebrating love in its many forms.
OCEAN CROSSINGS
May 13, 8 pm,
Orpheum.
Tix and info 604-876-3434.
This sounds interesting…. Lots of Asian Canadian musical
performers, an Asian Canadian conductor with works inspired by Asian
influences. Alexina Louie is a
Vancouver born composer now living in Toronto.
Ken Hsieh conducts the VSO, with guests Grace Lee (kayagum)
and Gui Lian Liu (pipa), in a concert of Eastern-inspired music by
Vivier/Rea, Simon Holt, Ray Zhuo, Grace Lee, and Alexina Louie.
DRUM ‘N’
DANCE II
May 13, 7:30 pm,
WISE Hall (1882 Adanac).
Tix $22 (plus service charge) at Highlife, Scratch, and Zulu
Records, info 604-408-8582,
www.caravanbc.org/.
Caravan World Rhythms and Vancouver Rhythm and Dance present
performances by Thione Diop’s Senegalese band Yeke Yeke, Pepe Danza’s Drum
Prayers, and dancer Jacky Essombe from Cameroon.
May 15th, Monday
Alice Mackay Room
Vancouver Public Library, Central Branch
350 West Georgia Street.
The author of Stanley Park's Secret
will explore the shared stories of Stanley Park's forgotten past. Early
Vancouver was an inhospitable place with the dominant society using
various means to segregate itself from racial groups it considered
inferior. One of the few locations where everyone could enter on a
basis of rough equality was Stanley Park.
Jean Barman is a founding member of the Chinese Canadian Historical Society of BC and UBC professor emeritis.
For more information please contact
Vancouver Public Library
at 604-331-3603 or
via email: info@vpl.ca
Sponsored by
explorASIAN
http://www.explorasian.org
May 16 Tuesday
Alice Mackay Room
Vancouver Public Library, Central Branch
350 West Georgia Street.
Judy Fong Bates reads from her novel, Midnight at the Dragon Cafe,
the story of a young girl, the daughter of a small Ontario town's
solitary Chinese family, whose life is changed over the course of one
summer. Set in the 1960s, it is a vivid portrait of childhood divided
by two cultures and touched by unfulfilled longings and unspoken
secrets.
Midnight at the Dragon Cafe won the ALA Alex Award (2006).
Janice Wong is the author of Chow from China to Canada: Stories of Food and Family. Her father Dennis Wong ran his restaurants in Sasketchewan, but had grown up in Victoria BC.
For more information please contact
Vancouver Public Library
at 604-331-3603 or
via email: info@vpl.ca
Sponsored by
Canada Council for the Arts
http://www.canadacouncil.ca
NATALIE MACMASTER AND DONNELL LEAHY
May 17-18, 8 pm,
Orpheum Theatre.
Tix $38-60, info 604-876-3434.
Hmmm…. Cape Breton Scottish Canadian fiddlers meet the VSO
with Chinese-Canadian conductor. I love
MacMaster’s work.
Juno-winning Canadian fiddlers perform with the VSO,
conducted by Ken Hsieh.
OKINAWA CULTURE EXTRAVAGANZA
May 12, 7:30-9:30 pm,
Vancouver Japanese Language School and Japanese Hall
(475 Alexander).
Tix $10 adults/$40 group of five adults/$5 children/$20
group of five children, info 604-254-2551
Oklinawan culture is unique – not Japanese and not Chinese, even
though each country colonized it for periods of time. The Kogawa family name came from Okinawa, as David
Kogawa has told me.
As part of its centennial celebrations, the Vancouver
Japanese Language School and Japanese Hall hosts a celebration of Okinawan
music and arts, featuring a performance by the traditionally attired Okinawan
Children’s Choir, plus a demonstration and sampling of bukubukuu-cha,
Okinawa’s traditional tea.
KAZUMI TSURUOKA & SAGEEV OORE
May 12-13, 8 pm,
Vancouver Elks Lodge (1–2177 W. 42nd).
Tix from $20 to $50 at the door, info
604-683-8240.
Singer-storyteller
Tsuruoka and pianist Oore use rhythm ‘n’ blues to tell the love story of a man
with cerebral palsy. Hmmm…. Sounds interesting. Japanese story telling and Blues music? Very folking… (Did you ever see the movie Mongolian Blues?”
Today is my birthday – May 11- sharing my favorite quote “Our Deepest Fear,” from Marianne Williamson
Today is my birthday – May 11:
sharing my favorite quote from Marianne Williamson
Last weekend I went to see the movie Akeelah and the Bee.
A wonderful movie about an 11 year old girl from South Los Angeles, who
learns self-worth and confidence, along her journey to the Scripps
National Spelling Bee in Washington DC. The movie was also
special to me, because in 2005, my 2nd cousin Tracey Hinder
went to both the Scripps National Spelling Bee in Washington DC, and
the Canspell Spelling Bee in Ottawa ON. You can read my stories and
media stories about Tracey Hinder.
I was thrilled to see my favorite quote by Marianne Williamson used at such a key pivotal moment in the movie. The first time I read this quote about 6 years ago, it brought tears to my eyes. It spoke to me.
I
enjoy the writings of Marianne Williamson, especially her book Return
to Love, and also the community work of Nelson Mandela, to whom the
quote is often mis-attributed too. But both these people are good
of heart and come from the same place. They are both gifts of
Spirit.
Nelson
Mandela will always be special to me, because of my study of his work
to bring racial harmony to South Africa. I was honoured to
assigned to represent the Southwest African People's Organization at
the National Model United Nations in New York City in 1989, as well as
Mandela's own African National Congress for my own Political Science
class Model UN at Capilano College. In 1990, while I was still
recovering from chemotherapy treatment, and my hair starting to grow
again, I was fortunate to be watching the news when Nelson Mandela
stepped off the plane and into freedom, after his many years of
politicaly imprisonment. Both Mandela and Williamson are
inspirations for me.
When
I think back on my life to each of the failures and the triumphs, the
fears and the joys, I know it has been an amazing life. And to
think that I almost died at age 29, from a cancer tumor in 1989, makes
it all the more accentuated. When I turned 30, I was just happy
to be able to celebrate a birthday. When I turned 40, I was
dealing with a depression.
Today,
life is good. I am pleased to be a part of so many good things in
the world: The Save Joy Kogawa House campaign, the Chinese
Canadian Head Tax redress committees, The Gung Haggis Fat Choy dragon
boat team and dinner events.
Life
is about what we do with our gifts. Life itself is a gift.
And our lives are best lived by sharing our joys, wisdom and talents
with others.
by Marianne Williamson
from A Return To Love: Reflections on
the Principles of A Course in Miracles
(See note below)
Our
deepest fear is not that we are inadequate. Our deepest fear is that we
are powerful beyond measure. It is our light, not our darkness that
most frightens us. We ask ourselves, Who am I to be brilliant,
gorgeous, talented, fabulous? Actually, who are you not to be? You are
a child of God. Your playing small does not serve the world. There is
nothing enlightened about shrinking so that other people won't feel
insecure around you. We are all meant to shine, as children do. We were
born to make manifest the glory of God that is within us. It is not
just in some of us; it is in everyone. And as we let our own light
shine, we unconsciously give other people permission to do the same. As
we are liberated from our own fear, our presence automatically
liberates others.
http://skdesigns.com/internet/articles/quotes/williamson.html
williamson_returntolove
by Marianne Williamson
from A Return To Love: Reflections on the Principles of A Course in Miracles, Harper Collins, 1992. From Chapter 7, Section 3
Note:
This is often found on the Internet incorrectly stated as a quote by
Nelson Mandela from the Inauguration Speech, 1994. Here are links to
two official African government sites with Mandela's speech:
