Celtic Fest St. Patrick's Day parade pictures of Gung Haggis Fat Choy dragon boat float, by Nick Lum
My friend Nick Lum took some great pictures of the Gung Haggis Fat Choy
dragon boat float in the 3rd Annual Vancouver St. Patrick's Day
Parade. In this series of photographs, we are crossing Davie St.,
as we “paddle” North along Granville St.

Gung Haggis Fat Choy banner announces our parade entry. Deb
Martin is our designated driver, Little stuffed dragon animal toys sit
on the hood of the truck – photo Nick Lum

Dave Samis “steers” the boat while wearing the “Maple Leaf tartan”
kilt. Todd wong has just climbed into the boat to “paddle” with
Aefa Mulholland. – photo Nick Lum

Good wide shot of the truck and boat – photo Nick Lum

Our beautiful towing vehicle was loaned to us by our dragon boat friend
Susan Hyde, who organizes the Saints Preserve Us dragon boat team. –
photo Nick Lum.

Todd gives Aefa her first paddling lesson, while Daming bangs on the drum – photo Nick Lum

Aefa smiles during her very first paddling lesson in a dragon
boat. This was the first time the Glasgow native set foot in a
dragon boat team. We think she is perfect! – photo Nick Lum.

Daming sits in the drummers seat, ensuring that Todd and Aefa paddle in synch with each other – photo Nick Lum.

Daming smiles for the camera, showing off his green flower lei, as he
bangs on the drum. Todd shows Aefa how to reach with the dragon
boat paddle – photo Nick Lum

Dave Samis demonstrates his multicultural fashion sense, combining
Maple Leaf tartan kilt, red Gung Haggis dragon boat team racing shirt,
and green St. Patrick's Day party hat with a green flower lei – photo
Nick Lum
Yearly Archives: 2006
Celtic Fest Vancouver: Gung Haggis Fat Choy dragon boat floats in a sea of Green
Celtic Fest Vancouver – St. Patrick's Day parade:
Gung Haggis Fat Choy dragon boat floats in a sea of Green
The
Gung Haggis Fat Choy paddle gang posing for the The Province newspaper
photographer (that's why the paddlers are facing the back of the
boat!): Todd Wong, Dave Samis, Da Ming Zhao, Aefa Mulholland and Ann
McQueen- photo Deb Martin
Dragon boat paddlers carried green paddles, wore green flower leis and
green mardi gras beads, as the Gung Haggis Fat Choy dragon boat parade
float “paddled” by the crowds on Granville St. for the 3rd annual
Vancouver St. Patrick's Day Parade.
Team veteran Dave Samis – photo Deb Martin
This multicultural dragon boat parade entry is always a
crowd favorite, as the crowd applauded for drum solos, and paddling
counts. This year there were no celebrity or honourary
drummers… Todd Wong, Da Ming Zhao and Aefa took turns behind the
drum, providing rhythm for “paddling”. Aefa and Daming,
enjoyed playing with our large yellow Chinese dragon puppet – almost as
much as children in the crowd did when they exclaimed “Dragon!”
The Gung Haggis Fat Choy banner, with mini dragons on the hood! – photo Deb Martin
Small toy stuffed dragons rode on the hood of the towing
vehicle, a blue Chevrolet Suburban loaned by paddler friend Susan
Hyde. A red dragon and a green dragon each got a free ride, with
their tails tucked under the windshield wipers.
Todd Wong aka “Toddy O'Wong” and Da Ming Zhao – photo Deb Martin
Gung Haggis Fat Choy creator Todd Wong (5th generation
Chinese-Canadian), shares a moment with paddler Da Ming Zhao (born in
China), who explained that wearing something green on your head in
China, means that you did something bad (like have an affair). Todd is wearing Green Gung Haggis dragon boat t-shirt with ancient
Fraser kilt, while Daming wears red (Chinese good luck colour) Gung Haggis dragon boat
t-shirt. Todd also walked along beside and around the dragon
boat, wearing a large Chinese Lion Head mask, often twirling his green
paddle like a baton or a Chinese kung fu staff. It was Aefa's
first time in a St. Patrick's Day parade, and she had been born in
Glasgow, and lived in Dublin for 12 years, and here she was wearing a
small Chinese lion head mask, and sitting in a dragon boat.
Da Ming and Dave. – photo Deb Martin
Dave Samis, had steered the Taiwanese dragon boats for the Gung Haggis
Fat Choy team in the Vancouver International Taiwanese Dragon Boat
Races, held on Labour Day weekend, but this was the first time steering
the boat down Granville St. in a parade.
Team drummer, Deb Martin, sat behind the steering wheel of the towing
vehicle, providing a steady pace, while fending off proposals from male
parade watchers who read the “Kiss Me, I'm Irish” signs posted on the
doors of the Suburban.
As the Gung Haggis Fat Choy dragon boat float passed the VIP
grandstands, City Councillors Suzanne Anton and Peter Ladner, who have
both attended past Gung Haggis Fat Choy Robbie Burns Chinese New Year
Dinners, waved enthusiastically. Councillor Ladner probably
shocked the voting population with his dyed Green hair.
Todd Wong interviewed by Kent Spencer posing with another kilted parade participant – photo Deb Martin
Province newspaper reporter, Kent Spencer, approached “Toddy O'Wong” at
the parade's finish for an interview which addressed multiculturalism,
and how a dragon boat float was appropriate for a St. Patrick's Day
Parade.
Rookie paddler Aefa Mulholland, now “Gung Haggisized”! – photo Deb Martin
Spencer talked to Aefa Mulholland, who recieved her first paddling
lesson during the parade route, and looks forward to a season of dragon
boating with the team. Aefa was born in Glasgow Scotland, but
spent 12 years living in Dublin.
Da Ming tries his hands at drumming – photo Deb Martin
Spencer also interviewed team paddler Da Ming Zhao who was born
in China. Daming had never been to a St. Patrick's Day Parade
before, and stated how much he had learned about Canadian culture by
joining the Gung Haggis Fat Choy dragon boat team.
Gung Haggis Fat Choy parade entry in Celtic Fest – St. Patrick's Day Parade
Gung Haggis Fat Choy parade entry in Celtic Fest – St. Patrick's Day Parade

Our 2005
float crew l-r: Adriana Ermie (green dress), Ellen Woodsworth (at
drum), Todd Wong (with Lion Head mask), Dave Samis, Margaret Gallager
(with paddle).
Come join the St. Paddy's Day parade – part of Celtic Fest Vancouver
March 19th – Sunday – 11am.
Gung Haggis Fat Choy style!!!
The parade time has been moved up to 11am this year.
If you can help us load the boat onto the trailer.
9am at DBA warehouse. West 2nd that street near Bazaar Novelty.
Warehouse sign says MATCON – side gate sign says Dragon Boat Association.
Dave and Deb are coming to the trailer set up at 9am.
Others are arriving at 10am at the parade set up site to help decorate.
Richards St (between Drake and Davie St)
Hope you can come – this will be so much fun.
Free party on Sunday night at the The Plaza nightclub for parade participants too!
Cheers, Todd
cell: 604-240-7090
more parade info below
~~~~~~~~~~~~~~~~~~~~~~~
Dear Todd,
RE: 3rd Annual St. Patrick's Day Parade, Sunday, March 19th
Thank you for your entry in this year's St. Patrick's Day Parade. Your entry
application has been approved.
Below is your arrival time and location details for your group. Please read this carefully:
Arrival & Mustering Location: Location #4 -Richards Street, between Drake & Davie.
Parade Line up Position:
Position #62
Arrival Reporting: Upon Arrival, please be sure to report to a Parade Marshall.
(Parade Marshalls will be wearing safety vests).
Arrival Time: Please be sure to arrive no later than 10:00 am
Parade Time: The Parade begins at 11am sharp!
Other information:
To protect the public from injury, it is strictly forbidden to throw any
items at the crowds – pls. give away all items by hand only.
Give-aways/promo materials must be have received prior approval by
CelticFest Commitee
Please note that all positions may be subject to change on parade day, due
to circumstances beyond our control.
NOTE: Dignitaries, local Media and VIP's will be sitting in the reserved seating
Should you have any questions about your parade entry, please contact Steve
at 604-538-2277.
INVITATION: You and your group (Must be 19 years +)
the festival performers entertain you. Film clips taken from this
year's Parade and Festival will also be displayed on giant screens!
Dozens of other free Celtic performances and family activities have been programmed
http://www.celticfestvancouver.com/schedule-mar19.html
March 17, don't miss our BIGGEST St. Pat's Night Out at
the Commodore Ballroom with The Paperboys & guest artists (19 years +).
For festival info, please contact Rita at 604-683-8331.
Thank you for helping us make this the BEST St. Pat's Day Parade
Vancouver has ever seen. Have fun!
Kind regards,
From:
Steve McVittie
Grande Parade Marshall
CelticFest Vancouver St. Patrick's Day Parade
http://www.celticfestvancouver.com/
Happy St. Patrick's Day! Watch for Dragon Boat in St. Paddy's Day parade!
![]()
Happy St. Patrick's Day
Have you ever been on a dragon boat for the St. Patrick's Day parade???
Join the Gung Haggis Fat Choy dragon boat team, or join us as a friend for the day!
![]()
![]()
![]()
![]()
![]()
![]()
Pictures from Gung Haggis Fat Choy parade entries in 2004 & 2006
Dragon Boat season is just starting and life has been really busy!
Sunday Morning
Celtic Fest St. Patrick's Day Parade.
This is a great event to put the Gung Haggis Fat Choy name in front of
thousands of people. Our dragon boat float – is one of the best floats
in the parade. We decorate the trailer with streamers…. put up
signs that say “Making St. Paddy's Day and haggis – safe for Asians”
and “Making Chinese New Year and dragon boating safe for the Scots
and Irish”
Last year, we featured City Councillor Ellen Woodsworth and CBC radio
personality Margaret Gallagher on our boat. Check here for
pictures
http://www.gunghaggisfatchoy.com/blog/StPatricksDayParade
Bring your friends to join our parade troupe.
We will “paddle” in the boat…. We can walk
beside the boat with paddles…
Or if you have a chinese “Lion Head Mask” you can walk with me in my kilt and be a “multicultural mascot figure!”
I have some St. Patrick's Day signage and hats. Last year we put a
green hat on the dragon's head. If somebody wants to sit on the head
and pretend to catch a flag… (just remember that the boat, trailer
and truck are moving north on Granville St.)

Gung Haggis Fat Choy dragon boat team.
It looks like 50% to 60% of last year's paddlers are retuning + some former paddlers plus new paddlers. Sounds great!
Costs will be $150 each… payment asap
Alcan
Dragon Boat registration is now paid for
Practices will be on Sunday afternoon 1:30pm and a Tuesday/or Wednesday evening.
Friday
Night
St. Paddy's Day….
Check out Celtic Fest – for some great activities…
Not sure where I will end up yet.
March 26th
Cherry Blossom Dragon Boat regatta
We finally hit the water for some friendly paddling.
This is an inaugural event. Take people from different teams + new
people who have never paddled before – go out for some paddling, and
some mock races… and celebrate friendship.
Bring your friends… I am looking for people to help me organize.
April 2nd
Our first Gung Haggis Fat Choy
dragon boat practice.
Todd is coaching – as Bob has now moved to Vancouver Island. Looking for a new steersperson for the team.
Cheers, Todd
cell: 604-240-7090
St. Paddy's Eve in Vancouver – What is a man in a kilt to do? –
St. Paddy's Eve in Vancouver – What is a man in a kilt to do?
Beats Without Borders – “From Delhi to Dublin”
I think that St. Paddy's Day Eve should become a celebration with a
countdown to midnight. Then green confetti explodes, and the band
starts playing Auld Lang Syne (or maybe “When Irish Lips Are
Kissing/When Irish Eyes Are Smiling)…. as champagne toasts are made, and kisses are kissed.
I went to the Plaza nightclub in Vancouver, as part of the Celtic Fest program. My friend Joe McDonald was performing as part of the “From Delhi to Dublin” show for Beats Without BordersDJ
collective. We arrived to be greeted by Celtic Fest volunteers
dressed in Green and holding Celtic Fest brochures. There was
sonic beat music playing and a few people dancing or standing around
when we arrived at The Plaza at 9:30pm. Tibetan Prayer flags were
strung across the room from the front of the balconies. It was
very world music… very global… very cool. I think I was
the only man in a kilt in the room.
Just before 10pm, bagpipes were heard in the distance… and the dance
music gave way to the drones. Joe McDonald walked into the
nightclub from the lobby, to the front of the dance floor. Sonic
music provided ambient sounds. The dance crowd parted like the
Red Sea, as people stopped to watch the kilted bagpiper make his way
around the room. Joy then came up the South side stairs where we
were on the balcony. My buddy and I started clapping, as Joe
worked his way around to the North side balcony, and soon the entire
room was clapping a steady beat.
The DJ, worked in more matching rhythms to Joe's bagpiping, and soon
the DJ was leading double time hand-clapping, as Joe McDonald played a
foot stomping reel from the front of the stage. It was a surreal
experience, as smoke machines filled the atmosphere and coloured lights
puntuated the stage. Joe told me later, he had never before
played a nightclub. People errupted in applause as he finished
his piping.
Joe stepped off the stage, and the DJ took over spinning discs and
rhythms while the crowd started dancing again. Images of Joe
playing bagpipes turned up on the large wide screen video
screens. We toasted our beers, to Joe.
The highlight of the evening came soon when violinists Kytami and Oliver Schroer took
to the stage. They started with simple sonic experiments, and
echo-laden feedback, leading up to fast played reels and hornpipes,
layered with sonic hip hop beats. Very cool. Kytami has a
wonderful stage presence, smiling for the audience. The petite
spritely woman wore a short black dress ensemble, while the much taller
male Schroer wore very funky patterned pants. They played with,
against, and for each other, delighting the audience with their
vituosity. Kytami jumped up and down with the beat while playing,
as the DJ layed down some happening grooves. A South Asian male
singer, came out to join them and sung in Punjabi. Wow! The
audience was jumping up and down and dancing. I knew then, that I
wanted to have Kytami involved with the next Gung Haggis Fat Choy
dinner.
After the well-deserved encore, I had a short chat with Kytami. I
asked her if she had a white violin, as I tried to determine whether I had
met her in Whistler a few years ago. She told me that she used to
live in Whistler, and she used to have a white electric violin…
I remember playing “Twinkle Twinkle Little Star” on a white electric
violin that belonged to a very attractive violinist who was living next
to my friend's condo in Whistler, a few years ago.
If you hear of Kytami playing anywhere…. go check her out. And
hopefully she will be performing at Gung Haggis Fat Choy next January,
in 2007.
Happy St. Patrick's Day – enjoy Celtic Fest…..
Hope to see you at the parade on Sunday!
Watch for the Gung Haggis Fat Choy dragon boat float!
HISTORIC JOY KOGAWA HOUSE GIVEN ANOTHER MONTH TO BE SAVED
NEWS RELEASE
FOR IMMEDIATE RELEASE: March 16, 2006
![]()
HISTORIC JOY KOGAWA HOUSE GIVEN ANOTHER MONTH TO BE SAVED
VANCOUVER – TLC The Land Conservancy of British Columbia announced today that it has negotiated a 30 day extension on its option to purchase the culturally-significant Joy Kogawa House in Marpole.
“The fundraising has been very successful for the short timeframe we’ve had, but time was running out,” says Bill Turner, Executive Director of TLC. “Thanks to this reprieve I’m confident we will now be able to reach our goal. The current owner has given us until April 30th as a sign of good faith and we are grateful for this gift. All we need now is for people to show their support by donating. I know we can do this if we pull together as individuals, businesses and governments.”
The historic Joy Kogawa House at 1450 West 64th Ave. first came to TLC’s attention in early 2005 through the Save Kogawa House Committee. On November 30th the City of Vancouver granted a 120-day delay on the demolition permit for the house. In early December, TLC publicly announced they would spearhead the campaign to raise the $1.25 million needed to acquire the house, restore it and set up an endowment to secure its protection in perpetuity as a symbol of Canada’s cultural heritage. The original deadline for funding was March 30.
Phone calls, letters of support, and donations have been received from across Canada, especially within the literary community. Several primary and secondary schools in BC have also donated to save the childhood home of award-winning author and poet, Joy Kogawa. The faculty association at York University contributed $1,000 to the campaign and challenges other universities to match their donation. Special book readings and silent auctions have been held in Vancouver and Toronto. One Vancouverite has even taken it upon herself to challenge other book club members to donate.
Once purchased and protected, the historic Joy Kogawa House will be a used as a home for a writers-in-residence program, enabling new and emerging writers to create new works focusing on human rights issues and Canada’s evolving multicultural and intercultural society. It will also be open for public and school tours to educate people about the Japanese Canadian experience during World War II. “We must preserve these places so that our children and grandchildren can learn what happened. In a society that doesn’t remember and recognize its mistakes, they can continue to happen,” says Turner. “An injustice to one is an injustice to all.”
“The light in this corner of the planet continues to shine with a happy glow of hope for the campaign,” says Kogawa. Donations can be made to TLC at www.conservancy.bc.ca or by calling (604) 733-2313. Donation forms can also be picked up at select bookstores, libraries and recreational centres throughout Vancouver.
-30-
Contacts: TLC The Land Conservancy: Bill Turner (250) 213-1090; Heather Skydt (604) 733-2313
Save Kogawa House Committee: Ann-Marie Metten (604) 263-6586
St. Paddy's Day Eve – Celtic Fest Opens
St. Paddy's Day Eve – Celtic Fest Opens
It's St. Paddy's Day Eve, and I am going out for a pint of Guiness with me mates…. We may even don the kilts. Because it is Celtic Fest. Time to celebrate all things celtic, when everybody celebrates their inner Celtic heritage.
St. Paddy’s Eve Party with the Halifax Wharf Rats
- March 16th 8:30pm – 2am
- Doolin's Irish Pub
This band is a lot of fun. They throw in celtic versions of popular songs such as “I Was Made For Loving You,” by Kiss.
Beats Without Borders and CelticFest present
From Delhi to Dublin
- March 16, 8:30pm – 2am
- The Plaza Club
Global grooves on a Celtic spin. The Beats Without Borders
DJ collective makes music to move your head, heart and hips – mixing
turntables, live dancers and instrumental adventurers like violinists Kytami and Oliver Schroer – bringing the city and beyond to life. In classic BWB style, expect live surprises and delights through the night.
3rd annual St. Patrick's Day Parade
- March 19, 11am
- Free
The 3rd annual St. Patrick's Day Parade marches on Granville Street, starting at Davie, heading north to Dunsmuir. Free Balloons for the kids!
Look for the Gung Haggis Fat Choy Dragon Boat Float!

Last year's dragon boat parade crew was led by Trev Sue-A-Quan, Taddy O'Wong, and Dave Samis.
March 9 Joy Kogawa House Fundraiser in Toronto a Great Success
March 9 Joy Kogawa House Fundraiser in Toronto a Great Success
by Anton Wagner, secretary Save Kogawa House committee
Joy’s
launch of her novel Emily Kato, combined with a fundraiser for the Joy
Kogawa House, was an inspiring evening at the Church of the Holy
Trinity, next to the Eaton Centre in downtown Toronto, on March 9.
Nearly $9,000 was raised for the Land Conservancy of B.C.’s Joy Kogawa
House rescue drive. About 150 people attended the event organized by
Anton Wagner, Secretary of the Joy Kogawa House Committee.
The
evening was scheduled to begin at 5 pm. Fortunately Save Joy Kogawa
House Committee member Tomoko Makabe suggested we should start selling
books already at 4:40 so that those coming early could purchase copies
of Emily Kato and Obasan and have Joy inscribe them. There was still a
line-up as concert pianist William Aide began the evening half an hour
later with a beautifully serene classical composition.
The
Reverend Sara Boyles welcomed the audience and spoke of the tradition
of social justice at the Church of the Holy Trinity, founded in 1847
for Toronto’s poor immigrants, and that the Churches was continuing to
stand with the homeless, dispossessed and people excluded from Canadian
society.
Michael Creal, former head of humanities at York
University, reminded the audience of the forced evacuations and
internments of 22,000 Japanese Canadians under the War Measures Act in
1942 and of the importance of Joy’s Obasan in expressing the suffering
these government injustices inflicted on the Japanese Canadian
community. He recalled that he taught Obasan at York University in the
early 1980s and that his students didn’t know what had been done to
Japanese Canadians during World War II. Michael described the very
important public meeting at the Church of the Holy Trinity in 1984 that
led to the Toronto Ad Hoc Committee on Redress and helped to make
redress a national issue. He then introduced Joy.
Joy
spoke of her childhood home in Vancouver that is now under threat of
demolition and read the description of the house from Obasan. She then
read from Emily Kato, including chapter 22 set in the Church of the
Holy Trinity, one of the many locales where organizing for redress took
place. Joy recalled that it felt like a miracle when she came across
her childhood home in Vancouver again in 2003 and that it continues to
be a miracle that the house is still standing. She also described her
encounter, in the garden of the house, with the cherry tree which was
subsequently severely pruned and may be dying. “I felt when I was
there, in all its woundedness, that somehow in the universe we are
known, our wounds are known. And I had the strange sense that this
knowing, this knowing of the community, this knowing of the family,
that when we are known we are healed. I felt that healing welling up
within me at the tree. So for me that spot became holy ground. It was
my small portal to messages that we are known. And I just felt that
healing.” Referring to the new novel she has begun to write, Joy
concluded, “My dream is that I will be able to write Gently to Nagasaki
with instructions that will come to me through the portal of that tree.
That is my dream.”
Bill
Turner, Executive Director of The Land Conservancy of B.C., then spoke
of the necessity of saving the Joy Kogawa House as a permanent reminder
of historical events that must never be repeated and asked those
present to assist in the drive to save the House from demolition. “The
House is a symbol of a time and a reminder when ordinary Canadians were
removed from their homes and interned. We want to save this house as a
reminder of that. We want to save this house so that it can become a
place of happiness again, a symbol of peace and hope and
reconciliation. We must not forget what happened in those years, and
it’s easy to do so. It’s easy to forget.”
Bill expressed his
optimism that the $700,000 required to purchase the House from its
present owner could be raised with Canada-wide support. “The Joy Kogawa
House is of national importance,” he stated. “As those of us who are
now here die and move on, we must preserve these places so that our
children and grandchildren can learn what happened. In a society that
doesn’t remember and recognize its mistakes, they can continue to
happen. An injustice to one is an injustice to all.”
Joy’s
dream, of course, is also that other writers will be able to come and
stay and write in the Joy Kogawa House. Ron Brown, First Vice-Chair of
the Writers Union of Canada, was the first speaker representing the
dozen writers’ organizations that have backed saving the Kogawa House.
He recalled that Groucho Marx once said that he would never belong to
an organization that would have him as a member. “Well, 1,500 members
of the Writers' Union of Canada are absolutely delighted to belong to
an organization that can claim Joy Kogawa as a member. You have written
so passionately about an unpleasant reality,” Brown stated.
“You
have arrived at an interesting moment in Ontario. We are experiencing
a controversy about an attempt to censor a book about another
unpleasant reality. The book is called Three Wishes. It was written
by Deborah Ellis, one of our members, and includes interviews with
Israeli and Palestinian children who express their fears and wishes
about the conflict there. Some of those views are disturbing to some. A
teacher near Toronto objected that the contents do not adequately
reflect the Israeli point of view, and an organized effort was launched
to have school boards across Ontario remove the book from their silver
birch award reading list. A few have done just
that.”
“Canada
has faced a number of unpleasant realities. The extermination of the
Beothuks in Newfoundland, the expulsion of the Acadians from New
Brunswick, the long standing mistreatment of our First Nations people,
and the reality which you, Joy, have written about.
But unlike
most other books written about these realities, Joy brings together
three things which the others do not. Not only has she written about
this reality, but she has experienced it herself, and third, the Kogawa
House still stands as a physical legacy of that dreadful time.”
“This
is why I find it distressing that the house is facing the threat of
demolition. I write about heritage buildings and have seen too many
demolished. Those with negative connotations especially. It seems that
in Canada it's what we do.”
“And that is why I find it even more
distressing that Canada's heritage minister has declined to provide
funds to help save the house, despite a written pledge from the federal
government that it will do everything in its power to ensure that such
atrocities will never recur. Talk about not
putting their money where their mouth is.”
“But
it is encouraging to see so much support here tonight for saving the
house, support that the Writers' Union is happy to share. But as Joy
said in the Globe this morning, there is not much time left.”
“As
with the book Three Wishes, to destroy the Kogawa House would be much
like censoring reality. In Canada we should be confronting our
realities, not censoring them. Saving the Kogawa House will serve as a
visible reminder of one unpleasant reality. So, let's save the house
and help make Joy's dream come true.”
In
her address, Mary Ellen Csamer, President of the League of Canadian
Poets, stated: “As writers, artists, we are both witnesses to and
participants in our times. Sometimes, as now, our shared responsibility
is to act as an amplifier for those voices who can best speak to
specific actions of the body politic, done purportedly on our behalf.
Joy Kowaga’s intelligent passionate voice has added to the sum of our
witnessing, to the collective ‘no’ of our resistance to our own
fear-based tyranny.” She added that “It saddens me that our Federal
Government has no program in place to protect our historical and
literary heritage. The Joy Kogawa House represents the struggle for
Home. It is not real estate, it is the real estate of our collective
need to create and nurture community so that we can learn to live
without fear of each other. To create this writers-in-residence,
historic centre in the City of Vancouver would express on behalf of all
Canadians our deep desire to redress the wrongs of the past and
celebrate once again our rich and diverse cultural community. On behalf
of the League of Canadian Poets, and its 700 members, I urge the
Federal Government to provide the necessary fund to help us to save the
Joy Kogawa House.”
Philip
Adams next spoke on behalf of two organizations as Coordinator of the
Readers & Writers program for PEN Canada and as Treasurer of the
Playwrights Guild of Canada. “The Playwrights Guild of Canada has over
800 members who are for the most part desperate for a time and place to
write and it is our hope that one or many of them may be allowed the
opportunity to do that in the Joy Kogawa House. PEN Canada fights for
freedom of expression around the world and particularly here in Canada.
There are many exiles here in Canada as well. The First Nations
certainly have reason to feel exiled, the Japanese Canadians have been
exiled, and many people from other countries who are here now continue
to feel in exile. Again it is PEN Canada’s hope and dream that perhaps
some day soon such writers will be able to take up residency in
Vancouver.”
Adams, spoke on behalf of two organizations as Coordinator of the
Readers & Writers program for PEN Canada and as Treasurer of the
Playwrights Guild of Canada. – photo by Henryk Fibich
Dr.
Joseph Levy, Vice-President, External, of the York University Faculty
Association, explained that his field of health sciences is really
about healing and that this evening had been an evening about healing.
“We must say to ourselves that we never want this to happen again in
Canada but we also don’t want this to happen again in Somalia, in
Afghanistan, in Romania or anywhere else in the world where this could
possibly happen. So I see this project as being not only for our fellow
Canadians who were interned during the war but I also see this project
as symbolic of something that will allow all of us to continue working
around the world so that this kind of event, this atrocious, despicable
way of treating citizens in their own country, should never happen
again. But let me remind you that it is happening at this moment all
over the world.”
Dr. Levy then presented a $1,000 contribution
from the York University Faculty Association to Bill Turner for the
Land Conservancy Joy Kogawa House fundraising drive and challenged
other universities across Canada to match YUFA’s donation.
Ben
Antao, President of the Toronto Branch of the Canadian Authors
Association, also brought a donation from his organization. (The CAA
awarded Obasan its Book of the Year Award when it was first published
in 1981.) “Heritage properties of writers and artists help to enrich
the cultural mosaic that is Canada,” Antao stated. “I haven’t seen Joy
Kogawa’s childhood home in Vancouver but I have read her novel Obasan
and the book describes her house and illuminates a dark chapter in the
developing history of Canada and her people.”
Following
these presentations, William Aide again played the piano, Joy inscribed
more books and many in the audience spoke with Bill Turner about saving
the Kogawa House and made personal donations.
There
was much animated conversation as the audience enjoyed the delicious
food and refreshments provided by members of the Church of the Holy
Trinity congregation and organized by its Social Justice Committee.
Joseph Levy and Kym Bird of the York University Faculty Association
with Bill Turner and Anton Wagner, Secretary of the Save Joy Kogawa
House Committee – photo by Henryk Fibich
Vancouver Cherry Blossom Festival kick-off on Thursday!
Vancouver Cherry Blossom Festival kick-off on Thursday!
The Vancouver Cherry Blossom
Festival invite you to celebrate the Official Festival Launch and Cherry
Blossom Viewing at Burrard SkyTrain Station
12 noon
Thursday,
March 16th 2006
Launch MC'd by CBC Radio's On The Coast host Katie
Bennison. Special guests, live Taiko drum performance, Canada's Cherry Blossom
Fanfare! music premiere, Haiku Invitational performance, free drinks &
Blossom Viewing Picnic samples, Cherry Tree Dedication and more.
Come try out the Cherry Blossom dragon boat friendship regatta on
Sunday March 26th at Creekside Park, beside Science World – 2pm to 4pm.
Invite your friends to these rain or shine events.
For the official
invitation click: http://www.vcbf.ca/site_assets/www.vcbf.ca/images/dynamic/FestivalLaunchInvitation.pdf
Vancouver Opera's “Naomi's Road” goes to the heart of Vancouver's old Japantown – a fundraiser for Powell Street Festival
Vancouver Opera's “Naomi's Road” goes to the heart of Vancouver's old Japantown
– a fundraiser for Powell Street Festival
The Japanese Canadian community used to thrive along Powell St. in
Vancouver. I remember walking down there in the late 1960's and
visiting the different stores, on the search for more origami paper,
after being taught to fold origami paper figures by my father.
Today it is a shadow of its former self. But it's memory is kept
alive by both the annual Powell Street Festival
and the Japanese Hall / Japanese Language School on Alexander St.
Naomi's Road opera, put on by the Vancouver Opera Touring Ensemble, came to old Japantown on Saturday night. It was presented in the hall at the Vancouver Japanese Language School,
newly built and connected to the Japanese Hall, built in 1918, which
stands alone as the only property among any Japanese Canadian
private citizen, business or organization to retain ownership after the
war.
About 100 people filled the new hall, in anticipation of watching the
touring production which has been playing to schools throughout
BC. This was about the 95th presentation of the production so
far, and the cast does a remarkable job of keeping each presentation
fresh.
It was also the 4th time I had seen Naomi's Road, writing a review of the premiere weekend, and also the excerpts presented at the Laurier Institution / Roy Miki lecture at the Chan Centre, and the Vancouver Arts Awards. Everytime I have seen it, it is enjoyable. I even find myself humming the songs afterwards now.
Naomi's Road, is the children's version of Joy Kogawa's
award winning novel, Obasan. It tells the story of a family being
torn apart by the events of WW2. The mother goes off to Japan to
look after her sick grandmother. The father's sister comes to
help look after the children. WW2 breaks out, and anybody of
Japanese ancestry is “evacuated” from the BC coastal region, and sent
to “internment camps.” The father is unexplainedly sent to a
different camp (as able-bodied working males were sent to work
camps). The two children Naomi and Steven, aged 10 and 14, learn
to deal with racism, and being separated from their parents, as well as
the negative impacts of war.
All the performers, Jessica Cheung (Naomi), Gina Oh (mother, Obasan,
Mitzie), Sam Chung (Stephen), and Gene Wu (father, train
conductor,bully, Roughlock Bill), perform well. Cheung really
conveys the innocence and wonder of a 10 year old, while Chung plays
her foil expressing the anger and resentment of being forced into the
internment camp.
Oh and Wu perform well in their multiple roles, convincingly altering
ther performances with each character. In Oh's case from a loving
mother, to a reserved aunt, and a youthful child named Mitzie. Wu
does the same, first as a concerned an playful father figure, a racist
bully, and also as Rough Lock Bill, a First Nations character that
befriends the two children.
The action moves quickly, with multiple scene changes which the actors
create by moving screens around as part of their stage action. It
is a wonderful way to experience a small performing arts production,
watching all this stage action unfold, as the set evokes Powell St, a
living room, a train, an internment camp, and a lakeside beach.
For this performance, it was a treat for the performers to be on a
raised stage, rather than floor level at the West Vancouver, or
Vancouver Public libraries. But unfortunately if the performers
stood too close to the front the stage, they became back lit and their
faces were difficult to be seen. The piano was also woefully out
of tune, but giving the performance and “old-time feel” to fit with
it's 1942 setting.
A question and answer was held folowing the performance, and a special
treat was that author Joy Kogawa came up on stage with the
performers. Joy exclaimed that she is moved to tears, everytime
she sees the opera. She said that it is a wonderful opportunity
for sharing the story of Japanese Canadians and for creating healing.
Questions covered many topics, but in this setting at the Japanese
Language School in Japantown, it was interesting to hear that many
former internment camp survivors thanked the performers for sharing the
story, and that they related very strongly to the performance.
At the end, I stood beside the pamphets for the Land Conservancy campaign to help save Kogawa House, and answered questions about the Save Kogawa House campaign.
also see:
my review of Naomi's Road premiere weekend,
my interview with Naomi's Road performers








