Category Archives: Literary Events

March 9 Joy Kogawa House Fundraiser in Toronto a Great Success

March 9 Joy Kogawa House Fundraiser in Toronto a Great Success

by Anton Wagner, secretary Save Kogawa House committee 

Joy’s
launch of her novel Emily Kato, combined with a fundraiser for the Joy
Kogawa House, was an inspiring evening at the Church of the Holy
Trinity, next to the Eaton Centre in downtown Toronto, on March 9.
Nearly $9,000 was raised for the Land Conservancy of B.C.’s Joy Kogawa
House rescue drive. About 150 people attended the event organized by
Anton Wagner, Secretary of the Joy Kogawa House Committee.

March 9th, Toronto, Tomoko Makabe sells books for the Emily Kato launch

Tomoko Makabe sells books as audience arrives –  photo by Henryk Fibich

The
evening was scheduled to begin at 5 pm. Fortunately Save Joy Kogawa
House Committee member Tomoko Makabe suggested we should start selling
books already at 4:40 so that those coming early could purchase copies
of Emily Kato and Obasan and have Joy inscribe them. There was still a
line-up as concert pianist William Aide began the evening half an hour
later with a beautifully serene classical composition.

March 9, Toronto, William Aide concert pianist

William Aide plays piano while Tomoko Makabe sells books as the audience arrives –  photo by Henryk Fibich

The
Reverend Sara Boyles welcomed the audience and spoke of the tradition
of social justice at the Church of the Holy Trinity, founded in 1847
for Toronto’s poor immigrants, and that the Churches was continuing to
stand with the homeless, dispossessed and people excluded from Canadian
society.

Michael Creal, former head of humanities at York
University, reminded the audience of the forced evacuations and
internments of 22,000 Japanese Canadians under the War Measures Act in
1942 and of the importance of Joy’s Obasan in expressing the suffering
these government injustices inflicted on the Japanese Canadian
community. He recalled that he taught Obasan at York University in the
early 1980s and that his students didn’t know what had been done to
Japanese Canadians during World War II. Michael described the very
important public meeting at the Church of the Holy Trinity in 1984 that
led to the Toronto Ad Hoc Committee on Redress and helped to make
redress a national issue. He then introduced Joy.

March 9th, Toronto, Michael Creal

 Michael Creal, former head of humanities at York University –  photo by Henryk Fibich

Joy
spoke of her childhood home in Vancouver that is now under threat of
demolition and read the description of the house from Obasan. She then
read from Emily Kato, including chapter 22 set in the Church of the
Holy Trinity, one of the many locales where organizing for redress took
place. Joy recalled that it felt like a miracle when she came across
her childhood home in Vancouver again in 2003 and that it continues to
be a miracle that the house is still standing. She also described her
encounter, in the garden of the house, with the cherry tree which was
subsequently severely pruned and may be dying. “I felt when I was
there, in all its woundedness, that somehow in the universe we are
known, our wounds are known. And I had the strange sense that this
knowing, this knowing of the community, this knowing of the family,
that when we are known we are healed. I felt that healing welling up
within me at the tree. So for me that spot became holy ground. It was
my small portal to messages that we are known. And I just felt that
healing.” Referring to the new novel she has begun to write, Joy
concluded, “My dream is that I will be able to write Gently to Nagasaki
with instructions that will come to me through the portal of that tree.
That is my dream.”  
 

March 9th, Toronto, Joy Kogawa raises her hands to make a point.

Joy raises her hands to make a point –  photo by Henryk Fibich

Bill
Turner, Executive Director of The Land Conservancy of B.C., then spoke
of the necessity of saving the Joy Kogawa House as a permanent reminder
of historical events that must never be repeated and asked those
present to assist in the drive to save the House from demolition. “The
House is a symbol of a time and a reminder when ordinary Canadians were
removed from their homes and interned. We want to save this house as a
reminder of that. We want to save this house so that it can become a
place of happiness again, a symbol of peace and hope and
reconciliation. We must not forget what happened in those years, and
it’s easy to do so. It’s easy to forget.”

Bill expressed his
optimism that the $700,000 required to purchase the House from its
present owner could be raised with Canada-wide support. “The Joy Kogawa
House is of national importance,” he stated. “As those of us who are
now here die and move on, we must preserve these places so that our
children and grandchildren can learn what happened. In a society that
doesn’t remember and recognize its mistakes, they can continue to
happen. An injustice to one is an injustice to all.”

March 9, Toronto, Bill Turner

Bill Turner, Executive Director of The Land Conservancy of BC – –  photo by Henryk Fibich

Joy’s
dream, of course, is also that other writers will be able to come and
stay and write in the Joy Kogawa House. Ron Brown, First Vice-Chair of
the Writers Union of Canada, was the first speaker representing the
dozen writers’ organizations that have backed saving the Kogawa House.
He recalled that Groucho Marx once said that he would never belong to
an organization that would have him as a member.  “Well, 1,500 members
of the Writers' Union of Canada are absolutely delighted to belong to
an organization that can claim Joy Kogawa as a member. You have written
so passionately about an unpleasant reality,” Brown stated.

“You
have arrived at an interesting moment in Ontario.  We are experiencing
a controversy about an attempt to censor a book about another
unpleasant reality.  The book is called Three Wishes.  It was written
by Deborah Ellis, one of our members, and includes interviews with
Israeli and Palestinian children who express their fears and wishes
about the conflict there. Some of those views are disturbing to some. A
teacher near Toronto objected that the contents do not adequately
reflect the Israeli point of view, and an organized effort was launched
to have school boards across Ontario remove the book from their silver
birch award reading list. A few have done just
that.”

“Canada
has faced a number of unpleasant realities.  The extermination of the
Beothuks in Newfoundland, the expulsion of the Acadians from New
Brunswick, the long standing mistreatment of our First Nations people,
and the reality which you, Joy, have written about.

But unlike
most other books written about these realities, Joy brings together
three things which the others do not. Not only has she written about
this reality, but she has experienced it herself, and third, the Kogawa
House still stands as a physical legacy of that dreadful time.”

“This
is why I find it distressing that the house is facing the threat of
demolition. I write about heritage buildings and have seen too many
demolished. Those with negative connotations especially. It seems that
in Canada it's what we do.”

“And that is why I find it even more
distressing that Canada's heritage minister has declined to provide
funds to help save the house, despite a written pledge from the federal
government that it will do everything in its power to ensure that such
atrocities will never recur. Talk about not
putting their money where their mouth is.”

“But
it is encouraging to see so much support here tonight for saving the
house, support that the Writers' Union is happy to share. But as Joy
said in the Globe this morning, there is not much time left.”

“As
with the book Three Wishes, to destroy the Kogawa House would be much
like censoring reality. In Canada we should be confronting our
realities, not censoring them.  Saving the Kogawa House will serve as a
visible reminder of one unpleasant reality. So, let's save the house
and help make Joy's dream come true.”

March 9th, Toronto, Ron Brown

Ron Brown, First Vice-Chair of the Writers Union of Canada –  photo by Henryk Fibich

In
her address, Mary Ellen Csamer, President of the League of Canadian
Poets, stated: “As writers, artists, we are both witnesses to and
participants in our times. Sometimes, as now, our shared responsibility
is to act as an amplifier for those voices who can best speak to
specific actions of the body politic, done purportedly on our behalf. 
Joy Kowaga’s intelligent passionate voice has added to the sum of our
witnessing, to the collective ‘no’ of our resistance to our own
fear-based tyranny.” She added that “It saddens me that our Federal
Government has no program in place to protect our historical and
literary heritage. The Joy Kogawa House represents the struggle for
Home. It is not real estate, it is the real estate of our collective
need to create and nurture community so that we can learn to live
without fear of each other. To create this writers-in-residence,
historic centre in the City of Vancouver would express on behalf of all
Canadians our deep desire to redress the wrongs of the past and
celebrate once again our rich and diverse cultural community. On behalf
of the League of Canadian Poets, and its 700 members, I urge the
Federal Government to provide the necessary fund to help us to save the
Joy Kogawa House.”

March 9, Toronto, Mary Ellen Csamer - with Bill Turner and Joy Kogawa in background

Mary Ellen Csamer, President of the League of Canadian Poets –  photo by Henryk Fibich

Philip
Adams next spoke on behalf of two organizations as Coordinator of the
Readers & Writers program for PEN Canada and as Treasurer of the
Playwrights Guild of Canada. “The Playwrights Guild of Canada has over
800 members who are for the most part desperate for a time and place to
write and it is our hope that one or many of them may be allowed the
opportunity to do that in the Joy Kogawa House. PEN Canada fights for
freedom of expression around the world and particularly here in Canada.

There are many exiles here in Canada as well. The First Nations
certainly have reason to feel exiled, the Japanese Canadians have been
exiled, and many people from other countries who are here now continue
to feel in exile. Again it is PEN Canada’s hope and dream that perhaps
some day soon such writers will be able to take up residency in
Vancouver.”

March 9th, Toronto, Philip Adams

 Philip
Adams, spoke on behalf of two organizations as Coordinator of the
Readers & Writers program for PEN Canada and as Treasurer of the
Playwrights Guild of Canada.
–  photo by Henryk Fibich

Dr.
Joseph Levy, Vice-President, External, of the York University Faculty
Association, explained that his field of health sciences is really
about healing and that this evening had been an evening about healing.
“We must say to ourselves that we never want this to happen again in
Canada but we also don’t want this to happen again in Somalia, in
Afghanistan, in Romania or anywhere else in the world where this could
possibly happen. So I see this project as being not only for our fellow
Canadians who were interned during the war but I also see this project
as symbolic of something that will allow all of us to continue working
around the world so that this kind of event, this atrocious, despicable
way of treating citizens in their own country, should never happen
again. But let me remind you that it is happening at this moment all
over the world.”

Dr. Levy then presented a $1,000 contribution
from the York University Faculty Association to Bill Turner for the
Land Conservancy Joy Kogawa House fundraising drive and challenged
other universities across Canada to match YUFA’s donation.  

March 9th, Toronto, Joseph Levy, with Bill Turner behind him

Dr. Joseph Levy, Vice-President, External, of the York University Faculty Association, with Bill Turner –  photo by Henryk Fibich

 

Ben
Antao, President of the Toronto Branch of the Canadian Authors
Association, also brought a donation from his organization. (The CAA
awarded Obasan its Book of the Year Award when it was first published
in 1981.) “Heritage properties of writers and artists help to enrich
the cultural mosaic that is Canada,” Antao stated. “I haven’t seen Joy
Kogawa’s childhood home in Vancouver but I have read her novel Obasan
and the book describes her house and illuminates a dark chapter in the
developing history of Canada and her people.”

MArch 9th, Toronto, Ben Antao

Ben Antao, President of the Toronto Branch of the Canadian Authors Association,–  photo by Henryk Fibich

Following
these presentations, William Aide again played the piano, Joy inscribed
more books and many in the audience spoke with Bill Turner about saving
the Kogawa House and made personal donations.

March 9, Toronto, Lynn McDonald with Joy Kogawa

Joy inscribing a copy of Emily Kato to Lynn Macdonald – photo by Henryk Fibich

There
was much animated conversation as the audience enjoyed the delicious
food and refreshments provided by members of the Church of the Holy
Trinity congregation and organized by its Social Justice Committee.

March 9th, Toronto: Professors Joseph Levy and Kym Bird of the York University Faculty Assoc. with Bill Turner and Anton Wagner

Professors
Joseph Levy and Kym Bird of the York University Faculty Association
with Bill Turner and Anton Wagner, Secretary of the Save Joy Kogawa
House Committee – 
photo by Henryk Fibich

 

March 9, Toronto, Derry Poster with Joy Kogawa

Joy signs Derry Fitzgerald’s poster of the March 9 event which Derry designed at the 6 St. Joseph Street House.  –  photo by Henryk Fibich

Vancouver Opera's “Naomi's Road” goes to the heart of Vancouver's old Japantown – a fundraiser for Powell Street Festival


Vancouver Opera's “Naomi's Road” goes to the heart of Vancouver's old Japantown


– a fundraiser for Powell Street Festival

The Japanese Canadian community used to thrive along Powell St. in
Vancouver.  I remember walking down there in the late 1960's and
visiting the different stores, on the search for more origami paper,
after being taught to fold origami paper figures by my father. 
Today it is a shadow of its former self.  But it's memory is kept
alive by both the annual Powell Street Festival
and the Japanese Hall / Japanese Language School on Alexander St.

Naomi's Road opera, put on by the Vancouver Opera Touring Ensemble, came to old Japantown on Saturday night.  It was presented in the hall at the Vancouver Japanese Language School,
newly built and connected to the Japanese Hall, built in 1918, which
stands alone as the only property among any Japanese Canadian
private citizen, business or organization to retain ownership after the
war.

About 100 people filled the new hall, in anticipation of watching the
touring production which has been playing to schools throughout
BC.  This was about the 95th presentation of the production so
far, and the cast does a remarkable job of keeping each presentation
fresh. 

It was also the 4th time I had seen Naomi's Road, writing a review of the premiere weekend, and also the excerpts presented at the Laurier Institution / Roy Miki lecture at the Chan Centre, and the Vancouver Arts Awards.  Everytime I have seen it, it is enjoyable.  I even find myself humming the songs afterwards now.

Naomi's Road, is the children's version of Joy Kogawa's
award winning novel, Obasan.  It tells the story of a family being
torn apart by the events of WW2.  The mother goes off to Japan to
look after her sick grandmother.  The father's sister comes to
help look after the children.  WW2 breaks out, and anybody of
Japanese ancestry is “evacuated” from the BC coastal region, and sent
to “internment camps.”  The father is unexplainedly sent to a
different camp (as able-bodied working males were sent to work
camps).  The two children Naomi and Steven, aged 10 and 14, learn
to deal with racism, and being separated from their parents, as well as
the negative impacts of war.

All the performers, Jessica Cheung (Naomi), Gina Oh (mother, Obasan,
Mitzie), Sam Chung (Stephen), and Gene Wu (father, train
conductor,bully, Roughlock Bill), perform well.  Cheung really
conveys the innocence and wonder of a 10 year old, while Chung plays
her foil expressing the anger and resentment of being forced into the
internment camp. 

Oh and Wu perform well in their multiple roles, convincingly altering
ther performances with each character.  In Oh's case from a loving
mother, to a reserved aunt, and a youthful child named Mitzie.  Wu
does the same, first as a concerned an playful father figure, a racist
bully, and also as Rough Lock Bill, a First Nations character that
befriends the two children.

The action moves quickly, with multiple scene changes which the actors
create by moving screens around as part of their stage action.  It
is a wonderful way to experience a small performing arts production,
watching all this stage action unfold, as the set evokes Powell St, a
living room, a train, an internment camp, and a lakeside beach.

For this performance, it was a treat for the performers to be on a
raised stage, rather than floor level at the West Vancouver, or
Vancouver Public libraries.  But unfortunately if the performers
stood too close to the front the stage, they became back lit and their
faces were difficult to be seen.  The piano was also woefully out
of tune, but giving the performance and “old-time feel” to fit with
it's 1942 setting.

A question and answer was held folowing the performance, and a special
treat was that author Joy Kogawa came up on stage with the
performers.  Joy exclaimed that she is moved to tears, everytime
she sees the opera.  She said that it is a wonderful opportunity
for sharing the story of Japanese Canadians and for creating healing.

Questions covered many topics, but in this setting at the Japanese
Language School in Japantown, it was interesting to hear that many
former internment camp survivors thanked the performers for sharing the
story, and that they related very strongly to the performance.

At the end, I stood beside the pamphets for the Land Conservancy campaign to help save Kogawa House, and answered questions about the Save Kogawa House campaign.

also see:
my review of Naomi's Road premiere weekend,
my interview with Naomi's Road performers

Globe & Mail: Restoring a book to life – Michael Posner interviews Joy Kogawa about rewritten “Emily Kato”

Globe & Mail:  Michael Posner interviews Joy Kogawa about rewritten “Emily Kato”



Restoring a book to life:

Joy Kogawa has rewritten one of her novels. It's less easy to save her family home, writes MICHAEL POSNER,

Globe and Mail, March 9, 2006. p. R3.
MICHAEL POSNER

For
Joy Kogawa, this should be a time of celebration and fulfilment.
Penguin has just released her new novel Emily Kato, a substantially
revised version of an earlier book, Itsuka. Instead, it's become a time
of great anxiety. In less than four weeks, the city of Vancouver is
expected to issue a demolition permit to the Taiwanese owner of a
small, wood-frame home at 1450 West 64th Ave. in Vancouver's Marpole
neighbourhood.

It was in that home that Kogawa spent the first
six years of her life before being summarily evicted and resettled,
along with some 22,000 other Japanese-Canadians, as part of the federal
government's 1942 Second World War internment program. After the war,
Kogawa's childhood home was expropriated by Ottawa and auctioned off at
below market value.

Now, the Land Conservancy of British
Columbia (TLC) is desperately spearheading a campaign to raise
$1.25-million to buy it, stop its demolition and convert the heritage
property into a writers-in-residence retreat. But as of Tuesday, TLC
had managed to collect less than $200,000. The federal Heritage
Department has so far indicated an unwillingness to step in with
financial aid, although TLC head Bill Turner says he's still hopeful
Heritage Minister Bev Oda will change her mind, and that the necessary
funds can be assembled in the remaining days.

“There isn't much
time,” Kogawa conceded in an interview last week in her Spartan condo
in downtown Toronto. She will speak and read from her work at a
fundraising event at 5 p.m. today at Toronto's Church of the Holy
Trinity.

  Kogawa says that if she were a member of the
Jewish community, she has no doubt that affluent Jews would step
forward to save the house. Although there are many equally well-heeled
Japanese-Canadians, “not one of them will step forward,” she maintains.
“It's because of the way this community was destroyed. The dispersal
policy was intended to make us never a community again, and it was
successful. Cohesion does not exist.”

It's rare for an author to
do a major revision of a novel and reissue it under another name. But
Kogawa has her reasons. For years, she was lauded for Obasan, her
thinly fictionalized 1983 account of her family's forced resettlement
to Slocan, in British Columbia. “There was not a single negative
review. Then when Itsuka came out in hardcover [in 1993], I was killed
by a single review in The Globe and Mail. He said it was unpublishable,
full of pages and pages of painfully embarrassing writing. It killed me
as a writer for years. I took it to heart, even though I didn't know
what was embarrassing about it.” Although there were other, more
positive reviews, “I couldn't hear anything else. I trusted The Globe.
I thought that was the truth. Other people were just being kind.”

She
spent years thinking about how to rewrite it. But now that it's out,
she says she can't find it in bookstores and hasn't seen a single
review. “Penguin did not advertise it or promote it. My feeling is it's
worse than Itsuka. That at least stayed in print. But my question is,
is it okay as a book? I just have no idea.”

Despite the
accolades heaped on Obasan — Quill & Quire magazine called it “one
of the most influential novels of the 20th century” — Kogawa considers
The Rain Ascends (1995) her most important book by far. It's the story
of an Anglican priest who is discovered to be a pedophile. The book,
she says, “brought me out of debility and weakness and fear into
strength. When [retired Anglican archbishop] Desmond Tutu holds out his
hands and says, 'all, all, all,' I now understand what that means. It
includes the pedophile and even, God forbid, Hitler.”

She hopes
to address these issues in a new book, still in gestation. The working
title is Gently to Nagasaki, where the second atomic bomb was dropped
in August, 1945. “It's about Naomi's” — the fictionalized version of
Kogawa — “search for the lost mother, the lost Goddess, lost love.”
She sees no fundamental difference between natural disasters like the
2004 Asian tsunami or hurricane Katrina and man-made tragedies like the
atom bomb that killed millions of Japanese.

“I think humans are
a natural disaster. We're here to love each other in the midst of all
the disasters in which we find ourselves. We must find the place of
kindness, gentleness and forgiveness. The calling is for the weak to
become strong, recognize it and then stand with the weak.”

Genuine
or sham, many writers project a persona of great confidence about the
merit of their work. Not Kogawa. Only the favourable opinion of critics
and readers she respects, it seems, can validate her talent. Stung by
the one blistering critique of Itsuka, she stopped writing and devoted
almost a decade to a community-aid project called the Toronto Dollar.
Consumers who use the currency — available from certain ATMs in
downtown Toronto — at participating retailers effectively give 10 per
cent of the purchase price to an organization that invests in community
projects.

“It's a new paradigm, a way of cutting loose from the
greed that motivates the economic model. This is the symbol of money
not based on profit first, but on the idea that people can help each
other. We can become more realized human beings and more loving. This
seems to be at least as important as writing books. Community action
can speak just as loudly.”

As for her childhood family home, the
looming prospect of seeing it destroyed — for the sake of another
monstrous homage to Vancouver's soaring property values — sickens her.
“But if it goes down, it won't go down unseen. Death is a part of life.
Murder is a part of life. You can murder buildings. You can murder
history. But healing goes on forever. So if it goes down, the healing
goes on forever.”

Canadian Press: Canada's leading writer's groups ask Ottawa for grant to save historic house


Canada's leading writers' groups ask Ottawa for grant to save historic house

Published: Monday, February 27, 2006

VANCOUVER (CP) – Canada's leading writers' groups are appealing to the
federal government for an emergency grant of $350,000 to save the
childhood home of novelist and poet Joy Kogawa.

Kogawa was six in 1942 when she and her family were forcibly removed
from their Vancouver home by the Canadian government during the Second
World War. The government used the War Measures Act to send 22,000
Japanese-Canadians to one of two internment camps in British Columbia
because they were considered enemies of Canada.

The Kogawa home was auctioned off without the family's consent and has been bought and sold several times since then.

The current owner wants to demolish the house and build a bigger one.

Vancouver city council has delayed issuing a demolition permit until
March 31 so the Land Conservancy of B.C. can raise $1.25 million to buy
the house and restore it for writers in residence.

The conservancy is supported by over a dozen organizations,
including the Writers' Union of Canada, the Writers' Trust of Canada
and the League of Canadian Poets.

So far, the groups have raised $170,000

, but Bill Turner, executive director of the Land Conservancy, said money continues to trickle in.

Supporters of the Save the Joy Kogawa House Committee say the simple
wood-frame house that was featured in Kogawa's award-winning book
Obasan needs to be saved as a symbol of Canadian history.

The committee is calling on all four major political parties for support.

Turner said he's trying to set up a meeting with Heritage Minister Beverley Oda.

“We're moving through the process but we don't have a lot of time
and of course, the government is just getting itself established so
it's an unfortunate time to have this,” Turner said.

“We have tremendous support but a lot of these (writers) are not very wealthy so that's one of the challenges.”

Several fundraising events, including one in Toronto on March 9, are
helping to get the word out about the campaign, Turner said.

© The Canadian Press 2006

See story by Canadian Press

Max Wyman: Speaking on Cultural Activity, Creativity at Vancouver Public Library

Max Wyman: Speaking on Cultural Activity, Creativity at Vancouver Public Library

Living the Global City series

Vancouver writer and cultural commentator Max Wyman,
President of the Canadian Commission for UNESCO, spoke at the Vancouver Public Library tonight.  His talk was described that he would address that:

As we
move from the Information Age to the Imagination Age, the role of
creative activity is fundamental to the healthy and peaceful
development of human society. For these reasons, it is beyond time to
relocate creative activity and expressive engagement at the heart of
the social agenda – with an imagination-based education as the keystone.

Max Wyman, former dance and arts critic, now cultural commentator and mayor of Lions Bay, BC., is also the author of The Defiant Imagination: Why Culture Matters.
There was a full crowd at the Vancouver Public Library, Central
Branch's Alice Mackay room, when I walked in.  There were
television cameras set up.  Vancouver City Councilor Elizabeth
Ball, in her role as board member of Vancouver Public Library, gave Max
an incredible introduction listing his many achievements.

www.gunghaggisfatchoy.com/blog/_archives/2006/1/23/1720005.html

Max started speaking about Vancouver's incredible diversity of culture,
and how both he and Elizabeth Ball were recently at an incredible event
called Gung Haggis Fat Choy, created by Toddish McWong.  He went
on to describe that it blends together Chinese New Year and Haggis,
featuring performers such as a bagpiper with South Asian tabla drums,
Rick Scott and his Chinese partner (Harry Wong), and Faye Leung – the
hat lady, Jim Harris the Green Party leader.  And that they along
with several others including a First Nations Chief were all reading
verses from Robbie Burns “Address to a Haggis”….

What a surprise, to be sitting in the audience and to have Max Wyman
saying such cultural praise about my creation Gung Haggis Fat
Choy.  He recognizes that culture is organic, and that it
constantly changes and evolves.  The performers at GHFC are those whom I
recognize and highlight, but they are already doing their own
thing.  But what is important is that the creativity and the
imagination helps us to see ourselves in ways that we wouldn't
otherwise.  And I think that is why Max Wyman cited Gung Haggis
Fat Choy as a wonderful example of the importance of Imagination and
Creativity for cultural activity.

DSC_5503

Todd Wong with special guest Max Wyman at Gung Haggis Fat Choy dinner, January 22, 2006 – photo Ray Shum

Max gave an incredible talk, describing the importance of cultural
interchange.  He said that UNESCO was founded 62 years ago for the
mission of peace and humanity, but there are more wars going on in the
world today.  He said that the divisions between East and West,
North and South are vast.

He also told the audience that Canada is percieved as very important at
UNESCO.  He described a huge room with many many countries
represented where Canada's desk is situated between Cameroon and Cape
Verde.  Wyman said that when Canada speaks, everybody stops to
listen.

At the end of his talk, he invited people to ask questions.  The
questions were lively and the points well made. The audience was
sensitive when a young Korean man struggled to convey his ideas and
questions in English, but also could be curt when speakers were
rambling and overbearing in their personal rants.

When I stepped up to the microphone, Max recognized and welcomed
me.  I thanked him for mentioning Gung Haggis Fat Choy, and he
stated that I was one of the important cultural creators.  Wow…

I stated that when Expo 86 came to Vancouver, we saw an incredible
amount of great arts performances that we wouldn't have normally been
able to.  Our cultural horizons are limited by our own experiences
but cultural interchange with Canadians in New Foundland or Innuvik are
important.  It is also important to recognize arts creators not
always as starving student stereotypes but also as cultural visionaries
and cultural engineers.  I pointed out that the previous Vancouver
City Council had created an performing artist program at City Hall, but
that it needed to be taken out to the streets in the form of a City
Poet Laureate or City Arts Laureate and to that point I asked
councillor Elizabeth Ball, and Max Wyman, if they as arts
advocates/politicians could help support such activities.  

Max agreed with me, and said that it is most important to “take it to
the streets”, and he talked about how both he and Ball are new to the
GVRD, but are looking at ways to create community arts interchanges
within the GVRD.  In my closing, I then asked him about his
comments on CBC about the 8 minutes of Canada at the closing Olympic
ceremonies.

Max said that watching Vancouver Mayor Sam Sullivan in his wheel chair
accept the flag, was one of the most beautiful moments of the
ceremonies, that brought tears to his eyes.  He said that Ben
Heppner sang O Canada, so beautifully, but was underwhelmed by the rest
of it.  He did mention the stereotypes, and had said he had been
less than discreet about his comments on CBC.

People really enjoyed themselves at this UBC sponsored event.  I
talked briefly with Chan Centre Director Dr. Sid Katz, who apologized
that he was unable to attend this year's Gung Haggis Fat Choy dinner,
but enthusiastically said that Rick Scott and Pied Pumpkin had been one
of his first cultural events in Vancouver.

Here is a link to a Max Wyman talk called Why Culture Matters in Moncton, NB, February 12, 2004

Joy Kogawa: “EMILY KATO” book launch at Vancouver Public Library

Joy Kogawa:  “EMILY KATO” book launch at Vancouver Public Library

February 27th, 2006
Vancouver Public Library
Central Branch

Here's my summary of the Emily Kato book launch… rather longish description…

I
am still just winding down from a wonderful book launch for Emily
Kato.  Joy said at the launch, that she had never before had a book
launch before.

Due to the library regulations… I could not
arrange to have wine served – but Ellen Crowe-Swords set up tea with
Japanese crackers.

7:00pm – people started wandering in… we
left the doors open.  Artist Raymond Chow was playing piano and setting
up paintings for display.  Katzumi was setting up the paintings and
drawings for the silent auction.  VPL director of programming Janice
Douglas and I look around for urns and try to find hot water for Ellen.

7:15
pm – I do a preliminary welcome for aproximately 40 people, and direct
their attention to the paintings and drawings for silent auction.

7:30
pm – Janice Douglas welcomes people to the library, invites them to
pick up the library events brochures, and especially invites people to
return for Tuesday night (Feb 28) as Max Wyman will be addressing that
as we move from the Information Age to the Imagination Age, the role of
creative activity is fundamental to the healthy and peaceful
development of human society.

Janice
introduces the program by stating that Obasan was the 2005 choice for
One Book One Vancouver, and how pleased the Vancouver Public Library is
to have Joy Kogawa back at the library for Emily Kato book Launch.

Picture
of Joy Kogawa with Programs Director Janice Douglas and Chief Librarian
Paul Whitney – at the One Book One Vancouver launch back in May 2005.

7:40pm 
Todd Wong introduces Joy Kogawa, by talking about what a pleasure it is
getting to know Joy through the Save Kogawa House campaign.  Todd
explains that  tonight will be celebratory and that Joy had wanted to
ask author Roy Miki and musician Harry Aoki to participate.  There will
also be a dvd animated feature by animator Jeff Chiba Stearns, to help
make Emily Kato come alive by the participation of the guests, to help
address the themes of internment, redress and identity in the book.

7:45
pm – Gail Sparrow, former chief of the Musqueam First Nations is
invited to the stage to give a prayer and blessing for the evening.

7:50
pm – Musicians Harry Aoki and Alison Nishimara take the stage. 
Actually Alison performs two pieces on the grand piano beside the
stage.  They invoke strong emotions that speak to tragedy and panic of
the evacuation and internment.  After Alisons performance, she
identifies the pieces as a Prelude by Stravinsky and a Tocatta by
Kachaturian.

Roy Miki (centre) with Rev. Nakayama and Joy Kogawa at the One Book One Vancouver launch in May, 2005.

8:00 pm – Roy Miki is introduced as having been
almost born on an Alberta beet farm after the internment of his family,
from Vancouver.  He is a leader of the JC redress committee of the
1980's, and Todd praises his book “Redress: The inside story of the
Japanese Canadian redress movement,” citing its relevance and parallels
to the current Chinese Canadian  movement for head tax/exclusion act
redress.  Roy is also an english professor at SFU, specializing in
American and Canadian literature and a Governor General's Award winner
for poetry for his collection “Surrender.”

8:05
– Roy Miki says he was actually born on a beet farm in Alberta, and
talks about the redress movement and reads from his book Redress.  He
starts with a passage where people quote passages from Joy Kogawa's
then new novel – Obasan.  He tells tales of government misconceptions
and how language is used to euphemize the tragedy and actions to intern
and destroy the Japanese Canadian community.

8:15 – Todd
welcomes Harry and Alison back to the stage.  Todd explains that both
Harry Aoki and Roy Miki had served as inspirations for some of Joy's
characters in her books.

8:20 – Harry and Alison play a duet on
piano and double bass that Harry wrote in 1943.  He explains what it
was like to have to leave Vancouver during the “evacuation”, as he had
to leave behind his beloved violin, and could only take his harmonica.

8:25 –
Todd introduces the next segment by discussing the names of the Issei,
Nissei and Sensei – first, second and third generations of Japanese
Canadians.  The newest generations had to grow up with a sense of
negative identity, not really knowing the extent of the internment as
many Issei and Nissei refused to talk about it.  Todd tells a story
about how Joy introduced her half-Japanese grand-daughter at the
Canadian Club luncheon, as being the “future of Canada.”

Drawings from “What Are You Anyways?” by Jeff Chiba Stearns

8:30
“What Are You Anyways?” an animated short film by Jeff Chiba Stearns is
presented Todd pushes play on the dvd player to present the chapters: 
“Cauc-Asian” introduces the main character as growing up half-Japanese and half-Euro-Mutt in Kelowna BC.
“Ethnic Roulette” explains how challenging it is to be asked “What are you?” all the time.
“Meeting Jenni” explains how the character comes to terms with his half-Japanese
ancestry by meeting another half-Japanese “girl of his dreams”

8:40
– Joy Kogawa takes the stage, and explains how when Obasan was first
released, there was never a bad review but lots of praise.  When Itsuka
was released, it was the reverse, like an ugly sibling.  She explains
the challenge of the Emily Kato release – a book that nobody can find
in book stores.  She talks about why she wanted to re-work Itsuka, when
Penguin had announced plans to re-release it as a companion with
Obasan. 

Joy reads several passages from Emily Kato including
sections on living in Granton Alberta, the redress movement, and the
older Issei growing old living in small rooms scattered across the
country.  She uses these examples to demonstrate how the Government of
Canada purposely broke up the Japanese Canadian community, and how the
community is still divided and unsupportive of its own culture and
members.  All the while, Joy emphasizes what it means to be Canadian
and the importance to be respectful of different cultures and human
rights issues.  She is an impassioned speaker, and her words walk the
fine balance of moral sermon, a punishing critique, and an
inspirational talk – all in one.  Amazing.

9:00
Harry Aoki returns to the stage to comment about the future of the
Japanese Canadian community, how it is disappearing, due to the
negative identity, inter-racial marriage, and being scattered across
the country.  He plays one more song on double bass, with Alison
Nishihara on piano.

9:10 – Conclusion… explanations of Silent
Auctions, Thank yous…  Acknowledgements of artist Raymond Chow and
his painting of Joy Kogawa as a young child, the role of The Land
Conservancy in stepping in to lead fundraising for Save Kogawa House
campaign.

Joy signs books, and takes people's questions.

There
is an immediate long line-up to buy books and have them signed by Joy. 
I am asked where Harry Aoki is by Dal Richards, band leader and
musician, who is interviewing Harry for his radio show.  It is a good
audience of about 90 people.  I meet First Nations people from New
Brunswick, I meet poet Sita Caboni of the Pandora poetry collective.
People sign up on the silent auction items. 

I sign up on a collection of Roy Miki books, but I am outbid.
Jen
Kato, signs up for the Linda Ohama print, donated by Roy Miki.  It is a
good night.  I recieve lots of compliments for my MC work.  Joy signs
lots of copies of her books.  People are happy, and we feel a good
sense of community.

9:35 – Katzumi announces the last call of the Silent Auction
9:40 – we wrap up and start putting things away.
10:00 – we shut the doors and go home.

Cheers, Todd

Vancouver Sun: Joy Kogawa Story + tonight reading at Vancouver Public Library

Vancouver Sun: Joy Kogawa story + tonight reading at Vancouver Public Library

Today's Vancouver Sun features a
story Joy Kogawa and the plans for the preservation of Kogawa House to
turn it into a Writing Centre.  There is an interview with
Constance Rooke, president of PEN Canada, stating how
excited she is that the proposed writing centre has tremendous cultural
and literary potential.


House
pitched as refuge for exiled writers

Vancouver Sun, by Kevin Griffin

Turning the Kogawa house into a home for writers in exile would help
cement Canada's international leadership role in helping persecuted
writers from around the world, according to the head of one of the
country's major writers' organizations.

Constance Rooke,
president of PEN Canada, said the history of the house, the childhood
home of writer Joy Kogawa who was interned with 22,000 other Japanese
Canadians during the Second World War, makes it a perfect fit for
writers who have fled imprisonment and restrictions on freedom of
expression in their own countries.

Rooke said if the campaign
to raise $1.25 million to save the house is successful, it would become
the only residence in the country dedicated to housing writers in exile.

“My
initial response to the campaign to save the Kogawa house was that this
was a house that ought to be saved because this is a very important
part of our history and literature,” Rooke said from Victoria.

“I've become increasingly excited about the house becoming a home for writers in exile.”

“I cannot think of any Canadian
writer's house whose destruction would pain me more,” Rooke said in a
letter to Vancouver council urging them to save the house.


Read more of  Kevin Griffin's article in the Vancouver Sun

House
pitched as refuge for exiled writers

Vancouver
Sun (subscription) – Vancouver,British Columbia,Canada

Turning
the Kogawa house into a home for writers in exile would
help cement Canada's international leadership role in helping persecuted
writers from around



Tonight is the Joy Kogawa book reading at Vancouver Public Library

Joy Kogawa's Emily Kato Book Launch

Vancouver Public Library
Central Branch, Alice McKay Room
February 27th, 7:30pm

EMILY KATO

“A
Celebration of Emily Kato”

featuring author Joy Kogawa
with special surprise literary and musical guests + silent auction  to help raise funds for the preservation of Kogawa House.


I feel very honoured that Joy has asked me to MC tonight's event. 
It was just over a week ago, that she decided she wanted to do
something more celebratory for the Emily Kato book launch.  We had
just had a wonderful reading of “Joy Kogawa and Friends” at Chapters
bookstore on Robson St. featuring Roy Miki, Daphne Marlatt and Ellen
Crowe-Swords.  Joy asked if Roy and musician Harry Aoki would be
able to present something.  I also looked into asking Vancouver
Opera if they could participate, since their production of Naomi's Road
is currently touring BC schools and is still in the Vancouver Lower
Mainland.

Emily Kato was originally planned for a 2005 launch at VPL
during One Book One Vancouver, but was turned into a preview reading
because the book wasn't ready for printing by Penguin yet.

Tonight will be something special:
We have created a program that will hopefully bring “Emily Kato”
alive.  It was originally written in 1992 under the title of
“Itsuka” which means “someday.”  Itsuka fictionalizes the
emotional upheavals, personal challenges and the political drama of the
Japanese Canadian redress movement of the 1980's. 

Harry with Dal Richards at Feb 15th “Order of Canada / Flag Day luncheon”

Musician Harry Aoki will perform and bring some musical guests. 
Harry Aoki, as a young twenty-something young man, left the Vancouver
area in 1942 voluntarily, before being forced to “evacuate.”  He
had to leave behind his prized violin, and only took his harmonica, so
he could carry more belongings.

Roy Miki (Centre) with Rev. Tim Nakayama (Joy's brother) and Joy Kogawa.

Professor Roy Miki, will perhaps read something from his book Redress: Inside the Japanese Canadian Call for Justice which
documents the redress process that he and Joy shared with other redress
leaders such as Cassandra Kobayashi and Roy's brother Art Miki. 
Roy was born after internment, when his parents were assigned to work
on a beet farm in Alberta.

Jeni Kato (Save Kogawa House committee member) and Jeff Chiba Stearns,  film maker.

Jeff Chiba Stearns is a third generation (Sensei) internment
descendent, who has struggled with his identity of being
half-Japanese.  He grew up in in Kelowna and made an animated film
about his experience.  Jeff is currently in Manchester England for
a Film Festival, but we will show clips from his film and his girl
friend Jeni will be present.

And a silent auction!  With books donated by Raincoast publishing,
a Linda Ohama print donated by Roy Miki, Vancouver Opera tickets to
Faust, and tickets for Vancouver Asian Canadian Theatre.

How it unfolds, will hopefully allow readers will appreciate Joy's
“Emily Kato”all the more, as both Roy Miki and Harry Aoki helped to
inspire the composite characters in the book.



Burns Club of Vancouver… a traditional Burns dinner in the tradition of the Tarbolton Batchelor's Club


Burns Club of Vancouver… a traditional Burns dinner in the tradition of the Tarbolton Batchelor's Club


Which way do you hold these things? My first time holding bagpipes!  I am used to my accordion – photo Ian Mason.


The Burns Club of Vancouver prides itself on being faithful to the tradition of the Tarbolton Batchelor's Club,
which was founded on 11 November 1780.   Robert Burns and some
friends formed a debating
society to
'forget their cares and labour in mirth and diversion', to promote
friendship and to improve their minds with meaningful debate.  The
Vancouver dinner was held on Monday evening, February 20th, at the
Terminal City Club in downtown Vancouver.

I first attended a Burns Supper with the Burns Club of Vancouver in 2004, and wrote this description
Back then, I was a wee bit intimidated by the idea of a Men's only
club… having attended college and university with many
feminists.  But now having also attended their “Big Night” event,
and having been welcomed so warmly by many of the members… I felt
real comfortable.  Without the presence of female partners to
attend to, we were all free to discuss Burns, haggis, and
politics. 


Andy Miller plays bagpipes in the Vancouver Police Pipe Band – photo Ian Mason

A good feeling of cameraderie filled the room.  Many of the club's
members are retired, and they all carry themselves like grandfatherly
elders – full of wisdom and benevolence.  Indeed, they seemed both
amused and very supportive that I, a youngish Chinese Canadian, is
regularly hosting an annual Robbie Burns Dinner for 400+ people.

There were four tables of ten in the upstairs salon rooms, with an
attended bar featuring Glenlivet and Glenfiddich scotch, as well as
beers and wines.

The host of our table was Dr. Ian Mason, president of the club, who had
spoken at the Gung Haggis Fat Choy World Poetry Night at the Vancouver
Public Library on January 16, and also came to attend the Gung Haggis
Fat Choy Robbie Burns Chinese New Year dinner on January 22nd. 

A piper named Andy, who is now recently retired from theVancouver
Police Pipe band sat on my left.  We talked about Constable Tim
Fanning, of the Vancouver Police Force who plays both highland pipes.
the smaller Irish pipes and penny whistles, and who had appeared in the CBC television special “Gung Haggis Fat Choy.” 


Andy Miller shows me how to hold his bagpipes.  They are incredibly ornate.  He is a wonderful piper, and a lovely man, sharing much knowledgable information with me. – photo Ian Mason.

Andy was piped in the haggis, and was followed by other members of our
table… Colin (the sword bearer), Strachan (who was the 2nd sword
bearer), and Donald.  They were joined by the chef (an Asian man!)
who carried the haggis nestled on the plate on a bed of mashed neeps
and tatties.  They paraded around the room and down the centre
aisle to finally set haggis down on the presentation table.  Drams
of whiskey were downed by each of the haggis parade party, then Donald
gave a splendid reading of the Address To A Haggis. 

The haggis was very nice… almost like a meat loaf.  We discussed
the three major types of haggis found in the Vancouver area.  This
one came from North Vancouver on Keith Road, near Queensbury.  The
other types are a spicier haggis with a liver pate quality made by
Peter Black at Park Royal South (which I feature at Gung Haggis Fat
Choy) and a more traditional dryer lard recipe – which I don't
like.  We all had second helpings of the haggis.
 
A nice roast beef dinner followed the haggis, and the dinner
conversation was very pleasant.  Andy told me about his visits to
Hong Kong, with the Vancouver Police Pipe Band. Donald asked me about
Gung Haggis Fat Choy.  They liked that at the GHFC dinner, we
share the verses of Address To A Haggis with different members of the
audience.  And people were delighted to hear that some of the
Adressees had included Faye Leung (the hat lady), and former MP/MLA Ian
Wadell (actually born in Scotland). 

The formal part of the evening was hosted by Fraser, a wonderful MC
looking very smart in kilt and tuxedo.  A talk about the
Tarbolton's Batchelor's club was first, followed by several other
addresses that included:  a history of Scots in Canada, a Toast to
the Lassies, and finally the “Immortal Memory” of Burns – read by
Robert Armour from our table.

Of the talks, I was most fascinated by the history of Scots in Canada,
which described how many Scots had come to Canada due to the Highland
Clearings, and also Loyalists from the then soon-to-be United
States…  Of course the Scots became adept at exploring Canada,
and helping to develop both the Hudson's Bay Company and the Northwest
Company.  Everytime I attend an event by the Burns Club of
Vancouver I learn more about Burns and Scottish culture.

These are all good men, who revel at the universal values promoted by Burns in which “a man's a man for all that and all that.”