Workshop fees are $35 (includes $10 for ACWW membership)
Additional workshops are $10 each.
Friday – November 22, 3.00-5.00PM
Writers Beware: how to avoid scams, vanity press and find happiness as a published author
As writers, we want to be published. But publications cost money and publishers therefore look for manuscripts that fall into their mandate. They cannot publish everyone. They are honest about it and will reject without feeling guilty. To emerging and some mid-list writers the publishing process can be quite a mystery. Writers can be manipulated and exploited by unscrupulous “publishers”. The following questions must be asked. What are the positives and negatives of being published? Why publish in the first place? What is needed to approach a publisher? Are multiple submissions allowed? What are the pitfalls along the way? Is the Vanity Press the way to go? What are the scams? What are the advantages and disadvantages to on-line publishing? What good is an agent? Can the Writers Union and other associations help? What other resources are available? These and other questions will be looked at in this workshop sharing experiences with the process of getting publishing.
Creating a Graphic Novel (fat comic book) to teach and to reach: the Didactic Graphic Novel
Dissertations on difficult topics and issues often “preach to the already converted”. The challenge has always been, how can one kindle interest from new and/or younger audiences in a world full of cool and competing attention seeking distractions? May we re-introduce the comic book. Comics have always had universal appeal. Now reinvigorated in lengthened formats known as the graphic novel. These illustrated narratives are considered valuable teaching tools in helping introduce or build on difficult subjects ranging from medical instruction, politics, history, and mathematics, to name a few. This workshop will include:
• the graphic narrative: it’s all about the story
• silly rabbit, comics aren’t just for kids
• can’t draw? then partner up with an illustrator
• word crafting: the art of reducing words in talk bubbles
• engage your reader: make it personal; reach with empathy; don’t be preachy
• know your audience: age, gender, attention spans
• fiction v/s non-fiction
• leave room for reader’s imagination
On the boards: A graphic novel on the dark history of Canadian Residential Schools for Aboriginal children
Instructor: David H.T. Wong was born and raised in Vancouver. He is an accomplished writer, architect and a respected Asian-Canadian activist whose family first came to North America from China 130 years ago. He is a founding director of the Chinese Canadian Historical Society of British Columbia, the Asian Canadian Writers Workshop, Pacific Canada Heritage Centre: Museum of Migration, and explorAsian: Vancouver Asian Heritage Month Society. His acclaimed graphic novel, Escape to Gold Mountain, was published last fall by Arsenal Pulp Press. www.escapetogoldmountain.com
David was recently inducted as an Honorary Witness for The Truth and Reconciliation Commission of Canada (TRC). The TRC hopes to guide and inspire First Nations peoples and Canadians in a process of truth and healing leading toward reconciliation and renewed relationships based on mutual understanding and respect. As an honorary witness, David will initiate a new graphic novel to help document stories from this dark period of our nation’s history. Attendees to this first workshop will be invited to participate and to embrace an upcoming year(s) of social isolation, missed family celebrations, late night research, and low pay in an effort to help push out this meaningful graphic novel.
Saturday – November 23, 10.00AM – 12.00PM
The Writer’s Task: Turning Knowing into Telling
Instructor: Denise Chong is an award-winning and internationally published author. The Girl in the Picture was a finalist for the Governor General’s Literary Award, as was her memoir, The Concubine’s Children. She lives in Ottawa with her husband and two children.
Saturday – November 23, 10.00AM – 12.00PM
How to Write Your Past: Chinese Genealogy Research Workshop
Stories are not traditionally thought of as something that can be easily saved and shared. Most are never written down, and are too often forgotten. Share your favorite memories, your successes, and your funny stories with your loved ones and future generations. This workshop will help you:
- Choose a Format for Your Family History
- Define the Scope of Your Family History
- Set Deadlines You Can Live With
- Choose a Plot & Themes
- Do Your Background Research
- Organize Your Research
- Choose a Starting Point
- Don’t be Afraid to Use Records and Documents
- Make it Personal
- Include an Index and Source Citations
Instructor: May Yan-Mountain has been involved in many activities related to Chinese family history. The anthology “Eating Stories: A Chinese Canadian Aboriginal Potluck” was her co-writing debut with other writers each sharing family stories and traditions. Following her participation as the Chinese genealogy consultant for the segment “Chinese Connection” in “Ancestors in the Attic”, a Canadian genealogy series shown on History Television in Canada, May held a series of Chinese genealogy workshops at the Vancouver Public Library. In combination with her publications “Research Guide to Chinese Genealogy” 1st and 2nd edition, May taught the local Chinese genealogy researchers a variety of tools to discover documents and records found in libraries, genealogy databases and other hidden sources. May is currently residing in the Lower Mainland of British Columbia, Canada. She received her Bachelor of Arts in Asian Studies with a focus in Chinese history and language from the University of British Columbia.
Saturday November 23, 1.00pm – 3.00PM
Your story or poem as a ‘brand’: Leveraging literature in new media
When you write a story or a suite of poems, they shouldn’t end up in your drawer. In this age of digital media, a literary work could also become an article, a blog piece, a Huffington Post blog, an iPad app. This gets your work read more widely, but even more interestingly, it allows your work to morph into new forms. In essence you can begin to think of each work as a kind of ‘brand’ that could be proliferated across media. Participants in this workshop will look at case studies including Ann Shin’s poetry book/video/interactive e-book The Family China. Other projects referenced include Jennifer Egan’s A Visit from the Goon Squad and Sarah Sheard’s latest blog/nonfiction memoir project.
Participants will discuss current literary projects of workshop attendees and brainstorm together on how they could take their work into different media. Ann Shin will also provide practical information about various funding avenues for certain kinds of digital media projects and how to partner with industry, eg. established interactive media agencies.
Instructor: Ann Shin is a writer and filmmaker who grew up in Langley, BC and now lives in Toronto. Her latest book of poetry, The Family China was published by Brick Books this year. Winner of the 2013 Anne Green Award, the book is also related to a video series and an interactive e-book project. Her latest documentary The Defector: Escape from North Korea was nominated for 4 awards, winning an FITC Award in Motion Graphics.
Saturday November 23, 1.00pm – 3.00pm
How to Succeed in Writing by Kinda-Sorta Trying
Discussion on writing through five levels – vocation, trade, craft, passion, calling – framed with the authors own experience writing and publishing Banana Boys. Examples of how race, culture, school, relationships, politics, activism, money affects the process of writing will be amply provided. If you’re looking on a quick “how-to” workshop on publishing a book and making a lot of money, this isn’t it; rather, I’d like to have a frank talk and open discussion on how writing is ultimately a process traversing all five levels, with varying degrees of functionality, dysfunctionality, and satisfaction… if there is such a thing.
Instructor: An engineer turned fiction writer, Terry Woo has received acclaim for his first novel Banana Boys, which was short-listed for the 1999 Asian-Canadian Writer’s Workshop Award, and published by The Riverbank Press – an imprint of Cormorant Books – in 2000. He also went back to school for Journalism, joined the Army for a hitch, and has ended up doing corporate writing for a software company which he says “is not as good a writing haikus, but somewhat better than writing obituaries.” Terry currently resides in Toronto.
Sunday November 24, 10.00AM – 12.00PM
The Debut Author and the Business of Mainstream Publishing
In November 2012 Janie Chang’s debut novel was acquired by HarperCollins Canada in a pre-emptive offer. In August 2013Three Souls went on sale in bookstores all over Canada — including Costco. When all the pieces fall into place, is it due to luck and timing or does an understanding of the publishing business play a role? Janie talks about the decisions, both deliberate and serendipitous, that contributed to the success of Three Souls. In particular, she discusses the business realities of getting published in today’s turbulent mainstream market.
Instructor: Janie Chang draws upon family history for her writing. She grew up listening to stories about ancestors who encountered dragons, ghosts and immortals, and about family life in a small Chinese town in the years before the Second World War. She is a graduate of The Writer’s Studio at Simon Fraser University. Born in Taiwan, Janie has lived in the Philippines, Iran, Thailand, and New Zealand. She now lives in Vancouver with her husband and Mischa, a rescue cat who thinks the staff could be doing a better job. Three Souls is her first novel.
Sunday November 24, 10.00AM – 12.00PM
Techniques for Finding the Emotional Core of a Story
Have you ever read a story that had absolutely no emotional impact and thought what a pity the writer hadn’t been able to find the emotional core of the story? Powerful writing often elicits strong emotions in readers. Stories without an emotional core usually fall flat. But how does a writer find the emotional core of a story when staring at a blank page? This workshop examines the elements of emotional storytelling and introduces some techniques to help create stories with emotional weight. Please come with writing implements or laptops. This is a hands-on workshop. With luck, you may be able to walk away with the beginnings of a short story or even the climatic scene of a novel.
Instructor: Julia Lin, author of the short story collection Miah (TSAR Publications, 2012), was born in Taiwan and lived there and in Vietnam before her family immigrated to Canada when she was nine. Since then, Julia has lived in Vancouver and its environs, Toronto, and northern British Columbia. She holds a graduate degree in Immunology (M.Sc., University of Toronto) and a post-graduate degree in computing education (University of British Columbia) and has taught high school math, science, and computing science in British Columbia for a number of years. Her writing mentor, M.G. Vassanji, encouraged her to complete Miah after she submitted the first stories in the 2009 Humber Creative Writing Program. For more information, please go to www.julialinbooks.com.