Category Archives: Multicultural events

Gung Haggis Fat Choy, a scholarly take as alternative to the “Scottish Discursive Unconsious”

Gung Haggis Fat Choy making it's way into the lexicon of journals about Scottish culture:
Dr. Leith Davis writes about Toddish McWong for Scottish on-line journal – The Bottle Imp


Dr.
Leith Davis of SFU Centre of Scottish Studies, writes that “Gung
Haggis Fat Choy” bucks the trend of “Scottish Discursive Unconscious.” 

She writes: “In his contribution to the recent volume on
Transatlantic Scots
, Colin McArthur comments on what he calls
the “Scottish Discursive Unconscious,” a restricted range of “images, tones, rhetorical tropes, and ideological
tendencies, often within utterances promulgated decades (sometimes even a century or more) apart”…

“Vancouver, British Columbia, serves as a good test case for McArthur's comments. Like so many Canadian cities,
it has been home over the years to a large population of Scottish immigrants….
 
“There are indeed traces of the Scottish Discursive Unconscious at work in Vancouver….

“Gung Haggis Fat Choy takes many of the features of traditional Burns nights and gives them a non-traditional twist…The “Address to the Haggis” morphs into the “Rap to the Haggis,” featuring Joe MacDonald and Todd Wong with a
synthesized beat maker in the background. The “Toast to the Lassies” in 2009 was a rap-poem delivered by a
lassie with an all-male chorus. In addition, Asian elements are added, such as a “bamboo clappertale” about Robert
Burns and his teacher by Jan Walls and music by the Silk Road Music Ensemble. Haggis wontons and other delicacies
suggest a culinary as well as cultural fusion. Gung Haggis Fat Choy does not stop at mixing together those of Chinese
and Scottish heritage. Rather, its aim is to provide a celebratory venue in which those from all cultures can be
comfortable. The 2009 dinner opened, for example, with a blessing from Musqueam elder Larry Grant, a reminder,
perhaps, that we are all immigrants here at some time in the past.

Where traditional Burns suppers of today include very little poetry, apart from snippets of the bard's most
famous works, Gung Haggis Fat Choy keeps the spirit of Burns's creativity alive by featuring readings from
Asian-Canadian poets and donating money to the Asian Canadian Writers' Workshop, Ricepaper magazine and the
Joy Kogawa House. Kogawa was one of the first Asian-Canadian writers to reach a national popular audience
with her 1981 novel Obasan.

Read the entire article at:

http://www.arts.gla.ac.uk/ScotLit/ASLS/SWE/TBI/TBIIssue5/Diaspora.html

Poet John Asfour, Kogawa House writer-in-residence joins Neworld Theatre May 19th at Vancouver Public Library

2009_April_Kogawa 018 by you.

John Asfour with “Joy Kogawa” and Judy Rebick at the April event for Historic Joy Kogawa House inaugural writer-in-residence programming. – photo Todd Wong

Two more events with John Asfour
will round out his third and final month in residence.

Tuesday,
May  19 at 7:30 p.m.,
John presents an evening of Arabic poetry in
translation. John performs on the oud, or Arabic lute, as actors
Adrienne Wong and Marcus Youssef of Neworld Theatre read his poems and those of
Syrian poet Muhammad al-Maghut and Mahmoud Darwish, Palestine’s national poet.
This event will take place in the Alma VanDusen and Peter Kaye rooms on the
Lower Level of the central branch of the Vancouver Public Library, 350 West
Georgia Street. Admission is free.

Back at Kogawa house on
Saturday, May 30, at 7:30 p.m.the final
evening of John's residency with ushe welcomes Gary Geddes
and Ann Eriksson for readings in celebration of John's residency. Gary Geddes
has written and edited more than 35 books and won a dozen national and
international literary awards, including the Gabriela Mistral Prize and, most
recently, the Lieutenant-Governor’s Award for Literary Excellence in BC. He will
read from Falsework about the collapse of the Second Narrows Bridge in
Vancouver. Ann Eriksson’s new novel, In the Hands of Anubis, has been
described by the critics as wise, wicked, touching and funny. It ranges from
Cairo to Calgary to Ucluelet and has a cast of coyotes, tractors and dog-headed
gods. Her novel, Decomposing Maggie, appeared on bestseller lists in
2003. This event takes place at Kogawa house and seating is limited. To
reserve a seat, please respond to this message. 

I look forward to seeing you at one or both
events,

Ann-Marie Metten
Executive
Director

       
       
Contact
Information

Telephone:  604-263-6586
Email:  
kogawahouse@yahoo.ca
       
       
Historic
Joy Kogawa House |  1450 West 64th Avenue |  Vancouver  | BC
|  V6P 2N4 |
Canada

Terry Glavin wins Lt. Governor's Award for Literary Excellence

image

 

 

 

Terry Glavin named recipient of
the sixth annual Lieutenant Governor’s Award
for Literary Excellence

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Okay…. it was author Terry Glavin who partly inspired me to create a “writer's speaking series” on the 2007 strike line of CUPE 391 Vancouver Library Workers.   Terry called me up for some reason or another, maybe to admit he was a big fan of my Gung Haggis Fat Choy Robbie Burns Chinese New Year Dinner, and somehow I asked him to give a reading on our strike line.  And that's how it started!  After Terry came many other authors such as Stan Persky, Hiromi Goto, Daniel Gawthrop, Rita Wong, Tom Sandborn, Chuck Davis….  but it started with Terry! http://www.gunghaggisfatchoy.com/blog/_archives/2007/8/15/3160687.htm

IMG_1743 by you.

Author, jounalist Terry Glavin speaks to the CUPE 391 Vancouver library workers – giving support – photo Todd Wong

We since became friends and look for reasons to go for a pint of Guinness at the Irish Times Pub in Victoria, or host a Gung Haggis house party at his place… but the only thing we manage to do is leave comments and links to each other blogs. 

Terry has written amazing books, and is very big on diversity – both cultural and environmental and bio-diversity.  Moreover, I think we recognize in each other a deep respect for First Nations culture and history, the ability to laugh and poke fun at mainstream institutions, and the necessity of shaking up the world a little now and then.

But on this Saturday, I will be able to have a drink and toast to my rabble rousing “outspoken voice” as he is feted by the BC literati.  In the mean time he says heVows To Resist The Urge To Cash The Cheque And Head Straight For The Track”

http://transmontanus.blogspot.com/2009/04/i-vow-to-resist-urge-to-cash-cheque-and.html

CIMG0247

At last year's BC Book Prizes, I got to hang out a bit with Gary Geddes, the 2008 winner of the Lt. Gov's Award for Literary Excellence. 
Rita Wong and Gary Geddes big winners at BC Book Prizes Gala
http://www.gunghaggisfatchoy.com/blog/_archives/2008/4/29/3666200.html

Terry and Gary are friends, so Terry won't mind if I put Gary's picture in here…

Check out the official BC Book Prize website

and what they have to say about Terry:

Vancouver, BC
– The West Coast Book Prize Society is proud to recognize Terry Glavin as the
recipient of the sixth annual Lieutenant Governor’s Award for Literary
Excellence
.

British
Columbia
’s Lieutenant Governor,
the Honourable Steven Point, will present
the award at the
Lieutenant Governor’s BC Book Prize Gala to be held at
the Marriott Pinnacle Hotel in
Vancouver on April 25, 2009.

The event will be hosted
by BC BookWorld publisher and
author Alan Twigg .

“Terry Glavin,
author and journalist, has been an outspoken voice in
British Columbia as a conservationist and
nature writer. He is known for his passionate commitment to
British Columbia ’s First Nations and
for his deep understanding of how First Nation culture and way of life are
bound up with the province’s
natural history and our future as a just and sustainable society.
 

In addition to his books,
Glavin’s many articles on social and political issues are evidence of his
strong journalistic ability to marshal facts and his unwillingness to go with
the accepted wisdom of either
the right or the
left. In his role as an iconoclast, he is a critical voice in
the dialogue that sustains a civil society.

As editor, Glavin has also
brought us the innovative and
courageous Transmontanus series, published by New Star Books. Established in
1992 with the aim of exploring
the relationships between landscape and imagination,
this innovative series of 16 titles has given voice to authors and
the mes that might o the rwise
have been lost to us.

Glavin offers an
extraordinarily holistic vision that does not focus on single issues, but
instead in everything he writes shows us a world where culture and nature,
human aspiration, natural beauty, language, history and social justice are
inextricably intertwined.
 

Terry Glavin has won many
awards for his work as a journalist, as a science and technology writer, for
his editorial innovation and for his powerful essays. We are privileged to
honour him with the Lieutenant
Governor’s Award for Literary Excellence in 2009, for his contribution to
life and letters in British Columbia
and for his willingness to show us how to see our world more deeply, more fully
and more truthfully.”

– Jury member Ellen Godfrey

The jury for this year’s Lieutenant
Governor’s Award: Ellen Godfrey, author and former literary publisher;
David Hill, Manager of Munro’s Books, Victoria; and Sheryl Mac
Kay , host of CBC’s North by Northwest.

This prize was
established in 2003 by former Lieutenant Governor, the
Honourable Iona Campagnolo, to recognize British
Columbia writers who have contributed to
the development of literary excellence in
the province. The recipient receives a cash award of
$5,000 and a commemorative certificate.

 

All BC
Book Prizes info at
www.bcbookprizes.ca

 

A Gung Haggis Gaelic Easter Greeting…

It's been too rainy and cloudy for me to go skiing at Silver Star this weekend.  So I kayaked on Kalamalka Lake and helped walk the doggies up in Kalamalka Lake Park, where the snow still lies.

Yesterday I went to Village Green Mall in Vernon, where people were buying Chocolates and in the food court, an Easter show for families consisted of trying to fit 12 members of the Vernon Girls Trumpet Band into a giant balloon.  (photos to follow).

After a week of Tartan Day/Scottish Week activities… and not having any Chinese food in recent memory… I am beginning to question my Easter heritage.  Even though my great-great-grandfather was a Chinese United Church Minister, I never went to United Church for Easter.  For many years, I was a member of Celebration of Life Centre, and Centre for Spiritual Living – both New Thought Churches.

The only Chinese cultural event that I can think of, is giving Red Eggs at a dinner, one month after a baby is born.  But this isn't necessarily related to Easter, except perhaps as a reminder of sucessful fertility in relation to Spring fertility rituals.

I remember one childhood Easter where we received Easter baskets in Honolulu.  There were always lots of Chocolate bunnies for Easter as a child, but the Honolulu baskets had the little fluffy toy chick decorations… That was cool.  No grass skirts on Easter bunnies back in the 60's though.

The Gung Haggis dragon boat team paddled this morning to Granville Island for Hot Chocolate and Coffee, and found some Easter Eggs.  This is becoming a team tradition.

My Irish-Canadian writer friend Terry Glavin sent me this email message, and a link to his website:


The big Irish event among my
crowd, the event of the year that utterly eclipses St. Patrick's Day, has always
been Easter anyway. Thus:

http://transmontanus.blogspot.com/2009/04/easter-2009-beannachtai-na-casca.html

Gung Hay Beannachtaí na Cásca Fat Choy, comrade.

 
TG

Tartan Day and Scotland Week celebrated by SFU's Centre for Scottish Studies with Michael Russell, Scottish Parliamentary Minister for Culture!

April 6th is Tartan Day the whole world over.  And now there is Scottish Week.

The Centre for Scottish Studies, at Simon Fraser University, organized a conference on “Robert Burns in Transatlantic Context.”  I was invited by Dr. Leith Davis to perform on the Tuesday evening, and give a presentation on Wednesday afternoon, and attend the closing reception on Thursday evening.

Tartan Week in Vancouver was also the final stop for Scottish Parliamentary Minister of Culture, Michael Russell, who started his week at the Tartan Day parade in New York City, visited Toronto, Vancouver, Victoria, then Vancouver again.

IMG_0186

Toddish McWong meets Michael Russell, Scottish Parliamentary Minister for Culture, External Affairs and Constitution,
Scottish Development International – photo T. Wong

Last year I was featured in a Vancouver Sun story about Tartan Day.  Vancouver Sun: The next celebration – Toddish McWong helps to spread the word about Tartan Day
 


Then I helped organize a proclamation by the City of Vancouver:
Tartan Day (April 6) proclaimed in City of Vancouver, April 3

On April 6th, we had an informal ceremony filmed by Global TV News, with the proclamation read by City Councilor Raymond Louie:
A Tartan Day dragon boat paddle practice… with bagpiper and proclamation reading

This year the major events were organized by Dr. Leith Davis, director of the Centre for Scottish Studies, SFU.

The week started out with a Tuesday evening of music and song for the “Musical Celebration of Burns in North America,” featuring Jon Bartlett and Rika Reubsaat, performing “Burns Songs in BC”, and also Kirsteen McCue and pianist David Hamilton performing Burns Songs by Serge Hovey.  This was really interesting because Kirsteen is from Scotland, and she explained that these were the musical arrangements that Burns himself had used, but were only discovered a few years ago.

The third set of the evening featured Gung Haggis Fat Choy performers.  After a poem by visiting Scottish professor Dr. Robert Crawford, Dr. Jan Walls explained about Chinese clapper songs.  Jan is former director of International Communication at SFU, and also a former cultural attache for the Canadian embassy in Beijing.  At this year's Gung Haggis Fat Choy dinner, Jan performed a song about Robbie Burns to chinese clappers.  Leith was knocked out by Jan's performance.  This evening Jan performed the Burns poem “John Barleycorn.”

Leith's idea was to introduce all the travelling Burns scholars and conference attendees to a little bit of Gung Haggis Fat Choy.  She told them all that it was the “best Burns dinner” she has been to.  And she was amazed at how the Gung Haggis event incorporated and promoted cultural fusion.

MVI_0155 Todd Wong apologizes for being unable to “roll” his “r's” due to Chinese DNA which has no “r-sounds”in the Chinese language.

Leith asked for a performance of “The Haggis Rap” or “Rap To A Haggis”, in which bagpiper Joe McDonald and I rap the immortal Burns poem, “Address to a Haggis.”  I introduced it by saying that Joe and I had performed this on CBC national television, and our MP3 version had also been played on BBC Radio Scotland two years ago.  Meanwhile, Joe had found a haggis in the kitchen.  Gung Haggis dragon boater Debbie Poon followed Joe into the hall carrying the haggis.

MVI_0153 Joe McDonald pipes in the haggis for Scottish Week.

We closed off the evening by leading a singalong of Auld Lang Syne with the first verse and chorus in Mandarin Chinese.  Then dragon boaters Steven Wong and Debbie Poon helped lead some “volunteers” in a Chinese dragon parade, complete with two children carrying the Chinese lion masks.  It was fun, and lots of people thanked us afterwards with positive compliments.

On Wednesday there was a Community Research Forum on “Burns In BC.”

Jon Bartlett and Rika Reubsaat started the forum by talking about the history of Burns dinners in BC.  They were followed by Robert Barr who gave a history of the Vancouver Burns Club.  I followed with a history of Gung Haggis Fat Choy, its origins and its cultural fusion context.

I explained that BC is a young province.  While we are celebrating the 250th Anniversary of Robert Burns' birth, we only just celebrated the 150th anniversary of the colony of BC.  Vancouver is only 123 years old.  I explained that to me, the “Two Solitudes” of BC are the Scottish and Chinese.  Each arrived from an opposite direction, and lived in conflict.  I explained that if the Scots hadn't been in political power, there probably wouldn't have been a Chinese Head Tax or an Exclusion Act to keep the Chinese out of Canada.  To which many people applauded my statement.  I went on to say that many generations later, there are many Scots and Chinese intermarried, and sharing Scots and Chinese DNA, just like in my family.

I shared how I first wore a kilt for the 1993 Burns ceremony at Simon Fraser University, and how the Gung Haggis Fat Choy dinners grew from 16 people in 1998 to 550 people in 2009.  A CBC television performance special was aired in 2004 and 2005.   And with the SFU Recreation Department, I helped create the SFU Gung Haggis Fat Choy Festival in 2005 with dragon cart races, and later with the human curling event.  It was a good talk that also included how I was chosent to play Robert Burns for the Celticfest's inaugural “Battle of the Bards” which I won against actors playing Dylan Thomas and W.B. Yeats.

Making Burns relevant in a global 21st Century, is what Gung Haggis Fat Choy events do.  The growth of copycat dinners in Ottawa, the Yukon, Seattle and Santa Barbara, demonstrate that Gung Haggis is reaching people in a positive way.  While promoting Burns, it also addresses multiculturalism and racism.

Thursday's Scottish Week finale is a reception for Michael Russell, Scottish Member of Parliament.

Wayson Choy is “Not Yet” dead: story in the Georgia Straight written by Brandy Lien Worrall

Wayson Choy's new memoir “Not Yet” is now available. 

Brandy Lien Worrall wrote the related cover story for the Georgia Straight last week about Wayson.


http://www.straight.com/article-210543/out-shadows

Also check out Charlie Smith's sidebar cover story:

Wayson Choy's Chinatown memories inspire

featuring Jen Fooksong Lee, author of “The End of East”
http://www.straight.com/article-210547/choys-chinatown-memories-inspire

Life and Death are linked.  Wayson Choy has defied death twice.  His memoir writings are just as important as his novels.

Brandy Lien Worrall is just finishing up the last courses and meetings for her Masters of Fine Arts, Creative Writing.  I got to know her during the Spring 2007 writing workshop she taught for the Chinese Canadian Historical Society, which produced the book Eating Stories: A Chinese Canadian & Aboriginal Potluck.  Just before the course was finished, Brandy was diagnosed with breast cancer.  She would fight and survive.  Check out Brandy's blog

In 1989, I was diagnosed with a life-threatening cancer tumor.  When I found myself questioning whether I would live or die, I knew I wasn't finished yet…  I didn't know what I still had to do, but I knew I wasn't finished…. not yet.

Wayson Choy also said “Not Yet.”

Not Yet is now the title of Wayson's newest memoir.  It follows the 1999 memoir, Paper Shadows, which was concerned with the ghosts and secrets of his adoption.

I got to know Wayson and his work while I was on the inaugural One Book One Vancouver program with his boyhood friend Larry Wong.  The Jade Peony was the perfect book and lent itself easily to create so many events to help make the book come alive for readers and participants.  We organized events for the library, coordinated with Asian Heritage Month, created “Jade Peony Tours” in Chinatown led by John Atkins, a reading at the Dr. Sun Yat Sen Gardens with pipa player Qiu Xia He of Silk Road Music.

But one of my favorite events was the “Dim Sum With Wayson Choy” for which Larry brought together friends of Wayson, that had inspired some of the characters to speak to the audience.  And Larry even surprised Wayson with a video greeting from Carole Shields, who was unable to attend due to cancer treatment.

But even with the impending death of Wayson's teacher, Carol Shields, few people knew about how close Wayson had come to death.  Jade Peony almost wasn't chosen because Wayson almost wasn't available. 

In July 2001, Wayson Choy suffered a combined asthma and heart attack that would put him in a coma.  He would later suffer a second heart attack in 2005.

Wayson's public talks are very accessible and intimate.  He shares openly his brushes with death, and his time in a coma, his discovery of issues about his adoption and birth parents.  Wherever he speaks, he always connects with the audience and they walk away touched by his generosity of spirit, knowledge and insight.

In 2002, the Asian Canadian Writers Workshop held their inaugural Community Builders Dinner during which Wayson and Paul Yee were both recognized along with special Community Pioneer Roy Mah.  Wayson told stories about being both intimidated and inspired by Roy Mah, the founder of Chinatown News.  It was a very special evening.  I was proud to be one of the event organizers, and especially to have pushed ACWW to hold an event to recognize Wayson's achievements.

In 2005, Wayson Choy's novel All That Matters, was a runner up for the 2004 Giller Prize.  With that came a whirlwind of more publicity tours and speaking engagements.  In the fall of 2005, he suffered a second heart attack.

As Wayson has been inspired, he in turn inspires others.  I am truly looking forward to reading “Not Yet.”

 Not Yet, by Wayson Choy

Wayson will be reading in the Vancouver area on

May 4th, 2009, 7pm

Tix $18/15

Capilano Performing Arts Theatre (2055 Purcell Way, North Van)


Heather Pawsey, Leslie Uyeda, perform at Bloedel Conservatory for a FREE event for Vancouver Cherry Blossom Festival


Heather Pawsey, Leslie Uyeda, perform at Bloedel Conservatory for a FREE event for Vancouver Cherry Blossom Festival….

Heather Pawsey has been a performer at Gung Haggis Fat Choy events since 2004.  Sometimes she brings flautist Karen Cernauskas.

Heather has been a pioneer of New Music in New Spaces, performing in places as diverse as Brittania Mines, a wine vat at Calona Winery, the Vancouver Aquarium and the Vancouver Crematorium at Mountain View cemetary.

Last year, Heather performed Historic Joy Kogawa House, with poems by Joy Kogawa set to music by Leslie Uyeda.
http://www.gunghaggisfatchoy.com/blog/_archives/2008/4/26/3661604.html

This looks like a fun event… and Free… to get into the Bloedel Conservatory at Queen Elizabeth Park.

Under Heaven's Dome
 


REVIEW: “The C-Word” play is full of c-words: Chinese, Canadian, colou-blind, change, characters… “C” it for yourself!

What is the C-Word that is the meaning of life?



The C-Word cast
(Foreground, from left): Preet Cheema (Akesh Gill), Grace Chin (Kelly Cho), Sheryl Thompson (Ashley Hennessey).
(Background, from left): Fane Tse
(Steve Chung), Raahul Singh (Pal Prasad). Photo by Terry
Wong, courtesy of The C-word.


The C-Word
  April 2, 3, 4, 9, 10, 11, 2009
written by Grace Chin


at the
Playwrights Theatre Centre on Granville Island, Vancouver

The C-Word is an engaging play… even before you sit down in the seats.  What is the C-Word?  Is it for  Chinese?  Or the derogatory Chink word?  Does it mean Coloured?  Is it a four letter word that belongs below the belt?  One for male appendage, or for female anatomy?

Is the C-Word something more abstract, profound and perhaps “Complicated”?

Or is it “Compassion” or “Cheating”?

In the opening scene, “The Love Guru” is giving a seminar on how to get some action for his male clients.  Pal Prasad (played by Raahul Singh), gives a short talk about goals, and what it takes to follow through.  It's about intention and going after what you want.  It could be any personal development seminar, but this is about the C-word.

Next we meet girlfriends Kelly Cho and Akesh Gill played by Grace Chin and Preet Cheema.  They are on a shopping trip and talking about Kelly's upcoming wedding plans.  Soon we learn that Kelly has a live-in boyfriend named Steve Chung (Fane Tse) who is a yellow guy, while Akesh is single, but she doesn't like brown guys.

Things become complicated when Steve goes to see his old friend Pal to ask for some advice, and compare his relationship and impending marriage with Kelly to Pal's long term “open relationship” to a blonde woman named Ashley (Sheryl Thompsson).  What follows becomes an intercultural Vancouver-style dramedy of errors, innuendo, suppositions on the study of relationships. 

Excuse me… the proper words are cheating, commitment, compassion, change, comic and consolation – after all this is “The C-Word.”

“The C-Word” is the third play by Grace Chin.  Twisting Fortunes was co-written with her TF Productions partner Charlie Cho, and was a delightful comedic romp, set to Vancouver's caffeine drive.  “The Quickie“, Chin's first solo playwright experience, explored multicultural speed dating.  “The C-Word” goes to the next level, exploring a search for meaning in relationships.  This is Chin's most frank and sexual play to date, and hints at the darker sides of relationships and human nature, not to mention weddings.

In all three productions, Vancouver's multicultural society is the setting, but it is the intercultural nature of the characters where the culture clashes occur.  It's not just a Chinese-Canadian 2nd generation immigrant experience that is explored, but also South Asian this time around too.  And somehow this is juxtoposed with what might be mainstream Canadian or possibly alternative sexual lifestyles.

From the beginning, the characters are all interesting and engaging.  The topics are easily relateable to the audience… unless you don't have any friends of a different ethnicity, or have never dated.  The pacing is good, and the diaglogue never flags.

The casting all works.  Raahul Singh has fun being the egotistical “Love Guru” and his character makes reference to the Mike Myers movie.  More cultural references abound as character development exploration occurs when Kelly and Ashley try to figure each other out, and what their men may see in each other.  Here the extremely self-critical Kelly tries to get a handle on the brazen Ashely, she labels a “Samantha” compared to her “Miranda” – or is she really a Carrie Bradshaw?  Grace Chin actually displays a bit of each of the Sex in the City characters in her role of Kelly.

Much of the action revolves around Kelly and Pal, but while Steve's character seems stalled and doesn't give Fane Tse a big range to play with, Preet Cheema gets to push her character Akesh in the 2nd Act.  Supporting actors Lili Lau Cook and Vincent Cheng provide wonderfully surprising turns as Kelly's parents.  Mel Tuck directs this ensemble cast.

Previous productions



a take-out love story

an accidentally Asian romantic dramedy

Web: www.scriptingaloud.ca/cword

See previews in Review Vancouver and Vancouverplays.com.


Robert Burns in a Transatlantic Context: SFU events FREE to the public

SFU Centre for Scottish Studies hosts a global Robert Burns conference
2009_January 178 by you.
The 250th Anniversary of Robert Burns birth, was celebrated at the Burns statue in Stanley Park with an small informal celebration organized by Todd Wong (red vest) and Dr. Leith Davis (2nd row with purple shawl, behind her front row daughter in red skirt) – photo T. Wong

How does the poetry and songs of Robert Burns affect Canadians in West Coast Vancouver?

Dr. Leith Davis, director of the Centre for Scottish Studies, Simon Fraser University, has organized a conference about the global Robert Burns – titled “Robert Burns in a Transatlantic Context.”

Leith loved attending the 2009 Gung Haggis Fat Choy dinner, and how we blended and juxtaposed Scottish, Chinese cultures with a Canadian twist and a seasoning of First Nations.  In planning her conference for Tartan Week, we wondered how to give a “Gung Haggis” experience to her conference attendees.  So for the Tuesday night evening of Robert Burns songs and poetry, A Musical Celebration of Burns in North America, she has invited Toddish McWong and Gung Haggis Fat Choy performers to give our “Rap to a Haggis”, a Chinese claper tale performance by Dr. Jan Walls set to a Robbie Burns poem, and a performance of Auld Lang Syne (with the first verse sung in Mandarin Chinese) augmented with our parade dragon and Chinese Lions.  Deep-fried haggis wontons will hopefully be served along with haggis on Tuesday evening. 

On Wednesday afternoon, I will be part of the Community Research Forum of “Burns in BC.” – where I will talk about the history and development of Gung Haggis Fat Choy, and how it inspired both a CBC TV television Gung Haggis Fat Choy performance special and the SFU Gung Haggis Fat Choy Festival.

2009_January 261 2009 SFU Gung Haggis Fat Choy Festival features “dragon cart racing” invented by yours truly – photo Todd Wong.

How did I first meet Dr. Davis?

After brief email introductions, I called her with the idea of a wreath laying ceremony at the Burns statue in Vancouver's Stanley Park to mark the 250th Anniversary of Burn's birth.

We emailed and talked by phone and organized some activities, but we didn't meet in person until after she had spent 2 weeks in Scotland for the 2009 Homecoming activities, and arrived back in Vancouver on January 25th, and came to Stanley Park for our planned event, which her husband and two children were already present at.

That evening she and her husband were guests of honour at the 2009 Gung Haggis Fat Choy dinner.  Leith gave “the immortal address” and marvelled at all the songs, guests, food and performances at the Gung Haggis Dinner, and especially at the impromptu ceremonial cutting of the haggis by Vancouver mayor Gregor Robertson.

Please check out the free public events for the:


SFU's Centre for Scottish Studies presents

“Robert Burns in a Transatlantic
Context”

 

Public events:

 

Tuesday, April 7th

Doors open at 6:30 p.m.; concerts starts at 7:00
p.m.

A Musical Celebration of 
Burns in
North America

Jon Bartlett and Rika Ruebsaat, 
“Burns Songs in BC”

Kirsteen McCue and David Hamilton, 
“Burns Songs Set by Serge Hovey”

Gung Haggis Fat Choy Performers

Scottish Cultural Centre,
8886 Hudson Street , Vancouver

 

Wednesday, April 8th, 3:00 – 3:30 p.m.

Michael Russell, Scottish Minister for Culture,
External Affairs
and the Constitution

“Connecting
Scotland and
the Scottish Diaspora”

Room 1425
SFU Harbour
Centre, 515 West Hastings Street ,
Vancouver


Wednesday, April 8th, 3:45 – 5:00 p.m.

Community Research Forum on 
“Burns in BC”

Room 2200
SFU Harbour
Centre, 515 West Hastings Street ,
Vancouver

 

Wednesday, April 8th, 7:00 p.m.

Lecture: Dr. Robert Crawford, 
“Writing Burns’s
Biography”

Room 1400,
SFU Harbour
Centre (reception to follow)

 

Thursday, April 9th, 3:00-4:30 p.m.

Workshop: “Connecting Diasporas: 
Scotland, Asia and the Caribbean ”

Room 2200, Harbour Centre,
515 West Hastings Street , Vancouver

 

All events are free and open to the public. 

Please contact Ron Sutherland to reserve a seat:

rsutherl@sfu.ca;
604-988-0479

 

Sponsored by SFU’s Centre for Scottish Studies;
the Social Sciences and Humanities Research Council of Canada; and the
Vancouver Burns Club

1st Writer-in-residence reading at Joy Kogawa House with John Asfour and guest Ann Diamond on April 6th

Writer-in-residence John Asfour welcomes novelist, playwright, and essayist Ann Diamond to read excerpts from My Cold War, stories from 1950s Montreal


2009_March 095 by you.

Montreal writer John Asfour met the Historic Joy Kogawa House Society at a board meeting March 23.  John (with dark glasses) stands beside life-size photo of Joy Kogawa used in the Royal BC Museum exhibit “Free Spirit.” – photo Deb Martin.

 

Monday, April 6, at 7:30pm, by donation

 

Historic Joy Kogawa House, 1450 West 64th Avenue, Vancouver

 

Ann Diamond's best-known work is a long poem, A Nun's Diary
(1989), which was adapted for theatre by Robert Lepage and became the
subject of a National Film Board documentary, “Breaking a Leg” directed
by Donald Winkler. Her first novel, Mona's Dance, was chosen by CBC as the best small press novel of 1988. In 1994, a story collection, Evil Eye, won the Hugh MacLennan Award for fiction. As an experiment, she self-published her novel Static Control after it had been accepted by DC Books and Les Editeurs XYZ.

 

Since 2002 when Diamond began work on her memoir, My Cold War,
she has reincarnated as a researcher and haunter of libraries,
fine-tooth-comber of documents and files, and explorer of a forbidden
chapter in recent Canadian history. This ongoing project has been, in
many ways, about reclaiming her own history as the daughter of a
Canadian Air Force intelligence officer, who came to Quebec from Sea
Island, BC, in 1943 to “hunt for Nazi spies.” Learning of her father's
secret activities led her inevitably into a wide-ranging study of the
history of that period, some of which remains classified to this day.

 

It
has also changed Diamond's relationship to the community she came
from–Anglo Montreal. It was a mixed blessing to live in a city with a
rich cultural tradition and a multi-layered history. By the mid-1980s,
when I began publishing fiction and poetry, Montreal had wandered off
the literary map of Canada. Diamond waged a personal campaign to change
that, writing for the Gazette, Books in Canada, Canadian Forum, CBC, Montreal Mirror, Room of One's Own, Geist, and so on.

 

Today
Diamond continues to study the history of Cold War experiments on
children, a secret program that spanned the country. Her birthplace,
Montreal, was the epicentre of a project that has altered our future in
countless ways which need to be faced. After five years of research and
writing, Diamond is pleased to shared those stories with a Vancouver
audience at Kogawa house.

 

Join us on Monday, April 6, at 7:30pm at Historic Joy Kogawa House, 1450 West 64th Avenue in Vancouver. Admission by donation.