Category Archives: Asian Canadian Cultural Events

Love and Marriage in the Year of the Dog? Will it be a Great Dane or a miniature poodle?


Love and Marriage in the Year of the Dog?

Will it be a Great Dane or a miniature poodle? a pure bred or a mongrel?

Lots of Chinese New Year stuff going on in Vancouver now, a radio media producer
called me yesterday and bounced some ideas about people wanting to get
married in the Year of the Dog…  because it is supposedly a good year
for marriage.

I told them that the Year of the Dragon is the best
year for getting married, but are people going to wait for another 6
years?  I got married in the year of the Sheep, supposedly great
for
domestic issue – but it only lasted for two years… but the
relationship had actually started in the year of the Rat.  Did it
make a difference?

When did the
relationship really start?  That should be the year of the
releationship – not the marriage ceremony.  Most people are more
concerned with whether they can get the Chinese restaurant for their wedding
banquet – which ultimately determines the date of the marriage. 

But is the Year of the Dog compatible to the individuals in the
wedding?  The dog year is the polar opposite to the Year of the
Dragon…  bringing out the best and the worst for a Dragon person,
akin to an anathema.  Dog years should be especially productive
and good for people born in the years of the Dog, Tiger and Horse,
according to trine theory… forming a equilateral triangle on the
zodiac wheel.

I was born in the Year of the Rat, and for awhile I emphasized meeting
women born in the Year of the Dragon, a very compatable sign for
Rats.  But although we were friends, the relationships never took
off… and the Year of the Dragon passed into the sunset.  Somehow
my most significant relationships have been with women born in the Year
of the Rooster, Rabbit and Tiger – not the Dragons or Monkeys predicted
in the compatibility tables of Chinese astrology books.

Also
an interesting twist would be the Hour of the marriage.  Do people get
married in the Hour of the Dragon, or the Hour of the Dog?  This would
be like the rising sign or ascendant in Western astrology – the sign
coming up over the horizon the moment you were born.  This is the
personality that you project to the world.  I have learned a lot about astrology from my friend and master astrologer John Rutherford, which I feature on my website here under Check Your Chart.

So… was the relationship born at the time of the wedding or when the couple first met?

John Rutherford tells me that astrology is all about
relationships.  The moment of baby's first breath is the
relationship with breathing and symbolicly linked to life itself. 
In western astrology there are relationships between your rising sign
and your sun sign, now relate this to the rising and sun signs or your
intended, than layer it upon the planetary coordinates of possible
wedding days.  Definitely a complex system, and not to be left to
stereotypes of happy loyal doggies.

Getting married in the “year of the Dog” and in the “hour of the
Dragon,” is
more like window dressing on the relationship.  It is important
for any relationship to be on good foundations.  Wedding
ceremonies, to me, is like “Grand Theatre” – there is a script, there
are the lead actors, theme music, a universal plot.  But then much in
Chinese
culture is symbolic, and about appearances and creating good intentions
– such as long life noodles, and good luck coin beef.

And of course there are “bragging rights”…. “We got married in the
Year of the Fire Dog, in the Hour of the Dragon…”  This is very
important for Chinese grandmothers.  Although I think that my
English speaking 95 year old “Poh-Poh”, born in Victoria BC and raised
in Vancouver, is more concerned that the couple be happy.  But
then, influencing happiness is what planning a wedding according to
astrology is all about.

The story links below show that 2006 will be the year of the Fire
Dog.  But will this be like the year of the Fire Horse (1966),
where many Chinese people did not want marriage or children, because
they would be deemed too spirited?

London Free Press – City & Region – Marriage flourishes in year of dog
lfpress.ca/newsstand/CityandRegion/2006/01/30/1417629-sun.html

Entering the Year of the Wedding – New York Times
Open this result in new window

Chinastic | The Year of the Dog Sees Marriage Rush
en.chinabroadcast.cn/974/2006/01/25/271@45779.htm

Year of Dog holds plenty of promise
www.canada.com/calgaryherald/news/neighbours/story.html?id=34b52a3e-a703-4c95-b5f2-94012de07513 – 38k –

The year of the dog- chinese horoscope – 2006
www.algonet.se/~anki-p/year-of-the-dog-2006.html – 65k – 31 Jan 2006

Chinese Horoscopes – The Dog
www.usbridalguide.com/special/chinesehoroscopes/dog.htm – 26k

People's Daily Online — Year of the Dog 'good for marriages'
english.people.com.cn/200601/25/eng20060125_238135.html – 23k –

Eve and the Fire Horse: child's view of the world pokes questions at multicultural dichotomies



Eve and the Fire Horse:


child's view of the world pokes questions at multicultural dichotomies

There is deservedly lots of buzz happening for Eve and the Fire Horse.  Writer/Director Julia Kwan and her crew have just won the Sundance Special Jury Prize.  Film critic Roger Ebert called the movie “the most beloved film at Sundance.”  Pretty darn good for Julia Kwan's first full length movie, shopping itself for a US distributor at the most influential independent film festival.

Many people have said they relate to the film's stories and characters, regardless of ethnicity.  The two sisters speak English to each other and the younger 9 year old Eve also narrates. Phoebe Kut stars as the central figure Eve, and Hollie Lo plays her older sister Karina.  Their parents speak Cantonese Chinese to them, the kids answer in English.  This is not a theatrical device – Julia Kwan says this is typical of many immigrant families. This could be any first and second generation immigrant group as they adapt to wherever they are now settled.

The Year of the Fire Horse is a special type of person born in the year of the Horse.  Each of the 5 elements Earth, Metal, Water, Air and Fire give a special additional quality to the Chinese zodiac animal.  Fire Horse year was 1966, and the children are supposed to be especially spirited and stubborn, and even troublesome.  This personality trait for Eve helps to move the film forward as well as help create a wonderful title, movie logo, and release date for Chinese New Year.

The kids also struggle with making friends, settling in with their peer group, and finding a way to reconcile their family's buddhist beliefs with the Christian elements in Canadian North American society.  The film opens with a Chinese New Year dinner where clashes between superstitions and common sense can be questioned through the children's comments and explanations of traditions.  Along the way we meet a small caucasian girl who is picked on by the school bullies and called “PWT”, explained by the 11 year old older sister Karina to Eve, as “poor white trash.”

“Are we poor white trash?” asks Eve.

“No… we're not white.” Karina answers.

There is something special about how 9 year old children struggle to make sense of the world and it's seeming dichotomies.  Julia Kwan allows viewers into the world of Eve, as she is allowed flights of imagination in her conversations with the Chinese goddess of the kitchen, the statue of Buddha, and their new room mate Jesus, as the girls now start going to Catholic Sunday School. 

“Two gods in the house must bring better luck than one,” thinks the logic of their mother May Lin Eng, played wonderfully by Vivienne Wu.

The film follows a series of incidents such as an uncle going to the hospital after choking because he refused to spit out his “long-life noodles,” the unexpected death of a grandparent, and a hospital procedure for their father.  This allows Phoebe to wonder about how the world works, through reincarnation, funerals, hospitals and Sunday School.

There are so many episodes that I could relate to from my own life: such as being asked in Grade 5 by a school friend to attend a social event, that turns into a education session about Jesus Christ; recalling the funerals and times of passing of my paternal grandparents who always spoke exclusively in Chinese to me – even though I could only speak English.  And then there is the delight of Eve recieving her very first pet – a gold fish!  Eve and her fish – this is one of the most delightful scenes in the movie, as Eve's imagination takes flight.

image
After the Vancouver Chinatown New Year's parade I hang with my new friends, producer Yve Ma with his daughter on my left, and actor Phoebe Kut and her friends on my right – photo Deb Martin.

Chinese Lunar New Year 2006 in Vancouver Chinatown

Chinese Lunar New Year 2006 in Vancouver Chinatown

The Chinese New Year parade in Vancouve's Chinatown is now Vancouver's longest continually run parade, since the demise of the PNE parade.  Lots of action abounds as the many martial arts clubs all let loose their Lions to the streets.  Along the parade route, some of the Lions will approach different stores and restaurants hanging lettuce as an offering to the Lions.  After the parade, hang out on Pender and Keefer Streets afterwards as the Lions will roam the streets and even venture along Main St in search of lettuce and li-see (lucky red envelopes with money).  If you are lucky, you may see people lean out the 2nd or 3rd floor balconies with a lettuce hanging from a stick.  The lion may even try to climb up the building to get the lettuce to the loud applause of the crowd.

This year's parade featured the return of the Salvation Army Band, bangra dancing, the Carnival Band, and Brazillian dancers – but sadly no dragon boat.

I have never ever been a participant in the Chinese New Year Chinatown parade before, but this year I had 2 offers to join friends in Chinatown Revitalization Committee (Chair Glen Wong is an old childhood friend of mine), and the Dances With Dragons group (First Nations and Chinese supporters organized by Bill Chu).  I chose instead to just watch and enjoy the parade with my girlfriend.  It was amazing how many people we bumped into that we knew.


Todd Wong with friends City Councillor Suzanne Anton and dragon boater Patrick Couling – photo Deb Martin

First of all I bumped into Glen Wong with his young son – both dressed up in Chinese jackets.  Next was Patrick Couling, one of my early dragon boat mentors, then City Councillor Suzanne Anton – who had attended the previous week's Gung Haggis Fat Choy dinner.


“Eve & the Fire Horse” group promote the film, as actor Phoebe Kut hands out fortune cookies – photo Todd Wong

We walked past and through the parade assembly area and I greeted friends with their different groups.  I bumped into my 2nd cousin Nick with his two young sons and their martial arts club, as the club got ready to drum and do Lion Dances.  I met up with Wing Siu Wong, and young son Andy who came and greeted me saying “Toddish McWong!”  They were with the group for “Eve and the Fire Horse.”  Producers Yves Ma and Erik Paulsson were there with the group holding up a big banner sign.  Young actor Phoebe Kut was there too!  After the parade I had a great chat with Yves and learned that we had other friends in common when his young daughter asked me “Are you Jessica's friend?”

Here
I am with the parade crew from “Eve and the Fire Horse”:  actor Phoebe
Kut is delightful – she is on my right.  producer Yves Ma is on my left
with his daughter – who remembered meeting me the week before at the
Firehall Arts Centre.  What a small world! – photo Deb Martin.


“Eve and the Fire Horse” wins Special Jury Prize at Sundance – very auspicous Chinese New Year's Eve




“Eve and the Fire Horse” wins Special Jury Prize
 
at Sundance Film Festival
 
– very auspicious Chinese New Year's Eve

“About 45 minutes ago, we recieved a phone call from Sundance,” said Yves Ma, one of the producers of the independent film Eve and the Fire Horse. “You are the first people to hear this news, outside of us…  We've won the Special Jury Prize.”

Phoebe Kut, who plays “Eve” in the film stood at the front of the theatre with produces Shan Tam, Erik Paulsson and Ma.  They were taking part in a Q&A organized by Anita Adams for First Weekend Club at Fifth Avenue Cinemas in Vancouver.  The 7:25 pm show had ended to audience applause, and all three people were very happy to share their news and stories from Sundance.

“There was lots of free stuff,” said 11 year old Phoebe answering the question “What was Sundance like?” 

“We were the only Canadian film at Sundance, the Canadian Consulate hosted our opening night party and sent two mounties to help us make a splash. We got these nifty jackets sponsored from Telefilm Canada… we got on a bus and people would say “It's the Canadians and start singing O Canada,” shared Paulsson.  All four of them turned around showing off their beautiful jackets and vests – black with a red chinese paper cut design of a horse as the logo.

“We were very fortunate, the buzz started early.  People were lining up to see the show and talking about it.  Roger Ebert's review was great!” said Ma.

I asked them what attracted them each to the film project.  Ma was the first to respond.

“It was such an honest story,  I could relate to it as an immigrant,” said Ma who is Taiwanese-Chinese on his father's side and Parisian French on his mother's side, “It is partly autobiographical for Julia, but the characters are very strong.  Some parts are dramaticized.  I just knew I wanted to be part of it.”

“I knew Julia from film school,” piped in Paulsson.

Sham Tan explained that both of the young actors that played the young girls who are the central characters of the movie, had never acted before.  In each case, another sister or friend had seen the ads calling for actors, and both Phobe Kut and Hollie Lo were “tag-a-longs” who were eventually cast.

Tomorrow the cast and crew will be parade entry #46 in the Vancouver Chinatown Parade.  They will be giving out special custom made fortune cookies.  Look for the group wearing black and red, with big big smiles.

Below are some links to stories about  Eve and the Fire Horse. including a picture of Julia Kwan recieving the Special Jury Prize at the Sundance Festival in Park City Utah, earlier this evening.


Especially check out: Julia Kwan blogs her “Sundance experience” for CBC
http://www.cbc.ca/arts/film/sundancediaryday7.html

7:39 2 World Cinema Special Jury Prizes, to two first time filmmakers: Eve and the
Firehorse

http://www.cinematical.com/2006/01/28/sundance-2006-awards/

Julia Kwan at Sundance accepting Special Jury Prize Award for Eve and the Fire Horse

Standing behind her is actor Shirley,  Eunhee Cha – associate producer and Tom Brown – executive producer.   Eunhee directed the award winning documentary “Tribe of One” about my cousin Rhonda Larrabee.


JULIA KWAN’S “EVE AND THE FIREHORSE”
gathering major buzz
Featured on the current cover of
Vancouver
’s Georgia Straight is a great way to start off Chinese New Year festivities this week for film maker Julia Kwan.  The timing is perfect for Kwan, since the film opened in Canadian theatres on Friday January 27. Check out the Straight story at
http://www.straight.com/content.cfm?id=15554

Roger Ebert's review “One of the most beloved films at Sundance.”

http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20060123/

FILMFESTIVALS05/601230302


Globe & Mail review

http://www.theglobeandmail.com/servlet/story/RTGAM.20060127.wxeve27/BNStory/

Entertainment/?page=rss&id=RTGAM.20060127.wxeve27

The Park Record

http://www.parkrecord.com/todaysheadlines/ci_3433757


Vancouver Chinatown Parade Sunday Jan 29, 2006

Vancouver Chinatown Parade Sunday Jan 29, 2006

This is a Vancouver Chinatown tradition that started in the 1970's to highlight Chinese Culture in Chinatown.  The Parade has really grown as a combination of  things happened:

New waves of Chinese immigrants
Acceptance of multiculturalism and going out to see and promote such events
Revitalized parade reaches out to many community groups

Expect to see Brazilian dancers, a dragon boat on a trailer, First Nations dancers… and of course the usual Lion Dances and a Dragon Dance.

First Nations dancers?  My friend Bill Chu organizers “Dances with Dragons” bringing together First Nations and Chinese Community groups.  Historically there have been many intersections of Chinese and First Nations, some starting when Chinese railroad workers assimilated into First Nations groups and married First Nations women.  This was also due to the lack of Chinese women in Canada because of the head tax and exclusion act.

I have friends that grew up amongst the First Nations in Alert Bay, and of course my mother's cousin Rhonda Larrabee is Chief of the Qayqayt Band (New Westminster) because her father Arthur Lee, married a First Nations women named Marie.  Check out the NFB film “Tribe of One” which tells the story of how Rhonda Larrabbee applied for, recieved Indian Status after initial rejections, then went on to revitalize the Qayqayt tribe.


Gung Haggis Fat Choy goes Montreal via Maisoneuve Magazine/website

image
Gung Haggis Fat Choy goes Montreal

via Maisoneuve Magazine/website

Check out this interview I did for Maisoneuve Magazine with writer Christopher DeWolf

PIPING IN THE (CHINESE) NEW YEAR

HOW VANCOUVER’S CHINESE NEW YEAR CELEBRATION IS PROMOTING INTERCULTURALISM IN CANADA’S WESTERN METROPOLIS
http://www.maisonneuve.org/index.php?&page_id=12&article_id=2030

Christopher DeWolf writes about the different ways Chinese New Year is
being celebrated in Vancouver – but I will just get to the good stuff
here.  Click on the links to visit the full article at Maisoneuve Magazine

This much is obvious when you talk to Todd Wong, the cheerful founder of Gung Haggis Fat Choy,
one of Vancouver’s newest and most intriguing cultural events. It all
started when Wong was a student at Simon Fraser University. “I was
asked to participate in the Robbie Burns Day celebration and nobody
wanted to. Nobody wanted to wear a kilt! It was too strange, it was too
weird. But I realized this is a multicultural statement. You’ve got a
fifth-generation Chinese-Canadian wearing a kilt. It really put a flip
on the stereotypes.” That was in 1993. Over the next several years a
series of small dinners with friends based around the
Chinese-cum-Scottish theme eventually ballooned into what is now a
600-person banquet featuring a twelve-course dinner, big-name guests
and a number of fun and prominent performers. Traditional Chinese New
Year dishes are served for dinner but the real star is the haggis which
finds itself transformed into wontons, lettuce wraps and spring rolls.
The cross-cultural culinary experience is upstaged only by the list of
entertainment. This year the long list of talent includes iconic
Japanese-Canadian author Joy Kogawa, who will speak to the audience
some time after Lala, a Chinese-Canadian artist who blends soul and hip
hop with traditional Asian and Canadian music, has performed. “We have
to have fun with multiculturalism,” says Wong.

But Gung Haggis Fat Choy isn’t just about multiculturalism; it’s about interculturalism.There’s
a fine but important distinction between the two. “It’s like a
marriage,” explains Wong. “When you have an intercultural marriage,
somebody’s actually coming into your family. For me, all my cousins on
my maternal side and half my paternal cousins have interracially
married. So we celebrate and everyone in the family is included.”
That’s a pretty apt metaphor for Vancouver, even in a literal
sense—last year, Statistics Canada determined that Vancouver is home to
the largest proportion of mixed-race couples in Canada. Vancouver’s
character is being built around cultural blending and exchange. “In
Vancouver’s search for its own identity, everybody gets to express
their own. We don’t have a long history—we are creating our history and
identity in this moment,” adds Wong.

Perhaps
inevitably then, in our lovely land of order and good governance, comes
the question of how to enshrine part of that identity in a legal sense.
Last year, a debate in Vancouver’s Chinese media about whether to make
the Lunar New Year a public holiday made it into the pages of the Vancouver Sun,
which asked, “Is it time to make it official?” Vancouver’s schools
already throw multicultural New Year celebrations and, last year, all
of the city’s high schools and half of its elementary schools closed
for Lunar New Year. So why not make it a public holiday? Both
Wong and Leung are skeptical. “It’s unfair to other cultural groups to
isolate a Chinese holiday,” says Leung. Wong concurs. “I think that it
is better presently to continue the status quo,” he says. “Should St.
Patrick’s Day and Robbie Burns Day become official holidays? Or Diwali?
or Persian New Year?”

They have a point, but
it’s helpful to remember that, unlike Robbie Burns Day or even Diwali,
the Lunar New Year is celebrated by a huge number of Vancouverites. Not
only is it a traditional festival for the Chinese, Korean and
Vietnamese population, many non-Asians celebrate it by attending
parades, the CFCC fair or by simply getting together with friends for
dinner. Making it a public holiday in Vancouver would be an important
symbol of the city’s dynamic character, one that is just as Asian as it
is European. Still, making the Lunar New Year a holiday would
ultimately be a token gesture; Vancouver’s character will continue to
evolve regardless. “When I travel through Vancouver,” says Wong, “to me
it’s intercultural. I don’t want to go to all the traditional dances
and all that; I want to see what’s exciting. How do we create our own
culture? How does Vancouver create its own identity by drawing on all
its ethnic ancestries?”

The answer will be
something for future generations to discover. In the meantime, have a
good Year of the Dog. Gung Hay–er, Haggis–Fat Choy!

Maisoneuve Magazine

Push Festival: Sexual Practices of the Japanese – created by Maiko Bae Yamamoto, Hiro Kanagawa, James Long and Manami Hara

Push Festival: Sexual Practices of the Japanese – created by
Maiko Bae Yamamoto, Hiro Kanagawa, James Long and Manami Hara

Maiko Bae Yamamoto, Hiro Kanagawa, James Long and Manami
Hara have been creating interesting theatre productions in Vancouver
for the past few years.  Hiro's well-received Tiger of Malaysia
was presented at Richmond's Gateway Theatre last May during Asian
Heritage Month.  I have seen Maiko in numerous productions such as
The Concunbine's Children and she has also read some of her works at
readings organized by Asian Canadian Writers's Workshop.  This one
looks very cool.

THEATRE REPLACEMENT (Vancouver)

Sexual Practices of the Japanese
Written
by Maiko Bae Yamamoto, James Long, Manami Hara and Hiro Kanagawa
Vancouver East Cultural Centre / PuSh co-presentation

Jan 24-28 8pm
Vancouver East Cultural Centre

Post-Show Talkback Wednesday January 25
Directed by James Long & Maiko Bae Yamamoto

Sound Design Veda Hille & Lee Hutzulak

Costume Design Barbara Clayden

Lighting Design Jonathan Ryder

Stage Manager Kelly Barker

Technical Direction Colin Cooper

Performers Maiko Bae Yamamoto, Manami Hara, Hiro Kanagawa

A
scintillating peek into the world of common stereotypes surrounding
Japanese culture. This sometimes-irreverent trilogy of interweaving
one-acts takes us from a crowded commuter train to one of Tokyo's
infamous love hotels and touches on office politics, work parties and
Seattle Mariners star fielder (and Japanese icon) Ichiro Suzuki. Each
of the plays in this trilogy takes a specific stereotype and examines
it, then stretches it further in an attempt to explode the
preconception and discover the universal truth behind it.
“James Long and Maiko Bae Yamamoto are two of the most talented young theatre artists in the city.”
—Jerry Wasserman
Considered
one of the most exciting theatre companies in Vancouver, Theatre
Replacement's productions and presentations focus on developing and
maintaining a national and international network of venues, creators
and performers. They aim to redefine the performance experience with
their own work and the work of visionaries from around the world.

Janice Wong featured on Fanny Kiefer Show Friday on Shaw TV Cable


Janice Wong featured on Fanny Kiefer Show Friday on Shaw TV Cable


Studio
4 broadcasts in the Lower Mainland (except Delta) on Shaw TV Cable 4
Live at 9:00am weekdays repeating at 1:00 pm, 4:00 pm, 9:00 pm, 2:00 am


In Victoria on Shaw TV Cable 11 4:00pm weekdays (with a one-day delay) 

In the Cowichan Valley on Shaw TV Cable 4 4:00pm Weekdays

Studio 4 with Fanny Kiefer is only available on Shaw TV 

Interviews, Kogawa House, Gung Haggis Fat Choy taste testing, Bryan Adams

Wednesday prior to Gung Haggis Fat Choy

Busy busy days leading up to Gung Haggis Fat Choy dinner event
now.  CBC Radio Freestyle called in the morning to find out more
about the dinner and to set up an interview for Friday morning to be
broadcast on Friday afternoon, January 20th.

The Courier newspaper phoned me, asking me questions about the status
of Kogawa House, and how the fund raising was going.  Still slow
on the major fronts, but The Land Conservancy is setting up some
displays in major book stores throughout Vancouver.  The Gung
Haggis Fat Choy dinner is donating partial proceeds to Kogawa House,
because “it is so dear to my heart,” and I have now set up Joy Kogawa
to be keynote speaker at the “Order of Canada/Maple Leaf” luncheon for
the Canadian Club.

I attended a meeting with new Vancouver City Councilor Kim Capri,
regarding status of Kogawa House.  She gave us some great contacts
and idea, as well as a donation.  While at City Hall, Ann-Marie
Metten and I bumped into Councillors Raymond Louie and David Cadman,
who had both voted to support Kogawa House back on Nov. 3. 
Raymond is coming to the Gung Haggis Fat Choy dinner, so we gave him
his tickets, as well as dropping off tickets for Councillor Elizabeth
Ball, Suzanne Anton, BC Lee, Heather Deal, George Chow and Mayor Sam
Sullivan.

Chuck Lew, the organizer of the Chinatown Lions Club, phoned me back to
tell me that their annual “Haggis Night dinner” is on Thursday January
26th.  It's at the Floata I think.

We had taste-testing at the Floata Restaurant for the Gung Haggis Fat
Choy dinner tonight.  Attending was Roland Tanglao of
www.vaneats.com, chef Stephen Wong, dragon boat team members Dave
Samis, Daming and Deb Martin.  CBC radio reporter Margaret
Gallagher also dropped in to pick up some haggis won ton to use in an
on-air segment of “What's going on” and to give away 2 tickets for Gung
Haggis Fat Choy on 690 to Go!  More on our taste testing
tomorrow.

While at the Floata Restaurant, Mayor Sam Sullivan phoned me to check
on his part in the dinner.  Sam loves Chinese culture, and he
informs me that he has selected a short Tang dynasty poem to read in
Cantonese.  We have a short chat about how when he was in Grade 9
at Vancouver Technical Highschool, I was there in grade 8.  I tell
him we have a table of '77 and '78 Van Tech grades attending.  Sam
also gives me the lowdown on what is required to get him and his
wheelchair onstage at the Floata Restaurant.  We will need a
ramp.  Vancouver Mayors get invited many times a month to attend
events at Floata, especially as Chinese New Year approaches.  We
need a ramp.

Then we headed over to the Vancouver Public library, for a reading by Janice Wong, author of Chow from China to Canada: Tales of Food and Family.  Janice does a great presentation using a lap top
computer to do a slide show of family pictures, describing family
history and her father's restaurants in Prince Albert, SK.
Chef /food columnist Stephen Wong, Historian Larry Wong and myself join
Janice for a panel discussion about food, Chinatown restaurants,
Chinese Canadian history, and family.  I tell the story about how
I invented haggis won ton for a CBC Radio reception welcoming Shelagh
Rogers and Sounds Like Canada to Vancouver.  Stephen talks about
the origins of Chinese dumplings.  Larry talks about apple tarts
from the old Chinese restaurants.  Roland Tanglao of www.vaneats.com  posted Stephen Wong's Chinese restaurant picks

Then at 9pm, I am off to the Bryan Adams
concert.  Great concert.  Almost everybody is singing along
to every song.  The energy is high.  There is an octogenarian
couple sitting on the aisle seats on our row.  They are mouthing
the words to “Cuts Like a Knife” – hmmm I wonder if they are Bryan's
parents or relatives.  Adams finishes his first encore, then comes
back for a second encore with only an accoustic guitar.  He plays
about 5 songs unplugged.  What a great way to conclude a
concert.  Everybody is singing along to Heaven, Best of Me. All
for One, Room Service, Straight From the Heart.

CHOW + Wong X 4 = Chef Stephen wong joins panel discussion on CHOW at VPL



CHOW + Wong X 4 = Chef Stephen wong joins panel discussion on CHOW at VPL

Wong,
Wong, Wong and Wong: Not a secret Hong Kong Triad but a Vancouver food
and history Quartet (we sound very dangerous, don't you think?)


Chef
Stephen Wong has now been added to the panel discussion on Chinese
food, life and restaurants for Janice Wong's presentation of CHOW From
China to Canada: Memories of Food and Family.


7:30pm
January 18th, 2006
Vancouver Public Library
Alice Mackay Room
Free
Janice
will make a slide show presentation about her 4 generation family
history, and her father's restaurant in Saskatchewan.  I am
Janice's 2nd cousin – once removed, so I am 5th generation.  Maybe
I will bring the Rev. Chan Legacy photo display, so we can see the 6th
and 7th generations too!

Janice
found an image of a very secretive, dangerous Bela Lugosi…(love the
cauldron and the extremely long chopsticks).  This is a
publicity poster from one of Great-Uncle Luke's films that Janice is
including in her presentation so she can read the little bit about the
preacher's son who made his way to Hollywood acting in films such as
The Good Earth, and starring in “The Mysterious Mr. Wong.”


Stephen Wong
is a Hong Kong-born chef, restaurant consultant, writer and food
ambassador. He contributes to the Vancouver Sun as well as national and
international food periodicals and books. Since 1978 Stephen's
groundbreaking ideas and creative influence have enhanced the
reputations of many B.C. restaurants. He is in demand as a guest chef
in the U.S., Japan, China and across Canada.


Larry Wong is the president of
the Chinese Canadian Historical Society, and the executive director of
the Chinese Canadian Military Museum.  He is also a childhood
friend of author Wayson Choy, and Larry was on the inaugural One Book
One Vancouver committee. Larry was born in Vancouver's Chinatown where
he spent his first 25 years. He is a retired federal civil servant and
has always had a keen interest in Chinese Canadian history. He has been
published in the Vancouver Sun, The Beaver magazine, the British
Columbia History magazine and is presently working on a series of
stories about growing up in Chinatown.


Todd Wong is perhaps best known
as the media mogul behind Gung Haggis Fat Choy. The yearly CNY/Robbie
Burns Day dinner is Todd's creation.  Todd loves Chinese Canadian
history and culture, and when he was invited to present a welcome gift
to Shelagh Rogers and the Sounds Like Canada CBC Radio program crew….
Todd invented haggis won ton!

Janice Wong is an award winning
Vancouver visual artist.Her most recent exhibition was held in Split,
Croatia in September, 2005.  Her long fascination with her rich
multigenerational Canadian family history inspired her to write
CHOW.  Since its publication, Janice has been a much in demand
author for local and national radio and tv media including CBC's Sounds
Like Canada, North by Northwest and Pacific Palate, City TV's City
Cooks, Toronto's Breakfast TV, Shaw Studio 4, and print media including
The Richmond Review, The Georgia Strait, New Brunswick Reader, Rice
Paper Magazine