Category Archives: Vancouver Heritage and History

Finding your head tax tax certificate documentation at the Vancouver Public Library.


Finding your head tax tax certificate documentation at the Vancouver Public Library.




The Vancouver Public Library's
History Division has created a wonderful information sheet on how to
search for your head tax documenation on micro film. 


http://www.vpl.ca/ccg/Head_Tax_Info.html



The
Vancouver Public Library has created a wonderful website for Chinese
Canadian Genealogy, check out theses links to many of its features.


History & PioneersChinese-Canadian heritage



ChineseNamesTraditions and characteristics of Chinese names



Family Sources, Interviews and heirlooms



Documents & Records Archival and published information about your family





The following excerpt is from the VPL website – check out the full website at

http://www.vpl.ca/ccg/Head_Tax_Info.html

Chinese Head Tax

Introduction

Many
Canadians of Chinese origin are interested in finding records of the
head tax paid by their immigrant ancestors. This guide is designed to
help in the search for this information.

Historical Background

The
head tax on Chinese Immigrants was introduced by the Dominion (federal)
government in the Chinese Immigration Act of 1885. Initially, an amount
of $10 was proposed, but due to anti-Chinese agitation, this was
amended to $50 before the bill's final passage. The Chinese Immigration
Act of 1900 (which went into effect on January 1, 1902) increased the
tax to $100, and finally, in the Chinese Immigration Act of 1903, it
was raised to $500. Some Chinese were exempt. For example, under the
1903 legislation, there were six classes of persons who did not have to
pay: merchants and their families, diplomats, clergymen, tourists,
students, and men of science.

Efforts
to control Chinese immigration, including the administration of head
tax, were overseen by a federal Chief Controller of Chinese
Immigration. The Chief Controller's Department documented Chinese
immigration in detail, generating a large amount of corresponding
paperwork, including certificates, registers and other records. These
are held by Library and Archives Canada. Copies of selected records are
also available on microfilm at a number of libraries and archives
across Canada, including the Vancouver Public Library.

see more at http://www.vpl.ca/ccg/Head_Tax_Info.html

Paul Yee and his book “Saltwater City” featured for CBC Studio One Book Club

Paul Yee and his book “Saltwater City” featured for CBC Studio One Book Club


I first met Paul Yee back in 1986.  He was a very unassuming man
of quiet intensity.  My older cousin Hayne had invited me to
become involved on a project celebrating 100 years of Chinese Canadian
history in Vancouver.  It was to be the Chinese community's
contribution to the Vancouver centennial celebrations.


It was a
turning point in my life.  I learned lots about Chinese Canadian
history, and it helped my own family history to come more alive for
me.  There were mentions about my Great-great-grandfather's
involvement with the Chinese Methodist Church, Rev. Chan Yu Tan. 
My cousin Joni Mar was mentioned as one of the first Chinese Canadian
television news reporters.  And my Uncle Daniel Lee loaned his
Airforce uniform and medals for the exhibit.

I helped to paint some of the displays, bang nails, hang things up, and
I met some great people.  Rah Mah was a graphic designer who went
on to found his own company, Leap Creative.  Elizabeth Sheffrin
was a textile artist who became the event manager.  Elizabeth
Johnson was a curator at the Museum of Anthropology.  David Wong
was an architectural student who later founded his own company. 
Joyce Lam was volunteer coordinator and later founded Vancouver Asian
Canadian Theatre.

During the exhibit I helped to provide information on the exhibit, and
give people tours.  When nobody came through, I sat and read
Paul's books “Teach Me to Fly Skyfighter,” and “Curse of Third Uncle.”


In 1989,
Douglas McIntyre published Paul Yee's “Saltwater City.”  I
remember attending the book launch at the Chinese Cultural Centre
boardroom.  I have a picture of myself with Paul – my head is bald
due to the chemotherapy treatment I was going through at the time.

Over the years, I have attended many of Paul's readings and book
launches in Vancouver.  He is an amazing presenter with a very
good speaking style.  In September 2002, I was on the board of the
Asian Canadian Writers' Workshop, and we presented Paul with a
Community Achievement award.

On May 17th, Paul Yee will be presenting a newly revised edition of
“Saltwater City” for the CBC Studio One Book Club – see information
below.


Hope to see you there….

See below for informaiton from the CBC Radio website on how to enter.
http://www.cbc.ca/bc/bookclub/paulyee.html


CBC Radio One, The Georgia Straight, The Vancouver Readers &
Writers Festival, The Vancouver Public Library, and explorASIAN are
pleased to present…
Paul Yee - Saltwater City: The Story of Vancouver's Chinese Community
Paul Yee with Saltwater City: The Story of Vancouver’s Chinese Community
Wednesday, May 17, 6:30 to 8:00 p.m.
CBC Radio Studio One
700 Hamilton Street, Vancouver
Paul YeeCome
celebrate the completely redesigned and revised edition of this
best-selling landmark book, first published in 1988, which told the
epic story of Vancouver's Chinese community and its extraordinary
growth from marginal to centre stage in a new world order. The new
edition includes the years 1987 to 2001, when Vancouver’s Chinese
population grew rapidly.
The text
resonates with often painful first-person recollections and includes
200 photographs, most reproduced for the first time, to form a
chronological portrait of the community from its earliest beginnings to
the present. With the assimilation of its people into the mainstream of
Canadian life following World War II, Saltwater City, as early Chinese
immigrants called the community, was threatened, but changes in
attitude, government policy, and the opening of diplomatic relations
with China instead caused a renaissance. Now, Vancouver's Chinese
community enjoys considerable political and financial influence and has
matured beyond recognition into one of Canada's most successful ethnic
enclaves.
Paul Yee, a third-generation
Chinese-Canadian, was born in Saskatchewan, grew up in Vancouver’s
Chinatown, and worked for the Vancouver City Archives before moving to
Toronto in 1988. He has written several fiction, non-fiction, childrens
and young adult books. His latest books include Bamboo, Chinatowns in Canada, and Is This Screwed, Or What?.
The
CBC Studio One Book Club is an intimate gathering of ONLY 120 audience
members. It is hosted by Sheryl MacKay of CBC Radio and John Burns of
the Georgia Straight, and is recorded for broadcast on North by
Northwest and other CBC Radio programs. Microphones are set up for
audience questions. We encourage you to join in, your participation in
the CBC Radio Studio One Book Club is an important part of the
broadcast. This is your chance to talk to Paul Yee about his books,
fiction and non-fiction, his work as an archivist, his history and more!
The only way to get in, is to
win!
For
your chance to win two tickets to be part of this Book Club, tell us
(in 200 words or less) why you would like to be in the audience to meet
Paul Yee.
Or fax: 604-662-6088 *
Or mail: CBC Studio One Book Club *
P.O. Box 4600
Vancouver, B.C.
V6B 4A2
* Don't forget your name and daytime telephone number.
Entries close midnight, Sunday, May 14, 2006

All winners will be notified by email. Each winner will receive two tickets. No tickets available at the door.

Vancouver Storyscapes: Where the Chinese met the First Nations peoples


Vancouver Storyscapes: 
Where and when the Chinese met the First Nations peoples

On Friday, I had the pleasure to be part of the first Chinatown storyscapes
event bringing Chinese and First Nations peoples together and sharing
stories.  Storyscapes began as a project to discover and tell the
First Nations stories of Vancouver, growing out of the Aboriginal Art
program with Kamala Todd, Aboriginal Social Planner for the City of
Vancouver. I had been contacted by researcher Diana Leung, one of the
“story gatherers,” who was looking for stories of interactions between
Vancouver's Chinese and First Nations.

It
has been said that to know who we are, we need to know the stories to
which we belong. When you are an Aboriginal person living in the city,
it can sometimes be difficult to connect to your stories.

Vancouver.
This land is layered with ancient history, important happenings,
valuable teachings, and sacredness. But it’s not always easy to see
amongst the streets and buildings, signs and commerce of the city. Much
was erased with the colonial building of Vancouver. The stories and
cultural landscapes that have greatest visibility tend to be those of
the dominant Anglo culture. Consequently, many residents and visitors
have limited knowledge of the incredible depth of stories here on this
land. The roots we all share go much deeper than 200 years.

The
land and waters can tell you a great deal—stories about generations of
seasonal movements, animal paths, stream meanderings, abundant riches.
Likewise there is much to be learned about the knowledge,
contributions, struggles, and everyday lives of Aboriginal people
here—both the indigenous Coast Salish people and the diversity of urban
Aboriginal people who have made this place their home.
   
              
              
              
              
            –
  from the Storyscapes description

The Storyscapes team introduced themselves:  Kamala Todd and George Hui are the project leaders, with
Tania Willard, Project manager;  Helen Ma, Planning
Assistant;  Storygatherer/researchers are Terry Point, Mandy
Nahanee, Michelle Mah (Fred Mah's daughter), Diana Leung with Karen
Henry, Public Art Consultant.

We were at the SUCCESS Hall, on Pender St., right beside the Millenium Gate,  How fitting that one of the special guest panelists was Vancouver architect Joe Wai
(my cousin), who is considered one of Chinatowns heritage guardians
according to Vancouver Magazine October 2005 story, “Chinatown
Calculations.”  Wai said our grandfather had come to Canada in the
1800's, and that he came as an young immigrant.  Wai said he had
more questions than stories, and acknowledged the early history of
Chinese pioneers such as the voyages of Chinese admiral Zheng He in 1421, and the first recorded landing of Chinese artisans at Nootka Sound with Captain John Meares.

Just before we got started, I asked Larry Grant
if he'd ever been mistaken for being Chinese.  He told me he was
half-Chinese and had grown up on both the Musqueam Reserve and in
Strathcona neighborhood.  His former sister-in-law is former
Musqueam Chief, Wendy Grant.  Larry gives a welcome in his
language, and speaks very thoughfully and gentlely.  He
acknowledges the ancestral Musqueam land, and Qayqayt lands, nodding to
Qayqayt Chief, Rhonda Larrabee sitting beside him. Larry shares some of
his stories and experiences growing up.

Rhonda Larrabee grew up in Vancouver Chinatown/Strathcona, thinking she was Chinese, a descendant of Rev. Chan Yu Tan.  But she learned later that her mother was Qayqayt First Nations, and in 2005 a film called Tribe of One,
told her story to reclaim her First Nations status and heritage. 
Rhonda acknowledged our Uncle Dan (her father's and my grandmother's
younger brother), who was sitting in the audience.

Howe Lee is a retired lieutenant colonel, and a founding member of both the Chinese Canadian Military Museum and the Chinese Canadian Historical Society of BC
Howe talked about how some of the Chinese railway builders found refuge
in First Nations villages, after the railway was finished and the
promise to send Chinese back to China was reneged.  He grew up in
in Shuswap, in the North Okanagan and told some stories from that area.

Fred Mah is one Chinatown's historians putting in lots of work on the Chinatown Revitalization Committee, and many others.

Bing C. Wong,
more known for being Chinatown's first Chartered Accountant, is also a
WW2 Veteran, and has been working to develop a First Nations project
called “Totem Town”, that could be a tourist attraction next door to
Gastown and Chinatown.  “Uncle Bing” is an old family friend, whom
I have known ever since I was a child.  He grew up at Alert Bay,
where his father ran a store amongst the large aboriginal population
there.

Louis Smith is an aboriginal veteran, whom I have met
when attending events for the Chinese Canadian vetertans.  Louis
talked about his roots in the aboriginal and mixed race Canadian
background. 

It was a very interesting afternoon, hearing
the intersections of Chinese and First Nations peoples and it served to
help develop a bonding between the groups.  People in the small
audience could relate to the stories told by the many special
speakers. 

I shared a creation story, about why First
Nations and Chinese peoples are born with blue spots on the
bottoms.  It is called a Mongolian spot, or Mongolian Birthmark.
My story relates to how the two cultures believe that their real home
is the spirit world, and the physical world is full of lessons, and
hardships…. so the soul has to be “kicked out.” 
Everybody can relate to the story, and some of them laugh in
recognition.  I think it serves to show that despite our stories
about Chinese seeking refuge in First Nations villages, and aboriginals
seeking refuge in Chinatown – all from racist elements from the
dominant Anglo culture, that we really do have more in common than just
discrimination for not being White.  Perhaps we really all ONE
people, spiritually at least.

Georgia Straight: Heritage Vancouver tour of top ten threatened heritage sites including Kogawa House

Georgia Straight: Heritage Vancouver tour of top ten threatened heritage sites including Kogawa House

This week's Georgia Straight went on the Heritage Vancouver's tour of Vancouver's top ten threatened heritage sites,
including Kogawa House at 1450 West 64th Ave.  The list also
includes Burrard Street Bridge, Arthur Erikson designed Evergreen
Building and Salisbury Garden.

Matthew Burrows went on the tour and wrote this article Tour Highlights City's History, and interviews Heritage Vancouver's Donald Luxton.

A side bar story is What does heritage mean to you? and includes quotes
from David Kogawa, and Tamsin Baker – my friends and compatriots in the
Save Kogawa House campaign.

What does heritage mean to you?

Publish Date: 2-Mar-2006

David Kogawa
Joy Kogawa’s ex-husband and a member of the Save Kogawa House committee

“Heritage
is a lot to do with history. I feel if we don’t understand history, we
don’t really understand ourselves. We are molded by history.”

 

Donald Luxton
President of Heritage Vancouver Society

“The
big H. I think it’s things that we value from the past. Buildings and
sites are, of course, very evocative. But there are landscapes, ships,
trains, and cars. These are all aspects of our shared memory and
collective consciousness of the past. It’s very important to preserve a
range of things that speak to the representation of our history.”

Tamsin Baker
Lower
Mainland regional manager of the Land Conservancy, an independent
protector of B.C.’s important habitats and properties, including the
1913 Kogawa House in Marpole

“Protecting areas that mean something to a culture, to a people, that can be enjoyed forever.”

 

Canadian Press: Canada's leading writer's groups ask Ottawa for grant to save historic house


Canada's leading writers' groups ask Ottawa for grant to save historic house

Published: Monday, February 27, 2006

VANCOUVER (CP) – Canada's leading writers' groups are appealing to the
federal government for an emergency grant of $350,000 to save the
childhood home of novelist and poet Joy Kogawa.

Kogawa was six in 1942 when she and her family were forcibly removed
from their Vancouver home by the Canadian government during the Second
World War. The government used the War Measures Act to send 22,000
Japanese-Canadians to one of two internment camps in British Columbia
because they were considered enemies of Canada.

The Kogawa home was auctioned off without the family's consent and has been bought and sold several times since then.

The current owner wants to demolish the house and build a bigger one.

Vancouver city council has delayed issuing a demolition permit until
March 31 so the Land Conservancy of B.C. can raise $1.25 million to buy
the house and restore it for writers in residence.

The conservancy is supported by over a dozen organizations,
including the Writers' Union of Canada, the Writers' Trust of Canada
and the League of Canadian Poets.

So far, the groups have raised $170,000

, but Bill Turner, executive director of the Land Conservancy, said money continues to trickle in.

Supporters of the Save the Joy Kogawa House Committee say the simple
wood-frame house that was featured in Kogawa's award-winning book
Obasan needs to be saved as a symbol of Canadian history.

The committee is calling on all four major political parties for support.

Turner said he's trying to set up a meeting with Heritage Minister Beverley Oda.

“We're moving through the process but we don't have a lot of time
and of course, the government is just getting itself established so
it's an unfortunate time to have this,” Turner said.

“We have tremendous support but a lot of these (writers) are not very wealthy so that's one of the challenges.”

Several fundraising events, including one in Toronto on March 9, are
helping to get the word out about the campaign, Turner said.

© The Canadian Press 2006

See story by Canadian Press

Globe & Mail: Deadline to save Kogawa's old home draws near – by Petti Fong


Globe & Mail: Deadline to save Kogawa's old home draws near – by Petti Fong

Yesterday I got home… after having a snack with
Joy, and watching the filming of the Global News story… I found a
message on my voice mail from Globe & Mail reporter Petti Fong,  
Darn… I missed another media quote opportunity! 


Constable Bob Underhill, Joy Kogawa and Todd Wong at the “Order of Canada / Flag Day” luncheon hosted by The Canadian Club – see story at

I really like that Petti included the quote “If everyone who had read Obasan donated $1, enough money would be raised to preserve the house.

I keep telling people… that I would prefer see 100,000 people donate $10 each rather than one person donate $1 Million Dollars.  Kogawa House is a community house.  It lives in Joy's novels Obasan and Naomi's Road.  It should be the community that saves it, uses it, and cherishes it. 

Please donate to Kogawa House by calling The Land Conservancy
Tell them Toddish McWong sent you….

Vancouver Office
5655 Sperling Avenue
Burnaby, BC V5E 2T2
Phone: 604.733.2313
Fax: 604.299.5054

Deadline to save Kogawa's old home draws near

VANCOUVER — Celebrated Canadian author Joy Kogawa has a deadline hanging over her.

By
the end of March, she's hoping that enough money will be raised to save
her childhood Vancouver home from demolition and turn it into a
writer-in-residence's retreat.

But with the
deadline just six weeks away, fundraising has reached just $160,000,
far below the $1.25-million needed to buy the house from the current
owners and maintain it as a writers' retreat.

“We're hopeful that more people will hear about this,” said Tamsin Baker, regional manager with the Land Conservancy.

Along with the conservancy, a Save Kogawa House Committee has been helping to raise money.
Although
Ms. Kogawa lived in the house in the Marpole area for just six years,
the bungalow has become a symbol for many far greater than a place
where a writer once lived.
In 1942, Ms. Kogawa and her
family were removed from Vancouver and interned in the Interior town of
Slocan. Like thousands of Japanese-Canadians, their property, including
the house in Marpole, was confiscated.

For
nearly 100 years, the bungalow has sat on West 64th Avenue. After Ms.
Kogawa's family was forcibly removed during the Second World War, a
succession of owners lived at the house.
But because of its place in literature, through Ms. Kogawa's novel Obasan, the bungalow is anchored in details of a life disturbed suddenly. In Obasan, Ms. Kogawa describes the fruit trees in the back, trees that remain to this day, and she remembers playing in the backyard.

When
city hall voted last November to delay demolition to allow for heritage
preservation efforts, fundraising began in earnest to keep the house
from being destroyed.

The current owners want to build a new house on the lot.

Ms.
Baker with the conservancy said donations ranging from $30 to thousands
have come in, but still more is needed. Faculty at Toronto's York
University have pledged $1,000 and urged other faculties across the
country to match or beat their donation.

Yesterday, Ms. Baker said, a $10,000 donation came in.

Ms.
Kogawa, who talked to students yesterday at a Canadian Club luncheon in
downtown Vancouver, said she's hoping for a miracle. “It's miraculous
enough that the house itself has survived for so long,” she added.

Recently someone suggested to her that if everyone who had read Obasan donated $1, enough money would be raised to preserve the house.

The Joy Kogawa House has been named to Heritage Vancouver's 2006 Top


The Joy Kogawa House has been named to

Heritage Vancouver's 2006 Top Endangered sites


Their website description is as follows:


10. Kogawa House (1913)
1450 West 64th Avenue

In late fall 2005, City Council approved a 120-day demolition delay to
allow sufficient funds to be raised for the purchase and preservation of the
Kogawa House as a cultural and literary landmark.

The Land Conservancy of BC (TLC) has stepped in to help raise the over
one million dollars required to buy the house and pay for the repairs and
renovations necessary to convert it to a writers’ centre. However, if
efforts to purchase the property within the 120-day period (which ends March
31) are unsuccessful, the current private owner will demolish the house.

The Kogawa House has special literary significance as the childhood
home of acclaimed Canadian author Joy Kogawa. Through its depiction in her
novel, Obasan, the house has a strong symbolic and historical association with
the internment of Japanese-Canadians during WWII. The novel recalls this
episode in Canadian history through the eyes of a child. Kogawa’s childhood home
and the cherry tree in the back yard figure prominently in the novel.

Heritage Vancouver joins with other arts and literary groups across
Canada to support the proposed writers’ centre.

http://www.kogawahouse.com/

For a complete listing of all ten properties on the Heritage Vancouver
2006 Top Endangered Sites, see the link
http://www.heritagevancouver.org/topten/topten2006.htm

Chinese Lunar New Year 2006 in Vancouver Chinatown

Chinese Lunar New Year 2006 in Vancouver Chinatown

The Chinese New Year parade in Vancouve's Chinatown is now Vancouver's longest continually run parade, since the demise of the PNE parade.  Lots of action abounds as the many martial arts clubs all let loose their Lions to the streets.  Along the parade route, some of the Lions will approach different stores and restaurants hanging lettuce as an offering to the Lions.  After the parade, hang out on Pender and Keefer Streets afterwards as the Lions will roam the streets and even venture along Main St in search of lettuce and li-see (lucky red envelopes with money).  If you are lucky, you may see people lean out the 2nd or 3rd floor balconies with a lettuce hanging from a stick.  The lion may even try to climb up the building to get the lettuce to the loud applause of the crowd.

This year's parade featured the return of the Salvation Army Band, bangra dancing, the Carnival Band, and Brazillian dancers – but sadly no dragon boat.

I have never ever been a participant in the Chinese New Year Chinatown parade before, but this year I had 2 offers to join friends in Chinatown Revitalization Committee (Chair Glen Wong is an old childhood friend of mine), and the Dances With Dragons group (First Nations and Chinese supporters organized by Bill Chu).  I chose instead to just watch and enjoy the parade with my girlfriend.  It was amazing how many people we bumped into that we knew.


Todd Wong with friends City Councillor Suzanne Anton and dragon boater Patrick Couling – photo Deb Martin

First of all I bumped into Glen Wong with his young son – both dressed up in Chinese jackets.  Next was Patrick Couling, one of my early dragon boat mentors, then City Councillor Suzanne Anton – who had attended the previous week's Gung Haggis Fat Choy dinner.


“Eve & the Fire Horse” group promote the film, as actor Phoebe Kut hands out fortune cookies – photo Todd Wong

We walked past and through the parade assembly area and I greeted friends with their different groups.  I bumped into my 2nd cousin Nick with his two young sons and their martial arts club, as the club got ready to drum and do Lion Dances.  I met up with Wing Siu Wong, and young son Andy who came and greeted me saying “Toddish McWong!”  They were with the group for “Eve and the Fire Horse.”  Producers Yves Ma and Erik Paulsson were there with the group holding up a big banner sign.  Young actor Phoebe Kut was there too!  After the parade I had a great chat with Yves and learned that we had other friends in common when his young daughter asked me “Are you Jessica's friend?”

Here
I am with the parade crew from “Eve and the Fire Horse”:  actor Phoebe
Kut is delightful – she is on my right.  producer Yves Ma is on my left
with his daughter – who remembered meeting me the week before at the
Firehall Arts Centre.  What a small world! – photo Deb Martin.


Mother Tongue TV documentary series launches in Vancouver at Channel M

Mother Tongue TV documentary series launches in Vancouver at Channel M

My friend Susan Poizner is a television director/producer
who has succeeded with her goal of creating a series about the roles of
women from different ethnic groups across Canada.

The Vancouver launch of Mother Tongue happens 7:30pm on Thursday, January 12th at the Vancouver
Museum.

The launch
will show two segments:  one about my
Vancouverite Mary Lee Chan who was
born in Canada, sent
back to China
as a child, then she returned in 1947 to forge a life for herself and her
family;

2nd segment features Japanese Canadian  Kimiko Murakami who was
interned for 8 years in BC. 

The showing will be followed by a Q&A
session with Susan Poizner, Mary Kitagawa,
granddaughter of Kimiko Murakami, and me.
 
Channel M  has bought the series and will begin airing the series from
Jan. 15, 2006, Sundays at 10 pm. 
 
Go to the website below to learn about the 13 Canadian ethnic women whose
personal stories are told through the producer and director Susan
Poizner.  www.mothertongue.ca

communities

Acadian

 

 

 

Tea with Joy Kogawa: who will speak on CBC Radio Friday, about redress , Kogawa House, and maybe… Gung Haggis Fat Choy


Tea with Joy Kogawa who will speak on CBC Radio Friday, about redress, Kogawa House and maybe… Gung Haggis Fat Choy!
– a friendship develops

Joy Kogawa called me up late Thursday afternoon to tell me she was
going to be on CBC Radio's “On the Coast” program, January 6th – 3pm
onwards… and asked what she should say about Chinese Canadian head
tax.

I went over to her West End appartment after I finished work and we had
tea and cookies, and chatted about almost everything except head tax
redress issues.

Joy is an amazing person, she tells me she is exploring the nature of
frienships now in her life and her writing.  She is amazed at how
new frienships have popped out of the ground “like mushrooms” to help
propel the preservation of her childhood home.  She is amazingly
humble, and makes a frowning face when I say that. 

I tell her about the full page of related storis in that day's Sing Tao
newspaper.  She saddens with the knowledge that my name is not
mentioned in the article, partially because I was unable to provide the
reporter with a picture of both me and Joy together.

– the photo that never made it to Sing Tao news.

She listens intently when I recount Sook-Yin Lee's Dec 31st broadcast interview of Margaret Atwood on CBC Radio's Definitely Not the Opera
Sook-Yin asked bizarre but interesting questions such as What would you
prefer: To be dumb and live a long life, or incredibly smart and live a
short life? Or “Would you choose a life of lots of great sex, or a
great love life with no sex?

“What was her answer?” eagerly asked Joy.

But our conversation is mostly about me, as she asks me questions about
my survival from a near fatal cancer tumor in 1989. 

“Where was it?” she asks.

“Near my heart, behind my breastbone… restricting the flow of blood
back to my heart,” I say.  She is curious about how my mother came
to the hospital every night and performed Reiki engergy healing and
Therapeutic Touch healing on me.  She is curious how I studied
health psychology, visualizations and emotional healing in my quest to
regain my health.

We talk about how both our lives have been more than just hills and
valleys – in fact, deep canyons and high mountain peaks.  About
how we could never have imagined the things we have come to be involved
in, or the people that have surrounded around us and become our friends
and allies.

She tells me I am an unusual person (in a good way) and points to the
posters I have brought her for Gung Haggis Fat Choy, the Robbie Burns
Chinese New Year dinner event.  Joy will be our featured poet for
the evening, and we talk about Fred Wah's performance at the dinner
last year.  Joy is curious and asks about the dinner event's
origins. She thinks it will be great if her two grandchildren can attend because they are both Eurasian.

We talk about how much we love the multicultural acceptance in
Hawaii.  It just “is,” we agree.  Everybody's family has
married inter-racially.  It is no longer an issue.  We decide
that we both feel very “at home”, and “accepeted” in Hawaii, unlike our
Canadian childhoods and family histories which were marked by racism
and discrimination.

We finally get around to talking about redress issues, and how the
government policies for Chinese Head Tax parallel the policies for
Japanese Canadian Internment issues.  And again the talk turns to
me and my family.  To demonstrate the hardship faced by head tax
descendants, I share with Joy the situation that my grandmother grew up
in.  Born in Canada in 1910 to a head tax paying father, and a
mother and grandfather, then later married to a head tax payer – life
was very tough during and after the depression.  

Joys says she couldn't imagine growing up during those circumstances –
but then I couldn't imagine growing up under circumstances of
internment camps, evacuation, beet farms, and constant negative
self-identity as a community.

We finish up by summarizing that a true apology needs to happen from
the Liberal government.  It is important that healing takes place
for the Community pioneers and their many generations of
descendants. 

“How do you place a dollar figure on healing?” Joy asks.


Joy accepts her Community Pioneer
Award from Asian Canadian Writers' Workshop at the Ricepaper 10th
Anniversary dinner on Sept 24th, 2005.  Joy had asked me to say
some words about the Save Kogawa House, while ACWW vie-president Don
Montgomery MC's the event – photo Deb Martin.